The title of this composition derives from the manner in which instrumental contrasts are exploited as in the Concerti Grossi of the period. This arrangement by Carlo Martelli is, however, a straightforward adaptation for stringed instruments.
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The title of this composition derives from the manner in which instrumental contrasts are exploited as in the Concerti Grossi of the period. This arrangement by Carlo Martelli is, however, a straightforward adaptation for stringed instruments.
The title of this composition derives from the manner in which instrumental contrasts are exploited as in the Concerti Grossi of the period. This arrangement by Carlo Martelli is, however, a straightforward adaptation for stringed instruments.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Bach, Johann Sebastian
Bach arr. Martelli – Italian Concerto Movement 3 (String Quartet)
The title of this composition derives from the manner in which instrumental contrasts are exploited as in the Concerti Grossi of the period. This arrangement by Carlo Martelli is, however, a straightforward adaptation for stringed instruments.
Bach, Johann Sebastian
Bach arr. Martelli – Et In Unum Dominum from Mass in B Minor (String Quartet)
Bach's vocal style has been accused, quite justly, of being entirely instrumental in origin - therefore this excerpt from the Mass in B Minor is particularly well suited to this arrangement for string quartet by Carlo Martelli.
Bach, Johann Sebastian
Bach arr. Martelli – Brandenburg Concerto No. 4 Movement 1 (String Quartet) – Digital Download
Of all Bach's instrumental works the six Brandenburg Concertos are his most famous and well loved. This arrangement by Carlo Martelli of the first movement of Brandenburg No. 4 expertly transcribes for the four strings what was originally written for two recorders, solo violin and string orchestra.
The Passepied is a dance that originated in France and resembles the minuet. This example, arranged by Carlo Martelli from Debussy's Suite Bergamasque, represents a late flowering and highly sophisticated version of the form.
Bach, Johann Sebastian
Bach arr. Martelli – Toccata and Fugue in D Minor (String Quartet)
This arrangement by Carlo Martelli of perhaps the mightiest and most popular of all organ works is at the other end of the scale from the many that have been made for huge orchestras, although nonetheless effective despite its mere four string players. Suitable for colleges, conservatories and professionals.
Bach, Johann Sebastian
Bach arr. Martelli – Et In Unum Dominum from Mass in B Minor (String Quartet) – Digital Download
Bach's vocal style has been accused, quite justly, of being entirely instrumental in origin - therefore this excerpt from the Mass in B Minor is particularly well suited to this arrangement for string quartet by Carlo Martelli.