Bach’s vocal style has been accused, quite justly, of being entirely instrumental in origin – therefore this excerpt from the Mass in B Minor is particularly well suited to this arrangement for string quartet by Carlo Martelli.
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Bach’s vocal style has been accused, quite justly, of being entirely instrumental in origin – therefore this excerpt from the Mass in B Minor is particularly well suited to this arrangement for string quartet by Carlo Martelli.
Bach’s vocal style has been accused, quite justly, of being entirely instrumental in origin – therefore this excerpt from the Mass in B Minor is particularly well suited to this arrangement for string quartet by Carlo Martelli.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Bach, Johann Sebastian
Bach arr. Martelli – Jesu’ Joy, Cantata No. 147 (String Quartet)
During his 27 years as cantor at St. Thomas's in Leipzig, Bach wrote over 160 cantatas for the various festivals of the church year. This arrangement by Carlo Martelli is of one of the best known numbers of these works.
Chabrier, Emmanuel
Chabrier's short but astonishingly brilliant orchestral works, of which España is one, are among the best light music ever written. This arrangement by Carlo Martelli for string quartet captures perfectly the virtuosic nature of the original score.
Bruch, Max Christian Friedrich
Bruch arr. Martelli – Adagio from Violin Concerto in G Minor (String Quartet)
In this arrangement by Carlo Martelli of the beautiful slow movement of Bruch's Violin Concerto the solo part is unchanged and the orchestral part arranged for the other three players.
Mendelssohn, Felix & Wagner, Richard
Mendelssohn & Wagner arr. Martelli – Wedding March (String Quartet)
In this arrangement by Carlo Martelli the middle section of Mendelssohn's famous wedding march has been replaced by Wagner's equally famous bridal march from Lohergrin. Two for the price of one, so to speak!
Bach, Johann Sebastian
Bach arr. Martelli – Sheep May Safely Graze, Cantata No. 208 (String Quartet) – Digital Download
It may come as a surprise to many who love this piece that the deep contentment and severity with which it is imbued carry no religious implications. Here arranged by Carlo Martelli for string quartet, it was originally a soprano solo with obbligato accompaniment for two flutes from the composers Birthday Cantata.
Bach, Johann Sebastian
Bach arr. Martelli – Et In Unum Dominum from Mass in B Minor (String Quartet)
Bach's vocal style has been accused, quite justly, of being entirely instrumental in origin - therefore this excerpt from the Mass in B Minor is particularly well suited to this arrangement for string quartet by Carlo Martelli.