Medium-Difficult

In the early 1890s, whilst on holiday in Bavaria, Elgar composed several pieces for chorus and keyboard for a group of musicians he met at the inn in which he was staying. He later orchestrated three of the pieces that were published as Three Bavarian Dances - this arrangement is the second movement of that suite. The Pavão Quartet recorded this arrangement on the CD Dreaming, released in 2008 on Discrete Recordings DISC0801 and re-released in 2010 on Discadia Records DISCA001. Included on the same CD are four more of Martelli’s Grieg, Beethoven, Debussy and Dvořák arrangements also published by Broadbent & Dunn.

In the early 1890s, whilst on holiday in Bavaria, Elgar composed several pieces for chorus and keyboard for a group of musicians he met at the inn in which he was staying. He later orchestrated three of the pieces that were published as Three Bavarian Dances - this arrangement is the second movement of that suite. The Pavão Quartet recorded this arrangement on the CD Dreaming, released in 2008 on Discrete Recordings DISC0801 and re-released in 2010 on Discadia Records DISCA001. Included on the same CD are four more of Martelli’s Grieg, Beethoven, Debussy and Dvořák arrangements also published by Broadbent & Dunn.

At the height of his maturity as a composer Elgar composed two suites for orchestra by expanding and developing some incidental music he had composed at the age of twelve for some private theatricals. This arrangement by Carlo Martelli is from the second suite and is ideal for colleges.

At the height of his maturity as a composer Elgar composed two suites for orchestra by expanding and developing some incidental music he had composed at the age of twelve for some private theatricals. This arrangement by Carlo Martelli is from the second suite and is ideal for colleges.

Arranged for string quartet by Carlo Martelli, this lively piece, better known in its orchestral arrangement, is the final movement of a suite of choral songs Elgar composed while on holiday in Bavaria. For conservatories and professionals.

Arranged for string quartet by Carlo Martelli, this lively piece, better known in its orchestral arrangement, is the final movement of a suite of choral songs Elgar composed while on holiday in Bavaria. For conservatories and professionals.

At the height of his maturity as a composer, Elgar made two suites for orchestra by expanding and developing some incidental music he had composed at the age of twelve for some private theatricals. This arrangement by Carlo Martelli is the penultimate number from the second suite and is ideal for colleges.

At the height of his maturity as a composer, Elgar made two suites for orchestra by expanding and developing some incidental music he had composed at the age of twelve for some private theatricals. This arrangement by Carlo Martelli is the penultimate number from the second suite and is ideal for colleges.