Richard Arnell – String Quartet No. 5, Opus 99 – Parts Digital Download
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Tonal, well crafted and lasting the test of time, this fifth string quartet was written in London and premiered by the New London Quartet at the Cheltenham Town Hall on the 26th April 1962. It received its first London performance in May 1983 at the Purcell Room. For professionals and advanced students.
Tonal, well crafted and lasting the test of time, this fifth string quartet was written in London and premiered by the New London Quartet at the Cheltenham Town Hall on the 26th April 1962. It received its first London performance in May 1983 at the Purcell Room. For professionals and advanced students. Review: "Sadly, I only know two of Arnell's six string quartets, the last four of which have all been premiered at the Cheltenham Festival, as was the String Quintet which made its appearance in 1950. The Quartet No. 5 Opus 99 dates from 1962 and has been very well received at all its performances. As with the Symphony No. 6 there are some harsh dissonances and it has a novelty of form. The opening Andante Maestoso is a canon on four subjects; there is a very attractive Andante, an accompanied 'cello solo, a duo for violin and viola, a trio and then all four players unite to conclude the work." – Dr. David C.F. Wright Ph.D September 1994
Richard Arnell was born in London in 1917 and educated at the Hall School, Hampstead and University College School before entering the Royal College of Music where he studied composition with John Ireland and Piano with Sir John Dykes. It was here that he began his first string quartet which was first performed by the Galimer Quartet at the 52nd Street New York Public Library in 1940. In 1938 he was awarded the Farrar Prize for composition. Between 1939 and 1947 he wrote his first important compositions, including his first three symphonies, concertos for violin and for piano and three string quartets. He was taken up by eminent conductors, among them Leopold Stokowski and Sir Thomas Beecham. From 1943 to 1946 he was music consultant to the BBC's North American Service. In 1947 he returned to England and became a composition teacher at Trinity College of Music, remaining on the staff until his retirement in 1987. He became an Honorary Fellow of the College in 1950 and a Principal Lecturer in 1981. He was appointed as music director and board member of the London International Film School from 1975 to 1988 when he retired. Arnell died in 2009.
Three Snippets for String Quartet is a short entertaining work and concert stocking-filler - lasting only 6½ minutes. Originally written for saxophone quartet, the three movements are: Flourish, a march-like fanfare with a suggestion of toy soldiers, a deeply-felt Love Song as an unexpectedly emotional core, and Dislocated Rag to finish with a smile - ragtime with recurring 7/8 bars thrown in to trip up the dancers! DislocatedRag is based on the composer's music for the 1984 mystery film The Case of Marcel Duchamp about the famous French Dadaist artist.
'Frisco by those in the know is a jewel of a city. The titles of the four movements tell it all - Keeping Ahead of yourself is what you have to do in a city with a glorious past but an uncertain and uneasy present. Light Reflecting from the Bridge seems to warm the whole city, bathing it in a gently reddish hue. Alongside the pathway in one of the city parks is a sand track for horses, and every now and then you see Footprints in the Sand, some are in couples, others alone. The thoughts of those people who are alone touches you, but it is the Time to Be Certain and you regain your beliefs and confidence.
This quartet was written in 1954 when the composer, Carlo Martelli, was a 19 year old student at the Royal College of Music. This publication is of a recent revision of the work. There are three distinct sets of ideas in the first movement which are freely developed, although vestiges of sonata form can be discerned. The second movement is a scherzo and trio, which is joined without a break to the slow third movement - an interesting feature of this conjunction, is that at the close of the slow movement ideas from the trio and then the scherzo return to round things off. The last movement is a succession of free variations on a theme in which the interval of a fourth predominates. For conservatories and professionals. The Pavão Quartet recorded this work in August 2012 on the CD Carlo Martelli, released in October 2013 by Discadia Records, DISCA 002. Included on the same CD, and also published by Broadbent & Dunn, are Martelli’s String Quartet No. 1, Prelude and Fugue for String Sextet Terzetto for Two Violins and Viola.