£14.95

Composed in 1870 Coppélia was the first large scale ballet score in three acts ever composed, so setting the standard for all subsequent attempts at this medium. This medley for string quartet, arranged by Carlo Martelli, includes many of the lesser known numbers from the ballet.

£14.95

Composed in 1870 Coppélia was the first large scale ballet score in three acts ever composed, so setting the standard for all subsequent attempts at this medium. This medley for string quartet, arranged by Carlo Martelli, includes many of the lesser known numbers from the ballet.

£6.95

Composed in 1870 Coppélia was the first large scale ballet score in three acts ever composed, so setting the standard for all subsequent attempts at this medium. This medley for string quartet, arranged by Carlo Martelli, includes many of the lesser known numbers from the ballet.

£6.95

Composed in 1870 Coppélia was the first large scale ballet score in three acts ever composed, so setting the standard for all subsequent attempts at this medium. This medley for string quartet, arranged by Carlo Martelli, includes many of the lesser known numbers from the ballet.

£7.95

As a young man Delius worked on an orange plantation in Florida, and this charming piece from his opera Koanga conjures up that scene admirably. Arranged by Carlo Martelli.

£7.95

As a young man Delius worked on an orange plantation in Florida, and this charming piece from his opera Koanga conjures up that scene admirably. Arranged by Carlo Martelli.

£3.95

As a young man Delius worked on an orange plantation in Florida, and this charming piece from his opera Koanga conjures up that scene admirably. Arranged by Carlo Martelli.

£3.95

As a young man Delius worked on an orange plantation in Florida, and this charming piece from his opera Koanga conjures up that scene admirably. Arranged by Carlo Martelli.

£10.95

Dowland was the most famous composer of his day - he had an international reputation and was famous for the beauty of his songs. The dance numbers here show a complexity way beyond the normal brass consort music of his time. The gentle Semper Dowland, Semper Dolens is one of the most beautiful pieces of the 16th (or indeed any) Century. Arranged by Stephen Wick and suitable for students and professionals.

£8.95

Dowland was the most famous composer of his day - he had an international reputation and was famous for the beauty of his songs. The dance numbers here show a complexity way beyond the normal brass consort music of his time. The gentle Semper Dowland, Semper Dolens is one of the most beautiful pieces of the 16th (or indeed any) Century. Arranged by Stephen Wick and suitable for students and professionals.

£4.95

Dowland was the most famous composer of his day - he had an international reputation and was famous for the beauty of his songs. The dance numbers here show a complexity way beyond the normal brass consort music of his time. The gentle Semper Dowland, Semper Dolens is one of the most beautiful pieces of the 16th (or indeed any) Century. Arranged by Stephen Wick and suitable for students and professionals.

£7.95

The Pavão Quartet recorded this fine arrangement of the famous slow movement from Dvořák's final symphony on the CD Dreaming, released in 2008 on Discrete Recordings DISC0801 and re-released in 2010 on Discadia Records DISCA001. Included on the same CD are four more of Carlo Martelli’s Grieg, Elgar, Beethoven and Debussy arrangements also published by Broadbent & Dunn.

 

£7.95

The Pavão Quartet recorded this fine arrangement of the famous slow movement from Dvořák's final symphony on the CD Dreaming, released in 2008 on Discrete Recordings DISC0801 and re-released in 2010 on Discadia Records DISCA001. Included on the same CD are four more of Carlo Martelli’s Grieg, Elgar, Beethoven and Debussy arrangements also published by Broadbent & Dunn.

 

£3.95

The Pavão Quartet recorded this fine arrangement of the famous slow movement from Dvořák's final symphony on the CD Dreaming, released in 2008 on Discrete Recordings DISC0801 and re-released in 2010 on Discadia Records DISCA001. Included on the same CD are four more of Carlo Martelli’s Grieg, Elgar, Beethoven and Debussy arrangements also published by Broadbent & Dunn.

£3.95

The Pavão Quartet recorded this fine arrangement of the famous slow movement from Dvořák's final symphony on the CD Dreaming, released in 2008 on Discrete Recordings DISC0801 and re-released in 2010 on Discadia Records DISCA001. Included on the same CD are four more of Carlo Martelli’s Grieg, Elgar, Beethoven and Debussy arrangements also published by Broadbent & Dunn.

 

£7.95

This is the third of Dvořák's eight Slavonic Dances originally composed for piano duet. In their orchestral versions the dances took London by storm in the late 1870's, establishing Dvořák's reputation both in England and in the rest of Europe. Now arranged for string quartet by Carlo Martelli.

£7.95

This is the third of Dvořák's eight Slavonic Dances originally composed for piano duet. In their orchestral versions the dances took London by storm in the late 1870's, establishing Dvořák's reputation both in England and in the rest of Europe. Now arranged for string quartet by Carlo Martelli.

£4.95

This is the third of Dvořák's eight Slavonic Dances originally composed for piano duet. In their orchestral versions the dances took London by storm in the late 1870's, establishing Dvořák's reputation both in England and in the rest of Europe. Now arranged for string quartet by Carlo Martelli. 

£4.95

This is the third of Dvořák's eight Slavonic Dances originally composed for piano duet. In their orchestral versions the dances took London by storm in the late 1870's, establishing Dvořák's reputation both in England and in the rest of Europe. Now arranged for string quartet by Carlo Martelli.

£9.95

This'Partita consists of three short movements - a showy Con Brio, a more reflective Andante and a sparkling Giocoso with a strong rhythmic interest. With attractive melodic lines passed between the parts and varied syncopated rhythms it makes a good show piece for instruments that are usually only given bass lines to play. All parts are of equal difficulty, so making it an ideal piece for study and performance at a brass workshop. For more advanced players it provides good ensemble practice with varied dynamics and tempos, and is useful as a light-hearted encore.

£7.95

This'Partita consists of three short movements - a showy Con Brio, a more reflective Andante and a sparkling Giocoso with a strong rhythmic interest. With attractive melodic lines passed between the parts and varied syncopated rhythms it makes a good show piece for instruments that are usually only given bass lines to play. All parts are of equal difficulty, so making it an ideal piece for study and performance at a brass workshop. For more advanced players it provides good ensemble practice with varied dynamics and tempos, and is useful as a light-hearted encore.

£4.95

This'Partita consists of three short movements - a showy Con Brio, a more reflective Andante and a sparkling Giocoso with a strong rhythmic interest. With attractive melodic lines passed between the parts and varied syncopated rhythms it makes a good show piece for instruments that are usually only given bass lines to play. All parts are of equal difficulty, so making it an ideal piece for study and performance at a brass workshop. For more advanced players it provides good ensemble practice with varied dynamics and tempos, and is useful as a light-hearted encore.

£7.95

This is an adaptation by Carlo Martelli for string quartet of one of six choral songs the composer wrote while holidaying in Southern Germany. The original version was for harmonium and 4 part chorus. Elgar later orchestrated three of the songs under the title Three Bavarian Dances. For colleges, conservatories and professionals.

£7.95

This is an adaptation by Carlo Martelli for string quartet of one of six choral songs the composer wrote while holidaying in Southern Germany. The original version was for harmonium and 4 part chorus. Elgar later orchestrated three of the songs under the title Three Bavarian Dances. For colleges, conservatories and professionals.

£3.95

This is an adaptation by Carlo Martelli for string quartet of one of six choral songs the composer wrote while holidaying in Southern Germany. The original version was for harmonium and 4 part chorus. Elgar later orchestrated three of the songs under the title Three Bavarian Dances. For colleges, conservatories and professionals.

£3.95

This is an adaptation by Carlo Martelli for string quartet of one of six choral songs the composer wrote while holidaying in Southern Germany. The original version was for harmonium and 4 part chorus. Elgar later orchestrated three of the songs under the title Three Bavarian Dances. For colleges, conservatories and professionals.

£5.95

This piece, arranged by Bill Thorp, forms part of a group of Edward Elgar's much-loved salon pieces, that are as fresh and exquisite as when first conceived over a century ago. The more sprightly Beau Brummel nostalgically evokes the (appropriately) Edwardian golden age, and will be ever-popular because it is so beautifully written.

£5.95

This piece, arranged by Bill Thorp, forms part of a group of Edward Elgar's much-loved salon pieces, that are as fresh and exquisite as when first conceived over a century ago. The more sprightly Beau Brummel nostalgically evokes the (appropriately) Edwardian golden age, and will be ever-popular because it is so beautifully written.

£3.95

This piece, arranged by Bill Thorp, forms part of a group of Edward Elgar's much-loved salon pieces, that are as fresh and exquisite as when first conceived over a century ago. The more sprightly Beau Brummel nostalgically evokes the (appropriately) Edwardian golden age, and will be ever-popular because it is so beautifully written.

£3.95

This piece, arranged by Bill Thorp, forms part of a group of Edward Elgar's much-loved salon pieces, that are as fresh and exquisite as when first conceived over a century ago. The more sprightly Beau Brummel nostalgically evokes the (appropriately) Edwardian golden age, and will be ever-popular because it is so beautifully written.