Rossini, Gioachino
Rossini arr. Martelli – The Italian Girl in Algiers Overture (String Quartet) – Digital Download
The opera from which this overture gets its title was Rossini's first great success in the field of opera buffa. The overture, now arranged for string quartet by Carlo Martelli, follows the customary pattern for Rossini of slow introduction followed by two skittish tunes with attendant long crescendo to tutti.
The opera from which this overture gets its title was Rossini's first great success in the field of opera buffa. The overture, now arranged for string quartet by Carlo Martelli, follows the customary pattern for Rossini of slow introduction followed by two skittish tunes with attendant long crescendo to tutti.
Carlo Martelli has skilfully transformed Ravel's original, which he described as orchestration without music, into an effective and exciting exercise in dynamic contrast and colour for the much more restricted medium of the string quartet. Ideal for concerts, weddings and all occasions.
Ravel, Maurice
Carlo Martelli has skilfully transformed Ravel's original, which he described as orchestration without music, into an effective and exciting exercise in dynamic contrast and colour for the much more restricted medium of the string quartet. Ideal for concerts, weddings and all occasions.
Purcell, Henry
Purcell arr. Martelli – Strike The Viol from Come Ye Sons of Art (String Quartet) – Digital Download
This charming piece is from the 1694 birthday ode to Queen Mary. Here arranged for string quartet by Carlo Martelli, its original scoring was for counter-tenor accompanied by two recorders and strings.
This charming piece is from the 1694 birthday ode to Queen Mary. Here arranged for string quartet by Carlo Martelli, its original scoring was for counter-tenor accompanied by two recorders and strings.
Brass Quintet
Purcell arr. Lawrence – A Choice Collection, Two Anthems (Brass Quintet) – Digital Download
Two baroque anthems effectively arranged for brass quintet by Ian Lawrence.
Two baroque anthems effectively arranged for brass quintet by Ian Lawrence.
Puccini, Giacomo
Puccini arr. Martelli – Nessun Dorma from Turandot (String Quartet) – Digital Download
This famous aria, arranged by Carlo Martelli, is sung by Calaf in the final act of Puccini's final opera. In it he echoes the cries of Turandot's henchmen as they search for the one person who knows Calaf's name.
Puccini, Giacomo
Puccini arr. Martelli – Nessun Dorma from Turandot (String Quartet)
This famous aria, arranged by Carlo Martelli, is sung by Calaf in the final act of Puccini's final opera. In it he echoes the cries of Turandot's henchmen as they search for the one person who knows Calaf's name.
This short lyrical piece was originally written for harmonica and harp. It is a free flow of musical thought on a simple melody, described by flautist Rachel Smith as "luscious", which develops by way of numerous key changes and embellishment.
This short lyrical piece was originally written for harmonica and harp. It is a free flow of musical thought on a simple melody, described by flautist Rachel Smith as "luscious", which develops by way of numerous key changes and embellishment.
A melodic and reflective miniature by Paul Lewis, giving the chance to display legato technique and the expressive possibilities of the instruments. Requires sensitivity of performance and use of rubato.
A melodic and reflective miniature by Paul Lewis, giving the chance to display legato technique and the expressive possibilities of the instruments. Requires sensitivity of performance and use of rubato.
A melodic and reflective miniature by Paul Lewis, giving the chance to display legato technique and the expressive possibilities of the instruments. Requires sensitivity of performance and use of rubato.
A melodic and reflective miniature by Paul Lewis, giving the chance to display legato technique and the expressive possibilities of the instruments. Requires sensitivity of performance and use of rubato.
Flute & Piano
Paul Lewis – A Somerset Garland (Flute, Violin or Harmonica & Piano) – Digital Download
Arrangements of Somerset folk songs to give them a new lease of life and introduce them to audiences who might never otherwise hear them. Very popular with audiences, its individual movements are useful as fillers or encores. Martock Jig and Langport March are also playable on Piccolo. It is a very direct and enjoyable work and is also versatile, with versions for flute, violin or harmonica with piano accompaniment. The original harmonica version is very idiomatically written by the composer, who was long associated with the late great virtuoso Tommy Reilly. It is folk material very well suited to the instrument. For teaching studios, conservatories, libraries, amateurs and professionals. The last movement of this work Langport March was a Trinity College London Grade 5 Exam Piece for Flute between 2007 and 2022.
Arrangements of Somerset folk songs to give them a new lease of life and introduce them to audiences who might never otherwise hear them. Very popular with audiences, its individual movements are useful as fillers or encores. Martock Jig and Langport March are also playable on Piccolo. It is a very direct and enjoyable work and is also versatile, with versions for flute, violin or harmonica with piano accompaniment. The original harmonica version is very idiomatically written by the composer, who was long associated with the late great virtuoso Tommy Reilly. It is folk material very well suited to the instrument. For teaching studios, conservatories, libraries, amateurs and professionals. The last movement of this work Langport March was a Trinity College London Grade 5 Exam Piece for Flute between 2007 and 2022.
Offenbach, Jacques
This famous melody, from the Venetian scene in its composer's last opera, has a captivating charm that no amount of familiarity could ever dispel. The melody, arranged by Carlo Martelli, first appeared in a much earlier operetta called Die Rheinnixen but its universal fame dates from its use in The Tales of Hoffmann. 1999
Offenbach, Jacques
Offenbach arr. Martelli – Barcarolle from The Tales of Hoffmann – (String Quartet)
This famous melody, from the Venetian scene in its composer's last opera, has a captivating charm that no amount of familiarity could ever dispel. The melody, arranged by Carlo Martelli, first appeared in a much earlier operetta called Die Rheinnixen but its universal fame dates from its use in The Tales of Hoffmann.
A short dramatic piece for horn and piano approximately grade 6 to 7 standard. Written following a day trip to Walton-on-the-Naze in Essex. Inspired by billowing cumulus clouds often seen in the English countryside on a hot summers day. The piece ends with an optional top C.
Horn & Piano
A short dramatic piece for horn and piano approximately grade 6 to 7 standard. Written following a day trip to Walton-on-the-Naze in Essex. Inspired by billowing cumulus clouds often seen in the English countryside on a hot summers day. The piece ends with an optional top C.
This collection consists of arrangements by Martin Parry of five popular Mozart opera melodies - the Bird Catcher's Song and Papageno's Aria from The Magic Flute, Figaro's Aria from The Marriage of Figaro, Canzonetta from Don Giovanni and The Drunkard's Duet from Il Seraglio.
Flute Duet
This collection consists of arrangements by Martin Parry of five popular Mozart opera melodies - the Bird Catcher's Song and Papageno's Aria from The Magic Flute, Figaro's Aria from The Marriage of Figaro, Canzonetta from Don Giovanni and The Drunkard's Duet from Il Seraglio.
In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case three favourite Mozart melodies, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For schools, studios and professionals.
Flute Quartet
In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case three favourite Mozart melodies, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For schools, studios and professionals.
Saxophone Quartet
Mike Dale – Pixillation (Saxophone Quartet) – Digital Download
Pixillation, composed by Mike Dale, is a melodic piece with many rhythmic and harmonic contrasts. After a short tranquil yet rhythmic introduction the first theme starts in a tango style, maintaining a rhythmic feel throughout. Although the tune at this time is clearly played by the soprano, the alto and tenor saxophones frequently interject with short counter melodies. The piece ends with a scattering of notes from the accompanying instruments with the soprano soaring over the top, before a gentle and quiet finish. Pixillation received its premier at the Didsbury Arts Festival in September 2011, played by the Quagga Saxophone Quartet.
Saxophone Quartet
Pixillation, composed by Mike Dale, is a melodic piece with many rhythmic and harmonic contrasts. After a short tranquil yet rhythmic introduction the first theme starts in a tango style, maintaining a rhythmic feel throughout. Although the tune at this time is clearly played by the soprano, the alto and tenor saxophones frequently interject with short counter melodies. The piece ends with a scattering of notes from the accompanying instruments with the soprano soaring over the top, before a gentle and quiet finish. Pixillation received its premier at the Didsbury Arts Festival in September 2011, played by the Quagga Saxophone Quartet.
An arrangement by Alan Civil from Mendelssohn's Children's Pieces for piano.
An arrangement by Alan Civil from Mendelssohn's Children's Pieces for piano.