Piccolo & Piano
The Mandarin Dance is either a Chinese mandarin dancing in the square, or a James Bond type of car chase, or even music to a Keystone Cops type of silent film. Novelty Night represents an end of season musicians party with everyone doing a little sketch. Dance of a Clown is a circus clown showing off various dances, and Tyrolienne Capers reflects a group of Austrian country folks dancing.
These lyrical pieces are essentially nostalgic, although never sad. They appeal to all audiences.
These lyrical pieces are essentially nostalgic, although never sad. They appeal to all audiences.
In five movements, each with an engaging title, this is a substantial concert work which can serve as a principal item when programme building. Always tuneful and with a great variety of moods, it is a valuable addition to the flute and harp repertoire.
Flute & Harp
In five movements, each with an engaging title, this is a substantial concert work which can serve as a principal item when programme building. Always tuneful and with a great variety of moods, it is a valuable addition to the flute and harp repertoire.
As a change from show-off bravura items this piece simply asks to be loved, and will return that feeling. Written in a very approachable style, it is well mannered enough to be taken anywhere. For colleges, conservatories and professionals.
Flute & Piano
As a change from show-off bravura items this piece simply asks to be loved, and will return that feeling. Written in a very approachable style, it is well mannered enough to be taken anywhere. For colleges, conservatories and professionals.
A lightweight kaleidoscopic view of a country outing, in which the last of the three movements portrays playfully the pleasures, and perhaps fatigue, of a bicycle ride.
Flute & Harp
A lightweight kaleidoscopic view of a country outing, in which the last of the three movements portrays playfully the pleasures, and perhaps fatigue, of a bicycle ride.
Sonata for Flute and Piano, Opus 17 is written in a late Romantic style. The first movement is constructed essentially in traditional sonata-allegro form, with an extensive coda augmenting the new material heard in the development. The passionate second movement opens with a lyrical theme that culminates into a free cadenza at the end. The third movement is written in theme and variation form. Of importance, the fifth variation is written as a four-part fugue and the final variation culminates by joining the theme of the third movement with that of the first. This work not only adds to the existing repertoire of intermediate-advanced flute music, but also teaches young people about traditional classical forms such as the rondo, theme and variations and the fugue. For the history of the composition please see Jim Kelsey's biography. Suitable for teaching studios, secondary schools, colleges and conservatories.
Flute & Piano
Sonata for Flute and Piano, Opus 17 is written in a late Romantic style. The first movement is constructed essentially in traditional sonata-allegro form, with an extensive coda augmenting the new material heard in the development. The passionate second movement opens with a lyrical theme that culminates into a free cadenza at the end. The third movement is written in theme and variation form. Of importance, the fifth variation is written as a four-part fugue and the final variation culminates by joining the theme of the third movement with that of the first. This work not only adds to the existing repertoire of intermediate-advanced flute music, but also teaches young people about traditional classical forms such as the rondo, theme and variations and the fugue. For the history of the composition please see Jim Kelsey's biography. Suitable for teaching studios, secondary schools, colleges and conservatories.
A lively interpretation by Rebecca Faith, the Joy to the World melody is heard layered with original melodies and motifs. An interesting rhythmic idea binds the piece together making it sparkle and dance, with the underlying semiquaver movement creating an exciting shimmer effect. The constant shifting of key, texture and melodic ideas makes this an arrangement that will keep both the performer and listener on their toes.
Flute & Piano
A lively interpretation by Rebecca Faith, the Joy to the World melody is heard layered with original melodies and motifs. An interesting rhythmic idea binds the piece together making it sparkle and dance, with the underlying semiquaver movement creating an exciting shimmer effect. The constant shifting of key, texture and melodic ideas makes this an arrangement that will keep both the performer and listener on their toes.
These ten short movements of the ever popular Water Music have been attractively arranged, by Eileen Clews, into three suites for three flutes to give interest to each player. The suites are in F, D and G and the various movements, which include bourees, menuets, hornpipes and airs, give a variety of tempo and rhythm to make these suites excellent teaching material and delightful concert pieces. They are ideal for three solo flutes or for a flute choir. Each movement can stand alone and can be used to practise and encourage ensemble playing. For schools, teaching studios and professionals.
These ten short movements of the ever popular Water Music have been attractively arranged, by Eileen Clews, into three suites for three flutes to give interest to each player. The suites are in F, D and G and the various movements, which include bourees, menuets, hornpipes and airs, give a variety of tempo and rhythm to make these suites excellent teaching material and delightful concert pieces. They are ideal for three solo flutes or for a flute choir. Each movement can stand alone and can be used to practise and encourage ensemble playing. For schools, teaching studios and professionals.
This well loved music, arranged by Eileen Clews, is equally suited for solo players or a flute choir. The parts are well balanced for interest and the different movements offer a variety of tempo and style. For studios and schools.
This well loved music, arranged by Eileen Clews, is equally suited for solo players or a flute choir. The parts are well balanced for interest and the different movements offer a variety of tempo and style. For studios and schools.
This arrangement by Rebecca Faith is not what is usually expected when labelled with the familiar title Silent Night. This piece of music is more of a variation of themes, the familiar melodies remaining recognisable but treated as small pockets of atmospheric motifs rather than one long lyrical melody. The style and harmonies have a more experimental magical feel whilst remaining easy on the ear, and are created to capture the attention and imagination of the listener.
Flute & Piano
This arrangement by Rebecca Faith is not what is usually expected when labelled with the familiar title Silent Night. This piece of music is more of a variation of themes, the familiar melodies remaining recognisable but treated as small pockets of atmospheric motifs rather than one long lyrical melody. The style and harmonies have a more experimental magical feel whilst remaining easy on the ear, and are created to capture the attention and imagination of the listener.
In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case Dvořák’s Humoreske Opus 101 No. 7, themes from the New World Symphony and Slavonic Dance, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For studios, schools, colleges, conservatories and professionals.
Flute Quartet
In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case Dvořák’s Humoreske Opus 101 No. 7, themes from the New World Symphony and Slavonic Dance, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For studios, schools, colleges, conservatories and professionals.
Flute Duet & Piano
Delibes arr. Parry – Flower Duet from Lakmé (Two Flutes and Piano) – Digital Download
Arranged by Martin Parry, this piece was made famous through British Airways TV advertising. For studios, schools and professionals.
Flute Duet & Piano
Delibes arr. Parry – Flower Duet from Lakmé (Two Flutes and Piano)
Arranged by Martin Parry, this piece was made famous through British Airways TV advertising. For studios, schools and professionals.
In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case Bach's Sleepers Wake, Jesu' Joy and Sheep May Safely Graze, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For schools, studios and professionals.
Flute Quartet
In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case Bach's Sleepers Wake, Jesu' Joy and Sheep May Safely Graze, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For schools, studios and professionals.
Flute & Piano
Albéniz arr. Parry – Granada from Suite Española No. 1, Opus 47 (Flute & Piano) – Digital Download
An arrangement by Martin Parry of one of Albéniz's most haunting and evocative pieces.
An arrangement by Martin Parry of one of Albéniz's most haunting and evocative pieces.
Following a bell-like introduction, the O Holy Night melody is heard in different colours, first on the flutes mid register, then in the piano bass, back to the flute and its higher register and then in a more chordal manner from the piano's treble. This arrangement by Rebecca Faith has a definite gradual growth in richness and emotion, climaxing at the key change where the flute is heard playing a very passion filled counter melody.
Flute & Piano
Following a bell-like introduction, the O Holy Night melody is heard in different colours, first on the flutes mid register, then in the piano bass, back to the flute and its higher register and then in a more chordal manner from the piano's treble. This arrangement by Rebecca Faith has a definite gradual growth in richness and emotion, climaxing at the key change where the flute is heard playing a very passion filled counter melody.