Flute, 'Cello & Piano
Paul Lewis – Retrospective Family Portraits (Flute, ‘Cello & Piano) – Digital Download
Retrospective Family Portraits, written in 2002, four and a half years after the composer and his former wife parted company, is a deeply felt work. Lyrical and joyful but with an emotional sting in the tail, it is idiomatically written for the three instruments in the composer's usual Anglo-French melodic style. The three movements are: Kim - the family dog - a white Boxer, pictured galumphing along Somerset country lanes before taking off across the fields in joyful pursuit of rabbits and moles, finally returning home to sink exhausted into her basket. Geneviève - the composer's former wife - French, blonde, gracious, artistic and a wonderful cook, though not without her more enigmatic moments. Rowena - the composer's daughter - memories of the young Rowena on happy holidays in France pervade the music until, without warning, the mood changes towards the end; composer and daughter had not met since the family break-up four and a half years previously, and the music calls out Rowena's name into the distance, as did the composer's heart. The premiere took place as part of the 2002 Brighton Festival Fringe, and was performed by the Hilser Trio with Rachel Smith on flute, Rachel Firmager on 'Cello and Yoko Ono on Piano.
Flute, 'Cello & Piano
Paul Lewis – Retrospective Family Portraits (Flute, ‘Cello & Piano)
Retrospective Family Portraits, written in 2002, four and a half years after the composer and his former wife parted company, is a deeply felt work. Lyrical and joyful but with an emotional sting in the tail, it is idiomatically written for the three instruments in the composer's usual Anglo-French melodic style. The three movements are: Kim - the family dog - a white Boxer, pictured galumphing along Somerset country lanes before taking off across the fields in joyful pursuit of rabbits and moles, finally returning home to sink exhausted into her basket. Geneviève - the composer's former wife - French, blonde, gracious, artistic and a wonderful cook, though not without her more enigmatic moments. Rowena - the composer's daughter - memories of the young Rowena on happy holidays in France pervade the music until, without warning, the mood changes towards the end; composer and daughter had not met since the family break-up four and a half years previously, and the music calls out Rowena's name into the distance, as did the composer's heart. The premiere took place as part of the 2002 Brighton Festival Fringe, and was performed by the Hilser Trio with Rachel Smith on flute, Rachel Firmager on 'Cello and Yoko Ono on Piano.
This work, consisting of four melodic pieces inspired by the infant children of friends of the composer, is in an uncomplicatedly melodic style being evocative of the innocence of childhood, and is very pleasing to perform and to listen to. Lullaby for Laura did its job when, on hearing it for the first time, Laura fell asleep in her mother's arms. Tallulah's Tune is based on the rhythm of her names. Poppy's Waltz was inspired by a neighbours little blonde girl in her garden, and Keris Mae was introduced to the composer in a playground, hence the playful nature of her piece. Premiered in London by Rachel Smith (a regular interpreter of Lewis's music) accompanied by Rachel Fryer on the 1st August 2005. Named as a finalist in the 2012 National Flute Association’s Newly Published Music Competition, Pictures of Childhood is for secondary schools, colleges, conservatories and professionals. The first movement Lullaby for Laura was a Grade 6 Associated Board of the Royal Schools of Music (ABRSM) exam piece between 2018 and 2021.
Flute & Piano
This work, consisting of four melodic pieces inspired by the infant children of friends of the composer, is in an uncomplicatedly melodic style being evocative of the innocence of childhood, and is very pleasing to perform and to listen to. Lullaby for Laura did its job when, on hearing it for the first time, Laura fell asleep in her mother's arms. Tallulah's Tune is based on the rhythm of her names. Poppy's Waltz was inspired by a neighbours little blonde girl in her garden, and Keris Mae was introduced to the composer in a playground, hence the playful nature of her piece. Premiered in London by Rachel Smith (a regular interpreter of Lewis's music) accompanied by Rachel Fryer on the 1st August 2005. Named as a finalist in the 2012 National Flute Association’s Newly Published Music Competition, Pictures of Childhood is for secondary schools, colleges, conservatories and professionals. The first movement Lullaby for Laura was a Grade 6 Associated Board of the Royal Schools of Music (ABRSM) exam piece between 2018 and 2021.
La Fille Aux Cheveux Dores (The Girl with the Golden Hair), composed by Paul Lewis and dedicated to Rachel Smith, is a study in extreme legato and breath control. It is sensuous, delicate, intimate and very French, and has the most gorgeous and romantic tune imaginable. Rachel Smith recorded this work in April 2012 on the CD The World of the Flute, released in 2013 by Polyphonic, QPRZ 029D.
Flute & Piano
La Fille Aux Cheveux Dores (The Girl with the Golden Hair), composed by Paul Lewis and dedicated to Rachel Smith, is a study in extreme legato and breath control. It is sensuous, delicate, intimate and very French, and has the most gorgeous and romantic tune imaginable. Rachel Smith recorded this work in April 2012 on the CD The World of the Flute, released in 2013 by Polyphonic, QPRZ 029D.
A melodic and reflective miniature by Paul Lewis, giving the chance to display legato technique and the expressive possibilities of the instruments. Requires sensitivity of performance and use of rubato.
A melodic and reflective miniature by Paul Lewis, giving the chance to display legato technique and the expressive possibilities of the instruments. Requires sensitivity of performance and use of rubato.
A melodic and reflective miniature by Paul Lewis, giving the chance to display legato technique and the expressive possibilities of the instruments. Requires sensitivity of performance and use of rubato.
A melodic and reflective miniature by Paul Lewis, giving the chance to display legato technique and the expressive possibilities of the instruments. Requires sensitivity of performance and use of rubato.
An unaccompanied work for two flutes, using the entire range of the instrument and many techniques such as flutter tonguing and triple tonguing. It stretches ensemble playing yet lies well beneath the fingers and is haunting and melodious. For schools, colleges, conservatories, libraries and professionals.
Flute Duet
An unaccompanied work for two flutes, using the entire range of the instrument and many techniques such as flutter tonguing and triple tonguing. It stretches ensemble playing yet lies well beneath the fingers and is haunting and melodious. For schools, colleges, conservatories, libraries and professionals.
Flute, Viola & Harp
Paul Lewis – Divertimento (Flute, Viola & Harp) – Digital Download
A happy work and full of Gallic charm. Many pieces for this combination are moody and introspective and so this can be a very good balancing work in a concert programme. It is fun to play and audiences love it. It is Paul Lewis' most popular and often played chamber work, and has been broadcast on Classic FM Radio and performed in concert by many trios including the world famous Nash Ensemble. For teaching studios, schools, colleges, conservatories, libraries and professionals.
Flute, Viola & Harp
A happy work and full of Gallic charm. Many pieces for this combination are moody and introspective and so this can be a very good balancing work in a concert programme. It is fun to play and audiences love it. It is Paul Lewis' most popular and often played chamber work, and has been broadcast on Classic FM Radio and performed in concert by many trios including the world famous Nash Ensemble. For teaching studios, schools, colleges, conservatories, libraries and professionals.
Flute & Piano
Paul Lewis – A Somerset Garland (Flute, Violin or Harmonica & Piano) – Digital Download
Arrangements of Somerset folk songs to give them a new lease of life and introduce them to audiences who might never otherwise hear them. Very popular with audiences, its individual movements are useful as fillers or encores. Martock Jig and Langport March are also playable on Piccolo. It is a very direct and enjoyable work and is also versatile, with versions for flute, violin or harmonica with piano accompaniment. The original harmonica version is very idiomatically written by the composer, who was long associated with the late great virtuoso Tommy Reilly. It is folk material very well suited to the instrument. For teaching studios, conservatories, libraries, amateurs and professionals. The last movement of this work Langport March was a Trinity College London Grade 5 Exam Piece for Flute between 2007 and 2022.
Arrangements of Somerset folk songs to give them a new lease of life and introduce them to audiences who might never otherwise hear them. Very popular with audiences, its individual movements are useful as fillers or encores. Martock Jig and Langport March are also playable on Piccolo. It is a very direct and enjoyable work and is also versatile, with versions for flute, violin or harmonica with piano accompaniment. The original harmonica version is very idiomatically written by the composer, who was long associated with the late great virtuoso Tommy Reilly. It is folk material very well suited to the instrument. For teaching studios, conservatories, libraries, amateurs and professionals. The last movement of this work Langport March was a Trinity College London Grade 5 Exam Piece for Flute between 2007 and 2022.
This arrangement of Away in a Manger by Rebecca Faith incorporates two traditional melodies woven together seamlessly to create a refreshing interpretation of a universally familiar song. A verse of the traditional American tune is heard first on the piano before being interrupted by the flute taking over with the British melody. Piano interludes of the American themes return but never in full until the end of the piece where it returns to its original starting point. As much as the familiar melodies are recognisable they are laced with jazzy harmonies and a nonchalant improvisatory style.
This arrangement of Away in a Manger by Rebecca Faith incorporates two traditional melodies woven together seamlessly to create a refreshing interpretation of a universally familiar song. A verse of the traditional American tune is heard first on the piano before being interrupted by the flute taking over with the British melody. Piano interludes of the American themes return but never in full until the end of the piece where it returns to its original starting point. As much as the familiar melodies are recognisable they are laced with jazzy harmonies and a nonchalant improvisatory style.
This collection consists of arrangements by Martin Parry of five popular Mozart opera melodies - the Bird Catcher's Song and Papageno's Aria from The Magic Flute, Figaro's Aria from The Marriage of Figaro, Canzonetta from Don Giovanni and The Drunkard's Duet from Il Seraglio.
Flute Duet
This collection consists of arrangements by Martin Parry of five popular Mozart opera melodies - the Bird Catcher's Song and Papageno's Aria from The Magic Flute, Figaro's Aria from The Marriage of Figaro, Canzonetta from Don Giovanni and The Drunkard's Duet from Il Seraglio.
In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case three favourite Mozart melodies, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For schools, studios and professionals.
Flute Quartet
In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case three favourite Mozart melodies, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For schools, studios and professionals.
Flute & Piano
Mendelssohn arr. Faith – Hark The Herald Angels Sing (Flute & Piano) – Digital Download
This is a highly unique arrangement by Rebecca Faith. Its features are laid back jazzy chords and syncopated rhythms within a 6/8 structure. There is frequent use of clashing seconds in the harmony, but the familiar melody is prominent and not lost. This piece has five clear sections: a verse of the melody, a piano solo, another verse of the melody, a flute solo, then a final rendition of the melody - but here the flute continues to maintain an experimental feel, combining the verse and solo sections to conclude.
This is a highly unique arrangement by Rebecca Faith. Its features are laid back jazzy chords and syncopated rhythms within a 6/8 structure. There is frequent use of clashing seconds in the harmony, but the familiar melody is prominent and not lost. This piece has five clear sections: a verse of the melody, a piano solo, another verse of the melody, a flute solo, then a final rendition of the melody - but here the flute continues to maintain an experimental feel, combining the verse and solo sections to conclude.
Another delightful piece by English composer Martin Yates.
Another delightful piece by English composer Martin Yates.
A delightful recital piece by English composer Martin Yates, whose eclectic style is fast earning him popularity. For studios, colleges, conservatories and professionals.
Flute & Piano
A delightful recital piece by English composer Martin Yates, whose eclectic style is fast earning him popularity. For studios, colleges, conservatories and professionals.
An lovely original work, perfect for recitals.
Flute & Piano
An lovely original work, perfect for recitals.