£11.95

Written as a commission from Duo Dunamis for classical recitals. Each movement draws upon different idioms of jazz styles and requires a wide range of sounds and effects from the violin. The opening Dance contains cross rhythms of 2's and 3's with the middle section making much of the interval of the perfect 5th. Quasi Rag borrows from 1930's ragtime, while The Ballad of an Original Theme opens with an expressive improvisory violin solo. Blues Plus One, named after the 13 bar pattern (the standard blues is 12 bars) makes much use of stride piano and there is much interplay between violin and piano.

£11.95

Written as a commission from Duo Dunamis for classical recitals. Each movement draws upon different idioms of jazz styles and requires a wide range of sounds and effects from the violin. The opening Dance contains cross rhythms of 2's and 3's with the middle section making much of the interval of the perfect 5th. Quasi Rag borrows from 1930's ragtime, while The Ballad of an Original Theme opens with an expressive improvisory violin solo. Blues Plus One, named after the 13 bar pattern (the standard blues is 12 bars) makes much use of stride piano and there is much interplay between violin and piano.

£3.75

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

£2.50

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

£2.50

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

£9.95

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

£2.50

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

£3.75

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

£43.75

Your purchase will consist of the following set of Parts:

     5 x First Violin
     4 x Second Violin
     3 x Viola
     2 x 'Cello
     1 x Double Bass

Extra parts available on request


The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

£9.95

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

£6.95

Alfonso Cavallaro's Serenade, like its sister composition Tango (also published by Broadbent & Dunn), is essentially a very tonal concert piece, loosely modelled after those of Fritz Kreisler. The composition assumes the familiar 'three-part song form' and is usually performed with Tango.

£6.95

Alfonso Cavallaro's Serenade, like its sister composition Tango (also published by Broadbent & Dunn), is essentially a very tonal concert piece, loosely modelled after those of Fritz Kreisler. The composition assumes the familiar 'three-part song form' and is usually performed with Tango.

£6.95

Alfonso Cavallaro's Tango, like its sister composition Serenade (also published by Broadbent & Dunn), is essentially a very tonal concert piece, loosely modelled after those of Fritz Kreisler. The composition assumes the familiar 'three-part song form' and is usually performed with Serenade.

£6.95

Alfonso Cavallaro's Tango, like its sister composition Serenade (also published by Broadbent & Dunn), is essentially a very tonal concert piece, loosely modelled after those of Fritz Kreisler. The composition assumes the familiar 'three-part song form' and is usually performed with Serenade.

£18.95

Written in romantic tonal language Beighton's Sonata for 'Cello and Piano is concerned with the exploration of classical form and its relevance in the 21st century. The first movement is in Sonata Rondo form, which makes much use of continuous development and explores the lyrical nature of the cello. The Scherzo is in Sonata form and makes a great deal of use of retrograde and augmentation as developmental tools. The Finale is a theme and variations in the style of a Baroque Gigue.

£18.95

Written in romantic tonal language Beighton's Sonata for 'Cello and Piano is concerned with the exploration of classical form and its relevance in the 21st century. The first movement is in Sonata Rondo form, which makes much use of continuous development and explores the lyrical nature of the cello. The Scherzo is in Sonata form and makes a great deal of use of retrograde and augmentation as developmental tools. The Finale is a theme and variations in the style of a Baroque Gigue.

£2.50

Martelli's invigorating and playful jeu d'esprit for string orchestra is a very clever pastiche recalling the light music that was current in the mid 20th century. This work was recorded on the CD English String Miniatures Vol. 3, released in 2001 by NAXOS, 8.555069.

£1.25

Martelli's invigorating and playful jeu d'esprit for string orchestra is a very clever pastiche recalling the light music that was current in the mid 20th century. This work was recorded on the CD English String Miniatures Vol. 3, released in 2001 by NAXOS, 8.555069.

£2.50

Martelli's invigorating and playful jeu d'esprit for string orchestra is a very clever pastiche recalling the light music that was current in the mid 20th century. This work was recorded on the CD English String Miniatures Vol. 3, released in 2001 by NAXOS, 8.555069.

£5.95

Martelli's invigorating and playful jeu d'esprit for string orchestra is a very clever pastiche recalling the light music that was current in the mid 20th century. This work was recorded on the CD English String Miniatures Vol. 3, released in 2001 by NAXOS, 8.555069.

£2.50

Martelli's invigorating and playful jeu d'esprit for string orchestra is a very clever pastiche recalling the light music that was current in the mid 20th century. This work was recorded on the CD English String Miniatures Vol. 3, released in 2001 by NAXOS, 8.555069.

£2.50

Martelli's invigorating and playful jeu d'esprit for string orchestra is a very clever pastiche recalling the light music that was current in the mid 20th century. This work was recorded on the CD English String Miniatures Vol. 3, released in 2001 by NAXOS, 8.555069.

£34.75

Your purchase will consist of the following set of Parts:

     5 x First Violin
     4 x Second Violin
     3 x Viola
     2 x 'Cello
     1 x Double Bass

Extra parts available on request


Martelli's invigorating and playful jeu d'esprit for string orchestra is a very clever pastiche recalling the light music that was current in the mid 20th century. This work was recorded on the CD English String Miniatures Vol. 3, released in 2001 by NAXOS, 8.555069.

£5.95

Martelli's invigorating and playful jeu d'esprit for string orchestra is a very clever pastiche recalling the light music that was current in the mid 20th century. This work was recorded on the CD English String Miniatures Vol. 3, released in 2001 by NAXOS, 8.555069.

£14.95

In 1992 the composer, Carlo Martelli, was asked to write a piece for the viola section of the National Youth Orchestra, to give them an opportunity to rehearse and perform something other than orchestral repertoire. The composer rearranged the work in 2003 for its present combination.

The Pavão Quartet recorded this work in August 2012 on the CD Carlo Martelli, released in October 2013 by Discadia Records, DISCA 002. Included on the same CD, and also published by Broadbent & Dunn, are Martelli’s String Quartet No. 1, String Quartet No. 2 and Terzetto for Two Violins and Viola.

£9.95

In 1992 the composer, Carlo Martelli, was asked to write a piece for the viola section of the National Youth Orchestra, to give them an opportunity to rehearse and perform something other than orchestral repertoire. The composer rearranged the work in 2003 for its present combination.

The Pavão Quartet recorded this work in August 2012 on the CD Carlo Martelli, released in October 2013 by Discadia Records, DISCA 002. Included on the same CD, and also published by Broadbent & Dunn, are Martelli’s String Quartet No. 1, String Quartet No. 2 and Terzetto for Two Violins and Viola.

£7.95

In 1992 the composer, Carlo Martelli, was asked to write a piece for the viola section of the National Youth Orchestra, to give them an opportunity to rehearse and perform something other than orchestral repertoire. The composer rearranged the work in 2003 for its present combination.

The Pavão Quartet recorded this work in August 2012 on the CD Carlo Martelli, released in October 2013 by Discadia Records, DISCA 002. Included on the same CD, and also published by Broadbent & Dunn, are Martelli’s String Quartet No. 1, String Quartet No. 2 and Terzetto for Two Violins and Viola.

£26.95

This is the composer's first acknowledged work and was written when he was only 17 years of age and a first year student at the Royal College of Music.  The Pavão Quartet recorded this work in August 2012 on the CD Carlo Martelli, released in October 2013 by Discadia Records, DISCA 002. Included on the same CD, and also published by Broadbent & Dunn, are Martelli's String Quartet No. 2, Prelude and Fugue for String Sextet and Terzetto for Two Violins and Viola.

£19.95

This is the composer's first acknowledged work and was written when he was only 17 years of age and a first year student at the Royal College of Music.  The Pavão Quartet recorded this work in August 2012 on the CD Carlo Martelli, released in October 2013 by Discadia Records, DISCA 002. Included on the same CD, and also published by Broadbent & Dunn, are Martelli's String Quartet No. 2, Prelude and Fugue for String Sextet and Terzetto for Two Violins and Viola.

£9.95

This is the composer's first acknowledged work and was written when he was only 17 years of age and a first year student at the Royal College of Music.  The Pavão Quartet recorded this work in August 2012 on the CD Carlo Martelli, released in October 2013 by Discadia Records, DISCA 002. Included on the same CD, and also published by Broadbent & Dunn, are Martelli's String Quartet No. 2, Prelude and Fugue for String Sextet and Terzetto for Two Violins and Viola.