£13.95

This arrangement by Alan Danson conveys the triumph and celebration of the Finale of Beethoven's 5th Symphony. The writing is idiomatic and melodic interest is shared between all parts, with rare moments of a contemporary approach to the work here and there. An ideal opener to the second half of a concert. For schools, studios and professionals.

 

£13.95

This arrangement by Alan Danson conveys the triumph and celebration of the Finale of Beethoven's 5th Symphony. The writing is idiomatic and melodic interest is shared between all parts, with rare moments of a contemporary approach to the work here and there. An ideal opener to the second half of a concert. For schools, studios and professionals.

 

£20.95

A favourite arrangement from the pen of the late and celebrated hornist Alan Civil. For schools, studios and professionals.

 

£20.95

A favourite arrangement from the pen of the late and celebrated hornist Alan Civil. For schools, studios and professionals.

 

£12.95

In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case Bach's Sleepers Wake, Jesu' Joy and Sheep May Safely Graze, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For schools, studios and professionals.

 

£12.95

In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case Bach's Sleepers Wake, Jesu' Joy and Sheep May Safely Graze, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For schools, studios and professionals.

 

£9.95

The arranger Carlo Martelli has amused himself, and he hopes his audience, by combining Bach's famous melody with Puccini's Nessun Dorma which translated means, of course, 'None shall sleep' - hence Sleepers Awake!

 

£9.95

The arranger Carlo Martelli has amused himself, and he hopes his audience, by combining Bach's famous melody with Puccini's Nessun Dorma which translated means, of course, 'None shall sleep' - hence Sleepers Awake!

 

£9.95

During his 27 years as cantor at St. Thomas's in Leipzig, Bach wrote over 160 cantatas for the various festivals of the church year. This arrangement by Carlo Martelli is of one of the best known numbers of these works.

 

£9.95

During his 27 years as cantor at St. Thomas's in Leipzig, Bach wrote over 160 cantatas for the various festivals of the church year. This arrangement by Carlo Martelli is of one of the best known numbers of these works.

 

£10.95

Bach's vocal style has been accused, quite justly, of being entirely instrumental in origin - therefore this excerpt from the Mass in B Minor is particularly well suited to this arrangement for string quartet by Carlo Martelli.

 

£10.95

Bach's vocal style has been accused, quite justly, of being entirely instrumental in origin - therefore this excerpt from the Mass in B Minor is particularly well suited to this arrangement for string quartet by Carlo Martelli.

 

£13.95

Two Bach fugues arranged effectively for brass quintet by Ian Lawrence. For schools, studios and professionals.

 

£13.95

Two Bach fugues arranged effectively for brass quintet by Ian Lawrence. For schools, studios and professionals.

 

£8.95

Alfonso Cavallaro's Serenade, like its sister composition Tango (also published by Broadbent & Dunn), is essentially a very tonal concert piece, loosely modelled after those of Fritz Kreisler. The composition assumes the familiar 'three-part song form' and is usually performed with Tango.

 

£8.95

Alfonso Cavallaro's Serenade, like its sister composition Tango (also published by Broadbent & Dunn), is essentially a very tonal concert piece, loosely modelled after those of Fritz Kreisler. The composition assumes the familiar 'three-part song form' and is usually performed with Tango.

 

£46.75

Your purchase will consist of the following set of Parts:

5 x 1st Violin 4 x 2nd Violin 3 x Viola 2 x 'Cello 1 x Double Bass Extra parts available on request The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.  

£12.95

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

 

£3.95

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

 

£12.95

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

 

£2.70

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

 

£3.95

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

 

£2.70

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

 

£2.70

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

 

£8.95

An arrangement by Martin Parry of one of Albéniz's most haunting and evocative pieces.

 

£8.95

An arrangement by Martin Parry of one of Albéniz's most haunting and evocative pieces.

 

£7.95

Nicknamed Gartenschlauch Serenade, this wacky best selling musical joke is performed on a 12 foot garden hose.

 

£7.95

Nicknamed Gartenschlauch Serenade, this wacky best selling musical joke is performed on a 12 foot garden hose.