The title of this composition derives from the manner in which instrumental contrasts are exploited as in the Concerti Grossi of the period. This arrangement by Carlo Martelli is, however, a straightforward adaptation for stringed instruments.
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The title of this composition derives from the manner in which instrumental contrasts are exploited as in the Concerti Grossi of the period. This arrangement by Carlo Martelli is, however, a straightforward adaptation for stringed instruments.
The title of this composition derives from the manner in which instrumental contrasts are exploited as in the Concerti Grossi of the period. This arrangement by Carlo Martelli is, however, a straightforward adaptation for stringed instruments.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Bach, Johann Sebastian
Bach arr. Martelli – Sleepers Wake, Cantata No. 140 (String Quartet) – Digital Download
The arranger Carlo Martelli has amused himself, and he hopes his audience, by combining Bach's famous melody with Puccini's Nessun Dorma which translated means, of course, 'None shall sleep' - hence Sleepers Awake!
Debussy, Claude
It was in his music for pianoforte that Debussy confided his most personal inspirations. Nonetheless, in the hands of a master like Carlo Martelli they transcribe well to the quartet medium. This tarantella like piece is no exception.
Work, Henry Clay
Work arr. Martelli – Marching Through Georgia (String Quartet)
This march, arranged by Carlo Martelli, was composed during the American civil war to celebrate the Yankee invasion of the seceding Southern states.
Bach, Johann Sebastian
Bach arr. Martelli – Et In Unum Dominum from Mass in B Minor (String Quartet)
Bach's vocal style has been accused, quite justly, of being entirely instrumental in origin - therefore this excerpt from the Mass in B Minor is particularly well suited to this arrangement for string quartet by Carlo Martelli.
Bach, Johann Sebastian
Bach arr. Martelli – Sheep May Safely Graze, Cantata No. 208 (String Quartet) – Digital Download
It may come as a surprise to many who love this piece that the deep contentment and severity with which it is imbued carry no religious implications. Here arranged by Carlo Martelli for string quartet, it was originally a soprano solo with obbligato accompaniment for two flutes from the composers Birthday Cantata.
Bach, Johann Sebastian
Bach arr. Martelli – Italian Concerto Movement 1 (String Quartet)
Bach's timeless masterpiece originally written for keyboard is here masterfully transcribed by Carlo Martelli for the string quartet medium. For colleges, conservatories and professionals.