This charming piece is from the 1694 birthday ode to Queen Mary. Here arranged for string quartet by Carlo Martelli, its original scoring was for counter-tenor accompanied by two recorders and strings.
£8.95
This charming piece is from the 1694 birthday ode to Queen Mary. Here arranged for string quartet by Carlo Martelli, its original scoring was for counter-tenor accompanied by two recorders and strings.
This charming piece is from the 1694 birthday ode to Queen Mary. Here arranged for string quartet by Carlo Martelli, its original scoring was for counter-tenor accompanied by two recorders and strings.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Two concert suites were made out of the beautiful and highly picturesque L'Arlésienne music. The Farandole, which concludes the second suite and is here arranged by Carlo Martelli, is a spirited circle dance of Provençal derivation.
This magnificent march, arranged by Carlo Martelli, accompanies the gathering of the nobles in the great hall of the Wartburg for the song contest.
Debussy, Claude
It was in his music for pianoforte that Debussy confided his most personal inspirations. Nonetheless, in the hands of a master like Carlo Martelli they transcribe well to the quartet medium. This tarantella like piece is no exception.
Based on an eclogue by the symbolist poet Mallarmé, this famous piece is a seminal work in the evolution and development of European art music. At first glance it would seem not to lend itself to the quartet medium, but nonetheless Carlo Martelli has succeeded brilliantly in distilling the essence of the composition in all its sensuous beauty and languorousness. For conservatories and professionals.
The Passepied is a dance that originated in France and resembles the minuet. This example, arranged by Carlo Martelli from Debussy's Suite Bergamasque, represents a late flowering and highly sophisticated version of the form.
This exhilarating piece from Come Ye Sons of Art was originally written for two countertenors and continuo. Carlo Martelli has added some figuration for the viola in this arrangement for string quartet.