£5.95

Tonal, well crafted and lasting the test of time, this fifth string quartet was written in London and premiered by the New London Quartet at the Cheltenham Town Hall on the 26th April 1962. It received its first London performance in May 1983 at the Purcell Room. For professionals and advanced students.

£15.95

This sixth string quartet is in six sections, played almost without a break. Begun in 1987 the work was subsequently abandoned, then restarted in 1990 and completed in May 1992. Premiered at the Cheltenham Music Festival. For professionals and advanced students.

£11.95

This sixth string quartet is in six sections, played almost without a break. Begun in 1987 the work was subsequently abandoned, then restarted in 1990 and completed in May 1992. Premiered at the Cheltenham Music Festival. For professionals and advanced students.

£6.95

This sixth string quartet is in six sections, played almost without a break. Begun in 1987 the work was subsequently abandoned, then restarted in 1990 and completed in May 1992. Premiered at the Cheltenham Music Festival. For professionals and advanced students.

£25.95

Tonal, well crafted and lasting the test of time, this work was premiered by the Blech String Quartet at the Cheltenham Festival in 1950, and was recorded at the Henry Wood Hall in London in January 2002 and has subsequently been released by Dutton Epoch. For colleges, conservatories, professionals and libraries.

£18.95

Tonal, well crafted and lasting the test of time, this work was premiered by the Blech String Quartet at the Cheltenham Festival in 1950, and was recorded at the Henry Wood Hall in London in January 2002 and has subsequently been released by Dutton Epoch. For colleges, conservatories, professionals and libraries.

£9.95

Tonal, well crafted and lasting the test of time, this work was premiered by the Blech String Quartet at the Cheltenham Festival in 1950, and was recorded at the Henry Wood Hall in London in January 2002 and has subsequently been released by Dutton Epoch. For colleges, conservatories, professionals and libraries.

£12.95

The result of a commission by the Rugby Sinfonia in 1984, this string quartet version of Allegro Risotto is an ambitious one movement work that contrasts lively, energetic sections (containing exciting rhythms and occasional unequal bar lengths) with calmer, more lyrical passages.

£9.95

The result of a commission by the Rugby Sinfonia in 1984, this string quartet version of Allegro Risotto is an ambitious one movement work that contrasts lively, energetic sections (containing exciting rhythms and occasional unequal bar lengths) with calmer, more lyrical passages.

£5.95

The result of a commission by the Rugby Sinfonia in 1984, this string quartet version of Allegro Risotto is an ambitious one movement work that contrasts lively, energetic sections (containing exciting rhythms and occasional unequal bar lengths) with calmer, more lyrical passages.

£2.50

The result of a commission by the Rugby Sinfonia in 1984, Allegro Risotto is an ambitious one movement work that contrasts lively, energetic sections (containing exciting rhythms and occasional unequal bar lengths) with calmer, more lyrical passages.

£1.25

The result of a commission by the Rugby Sinfonia in 1984, Allegro Risotto is an ambitious one movement work that contrasts lively, energetic sections (containing exciting rhythms and occasional unequal bar lengths) with calmer, more lyrical passages.

£2.50

The result of a commission by the Rugby Sinfonia in 1984, Allegro Risotto is an ambitious one movement work that contrasts lively, energetic sections (containing exciting rhythms and occasional unequal bar lengths) with calmer, more lyrical passages.

£5.95

The result of a commission by the Rugby Sinfonia in 1984, Allegro Risotto is an ambitious one movement work that contrasts lively, energetic sections (containing exciting rhythms and occasional unequal bar lengths) with calmer, more lyrical passages.

£2.50

The result of a commission by the Rugby Sinfonia in 1984, Allegro Risotto is an ambitious one movement work that contrasts lively, energetic sections (containing exciting rhythms and occasional unequal bar lengths) with calmer, more lyrical passages.

£2.50

The result of a commission by the Rugby Sinfonia in 1984, Allegro Risotto is an ambitious one movement work that contrasts lively, energetic sections (containing exciting rhythms and occasional unequal bar lengths) with calmer, more lyrical passages.

£36.25

Your purchase will consist of the following set of Parts:

     5 x First Violin
     4 x Second Violin
     3 x Viola
     2 x 'Cello
     1 x Double Bass

Extra parts available on request


The result of a commission by the Rugby Sinfonia in 1984, Allegro Risotto is an ambitious one movement work that contrasts lively, energetic sections (containing exciting rhythms and occasional unequal bar lengths) with calmer, more lyrical passages.

£5.95

The result of a commission by the Rugby Sinfonia in 1984, Allegro Risotto is an ambitious one movement work that contrasts lively, energetic sections (containing exciting rhythms and occasional unequal bar lengths) with calmer, more lyrical passages.

£9.95

A fun light hearted vivacious piece in samba rhythm for string quartet by Ronald Reed that is both enjoyable to play and to listen to.

£7.95

A fun light hearted vivacious piece in samba rhythm for string quartet by Ronald Reed that is both enjoyable to play and to listen to.

£4.95

A fun light hearted vivacious piece in samba rhythm for string quartet by Ronald Reed that is both enjoyable to play and to listen to.

£6.95

A work for double bass and piano that is another title in the 'Blue' series for solo instruments and piano. Written to be played pizzicato throughout for a 'jazz' player or by an orchestral player with a well developed pizzicato technique. The piano is featured in a jazz style that is composed with improvisation in mind. The work was first performed in Tony Alcock's recital at the Scottish Double Bass Congress at the RSAMD in Glasgow in 2004.

£6.95

A work for double bass and piano that is another title in the 'Blue' series for solo instruments and piano. Written to be played pizzicato throughout for a 'jazz' player or by an orchestral player with a well developed pizzicato technique. The piano is featured in a jazz style that is composed with improvisation in mind. The work was first performed in Tony Alcock's recital at the Scottish Double Bass Congress at the RSAMD in Glasgow in 2004.

£5.95

This is the first piece in Terry Johns Blue series for solo string instruments and piano. Written in a highly accessible blues idiom, and first performed by Michael Beaston at the Twelfth Annual International Viola Congress in Glasgow. The piece might be said to evoke the stillness when all is quiet and the clock strikes 12! This piece was a Guildhall School of Music and Drama Grade 7 exam piece between 2001 and 2004 and was also a Trinity College of Music grade 5 exam piece between 2003 and 2006.

£5.95

This is the first piece in Terry Johns Blue series for solo string instruments and piano. Written in a highly accessible blues idiom, and first performed by Michael Beaston at the Twelfth Annual International Viola Congress in Glasgow. The piece might be said to evoke the stillness when all is quiet and the clock strikes 12! This piece was a Guildhall School of Music and Drama Grade 7 exam piece between 2001 and 2004 and was also a Trinity College of Music grade 5 exam piece between 2003 and 2006.

£7.95

Another piece in the Blue series for solo instruments and piano, this time for violin and piano. Slow, dreamy and written in the high register of the violin, it has a soft fluid middle section suggestive of bird song. It was first performed by Alisdair Savage at the Little Venice Music Festival in London in 2004 and since then at the BBC in Glasgow and the Elgar Society's concerts in Edinburgh. A difficult piece that needs a secure high register.

£7.95

Another piece in the Blue series for solo instruments and piano, this time for violin and piano. Slow, dreamy and written in the high register of the violin, it has a soft fluid middle section suggestive of bird song. It was first performed by Alisdair Savage at the Little Venice Music Festival in London in 2004 and since then at the BBC in Glasgow and the Elgar Society's concerts in Edinburgh. A difficult piece that needs a secure high register.

£8.95

The Fiddling Around books are a wonderful and varied collection of traditional folksongs and fiddle tunes from the British Isles and North America, wide-ranging in material and treatment. Some tunes are evergreens (e.g Scarborough Fair, Skye Boat song), some curious combinations (e.g The Fair-haired Boy with the Tenpenny Bit, Ranting in the Rye), and others toe-tapping discoveries (e.g. Kemp's Jig, The East Neuk O'Fife). Drawing on fiddle styles such as jig, reel, hornpipe, strathspey, old-time, bluegrass, syncopated shuffle and American waltz, the arranger Bill Thorp has made a fascinating set of truly democratic and hugely fun duets. For colleges and professionals.

£8.95

The Fiddling Around books are a wonderful and varied collection of traditional folksongs and fiddle tunes from the British Isles and North America, wide-ranging in material and treatment. Some tunes are evergreens (e.g Scarborough Fair, Skye Boat song), some curious combinations (e.g The Fair-haired Boy with the Tenpenny Bit, Ranting in the Rye), and others toe-tapping discoveries (e.g. Kemp's Jig, The East Neuk O'Fife). Drawing on fiddle styles such as jig, reel, hornpipe, strathspey, old-time, bluegrass, syncopated shuffle and American waltz, the arranger Bill Thorp has made a fascinating set of truly democratic and hugely fun duets. For colleges and professionals.

£8.95

The Fiddling Around books are a wonderful and varied collection of traditional folksongs and fiddle tunes from the British Isles and North America, wide-ranging in material and treatment. Some tunes are evergreens (e.g Scarborough Fair, Skye Boat song), some curious combinations (e.g The Fair-haired Boy with the Tenpenny Bit, Ranting in the Rye), and others toe-tapping discoveries (e.g. Kemp's Jig, The East Neuk O'Fife). Drawing on fiddle styles such as jig, reel, hornpipe, strathspey, old-time, bluegrass, syncopated shuffle and American waltz, the arranger Bill Thorp has made a fascinating set of truly democratic and hugely fun duets. For colleges and professionals.