The title of this composition derives from the manner in which instrumental contrasts are exploited as in the Concerti Grossi of the period. This arrangement by Carlo Martelli is, however, a straightforward adaptation for stringed instruments.
£10.95
The title of this composition derives from the manner in which instrumental contrasts are exploited as in the Concerti Grossi of the period. This arrangement by Carlo Martelli is, however, a straightforward adaptation for stringed instruments.
The title of this composition derives from the manner in which instrumental contrasts are exploited as in the Concerti Grossi of the period. This arrangement by Carlo Martelli is, however, a straightforward adaptation for stringed instruments.
| Media | |
|---|---|
| Composer | |
| Arranger | |
| Instrumentation | |
| Difficulty | |
| Series |
Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
The Passepied is a dance that originated in France and resembles the minuet. This example, arranged by Carlo Martelli from Debussy's Suite Bergamasque, represents a late flowering and highly sophisticated version of the form.
Bach, Johann Sebastian
Bach arr. Martelli – Et In Unum Dominum from Mass in B Minor (String Quartet)
Bach's vocal style has been accused, quite justly, of being entirely instrumental in origin - therefore this excerpt from the Mass in B Minor is particularly well suited to this arrangement for string quartet by Carlo Martelli.
Debussy, Claude
It was in his music for pianoforte that Debussy confided his most personal inspirations. Nonetheless, in the hands of a master like Carlo Martelli they transcribe well to the quartet medium. This tarantella like piece is no exception.
Mendelssohn, Felix & Wagner, Richard
Mendelssohn & Wagner arr. Martelli – Wedding March (String Quartet)
In this arrangement by Carlo Martelli the middle section of Mendelssohn's famous wedding march has been replaced by Wagner's equally famous bridal march from Lohergrin. Two for the price of one, so to speak!
Bach, Johann Sebastian
Bach arr. Martelli – Et In Unum Dominum from Mass in B Minor (String Quartet) – Digital Download
Bach's vocal style has been accused, quite justly, of being entirely instrumental in origin - therefore this excerpt from the Mass in B Minor is particularly well suited to this arrangement for string quartet by Carlo Martelli.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Moonlight Sonata, Movements 1 and 2 (String Quartet)
The first movement of this sonata is one of Beethoven's most loved pieces, with the nocturnal romantic mood it encapsulates being perfectly captured in this arrangement. The third movement has been published separately. The Pavão Quartet recorded the first movement on the CD Dreaming, released in 2008 on Discrete Recordings DISC0801 and re-released in 2010 on Discadia Records DISCA001. Included on the same CD are four more of Martelli’s Grieg, Elgar, Debussy and Dvořák arrangements also published by Broadbent & Dunn.