A lightweight kaleidoscopic view of a country outing, in which the last of the three movements portrays playfully the pleasures, and perhaps fatigue, of a bicycle ride. Review: "Another charming set of three short movements for flute (or violin) and harp. Playable and audience friendly they are a valuable addition to the repertoire, either as a concert piece or as background music. They are around grade 6-7ish standard. The first sits mainly in the middle and low octaves and has a flute cadenza towards the end. The second is more dreamlike with the melody in the flute part accompanied by an arpeggiated broken chord feature in the harp. The final movement is more lively and more of a duet between flute and harp, but again shouldn't pose any problems to get together with the harp." – Dr. Rachel Smith DMA, MA, BMus (Hons), FTCL – December 2012
John Marson was born in 1932 and died in 2007. He studied the harp with Marie Goossens at the Royal College of Music in London, and in 1958, while still a student, began his professional career with the Carl Rosa Opera Company. A week after leaving college he joined the London Symphony Orchestra for two years before embarking on two decades of freelance work, during which he played solos, chamber music and concerti, worked with all the London orchestras and spent much time in recording studios. He played in many outstanding feature films including the original 'Star Wars'. In 1982 he was appointed principal harp of the BBC Symphony Orchestra, and subsequently resumed his freelance career while increasingly engaging in composition, both for the harp and for other instruments and voice. He played for many West End and National Theatre productions including over three years as harpist in Lloyd Webber's 'Aspects of Love'.
The roll call of artists with whom John has worked include the Beatles, Richard Rodney Bennett, Leonard Bernstein, Pierre Boulez, Benjamin Britten, Charlie Chaplin, Bing Crosby, John Dankworth, Duke Ellington, Benny Goodman, Liberace, Martha Graham, Hans Werner Henze, Herbert von Karajan, Otto Klemperer, Zoltan Kodaly, Lorin Maazel, Neville Marriner, Pierre Monteux, Jessye Norman, Laurence Olivier, Luciano Pavarotti, Gennadi Rozhdestvenski, Frank Sinatra, George Solti, Leopold Stokowski, Igor Stravinsky, George Szell, William Walton, John Williams, Stevie Wonder and countless others.
In 1964 John was one of the two founders of the United Kingdom Harp Association, edited its magazines for many years and became President of the Association in January 2005. His book 'The Complete Guide to Harp Glissandi', is published by Lyra Music of New York, while his other major work 'The Book of the Harp - techniques, history and lore of a unique musical instrument', was published by Kevin Mayhew Ltd. in 2005.
A melodic and reflective miniature by Paul Lewis, giving the chance to display legato technique and the expressive possibilities of the instruments. Requires sensitivity of performance and use of rubato.
Two liltingly romantic waltzes, the second marked Gently Swinging. The first is based on a short ballet sequence on Oscar Wilde's The Nightingale and the Rose, composed for The Rose of Puddle Fratrum, an episode of the ITV childrens series Dramarama in the late 1970s. The work is an example of late twentieth century French-influenced romanticism, with a gentle jazz feeling in the second waltz and no reference whatsoever to modernist musical trends. It is extremely grateful to play and always pleases audiences. For secondary schools, colleges, conservatories and professionals.