Alan Danson’s studies at the Royal Academy of Music in London were in Horn, Piano and Orchestration. After leaving college in 1974, he worked as a freelance horn player in West End shows, with Ballet companies, Symphony Orchestras and studios, whilst retaining his interest in composition. He has directed the Royal Philharmonic Orchestra in commercial work, worked as an arranger for BBC TV and composed for TV commercials. He is also involved in musical education. His development as a composer was as a result of his work experience in studying scores, observing compositional techniques whilst playing and directing groups, and composing for various musical combinations. See www.sounddimensionsmusic.com

£10.95

This arrangement of familiar nursery rhymes was intended as a means of introducing younger children to the medium of the brass quintet. Each rhyme is dressed in a musical identity, with each player given plenty of note activity. Some rhymes are slightly tongue in cheek while others are blatantly satirical. The work opens and closes with the rhyme Oranges and Lemons and the medley runs logically lasting for 5 to 6 minutes. It is an ideal encore item or light alternative to follow a quintet that might have challenged both performer and listener. A Medley of Rhymes for Five Brass is a popular addition to serious concert programmes.

£8.95

This arrangement of familiar nursery rhymes was intended as a means of introducing younger children to the medium of the brass quintet. Each rhyme is dressed in a musical identity, with each player given plenty of note activity. Some rhymes are slightly tongue in cheek while others are blatantly satirical. The work opens and closes with the rhyme Oranges and Lemons and the medley runs logically lasting for 5 to 6 minutes. It is an ideal encore item or light alternative to follow a quintet that might have challenged both performer and listener. A Medley of Rhymes for Five Brass is a popular addition to serious concert programmes.

£4.95

This arrangement of familiar nursery rhymes was intended as a means of introducing younger children to the medium of the brass quintet. Each rhyme is dressed in a musical identity, with each player given plenty of note activity. Some rhymes are slightly tongue in cheek while others are blatantly satirical. The work opens and closes with the rhyme Oranges and Lemons and the medley runs logically lasting for 5 to 6 minutes. It is an ideal encore item or light alternative to follow a quintet that might have challenged both performer and listener. A Medley of Rhymes for Five Brass is a popular addition to serious concert programmes.

£7.95

This short piece was composed for the 15th anniversary celebrations of the Mainstreet Brass quintet in the U.S.A. It is an ideal opener for a variety of occasions. The work is tonal with some note clusters, providing a contemporary edge to its character, while its style alludes to the French school of writers. Following an expectant and anticipatory opening it builds to the main Allegro middle section of the piece. The work closes with echoing references, over a dominant pedal, to the main theme.

£6.95

This short piece was composed for the 15th anniversary celebrations of the Mainstreet Brass quintet in the U.S.A. It is an ideal opener for a variety of occasions. The work is tonal with some note clusters, providing a contemporary edge to its character, while its style alludes to the French school of writers. Following an expectant and anticipatory opening it builds to the main Allegro middle section of the piece. The work closes with echoing references, over a dominant pedal, to the main theme.

£3.95

This short piece was composed for the 15th anniversary celebrations of the Mainstreet Brass quintet in the U.S.A. It is an ideal opener for a variety of occasions. The work is tonal with some note clusters, providing a contemporary edge to its character, while its style alludes to the French school of writers. Following an expectant and anticipatory opening it builds to the main Allegro middle section of the piece. The work closes with echoing references, over a dominant pedal, to the main theme.

£9.95

Good music for beginners, these six miniatures, entitled Horns on ParadePromenadeThe Sunday WalkTick-Tock MarchPastoraleSong and The Wild Goose Chase, provide the student with plenty of dynamics and a playing range from G below middle C to D, the ninth above middle C. There is a good variety of meters, tempos, rhythmic and melodic content. Students are introduced to note values and their importance in the first movement, while the fourth movement gives the opportunity for the student to experience the classical/natural horn part. Finishing with a wild goose chase in 6/8 time, the beginner also encounters a 'D.S. al Coda' - a good example of musical geography.

£7.95

Good music for beginners, these six miniatures, entitled Horns on ParadePromenadeThe Sunday WalkTick-Tock MarchPastoraleSong and The Wild Goose Chase, provide the student with plenty of dynamics and a playing range from G below middle C to D, the ninth above middle C. There is a good variety of meters, tempos, rhythmic and melodic content. Students are introduced to note values and their importance in the first movement, while the fourth movement gives the opportunity for the student to experience the classical/natural horn part. Finishing with a wild goose chase in 6/8 time, the beginner also encounters a 'D.S. al Coda' - a good example of musical geography.

£4.95

Good music for beginners, these six miniatures, entitled Horns on ParadePromenadeThe Sunday WalkTick-Tock MarchPastoraleSong and The Wild Goose Chase, provide the student with plenty of dynamics and a playing range from G below middle C to D, the ninth above middle C. There is a good variety of meters, tempos, rhythmic and melodic content. Students are introduced to note values and their importance in the first movement, while the fourth movement gives the opportunity for the student to experience the classical/natural horn part. Finishing with a wild goose chase in 6/8 time, the beginner also encounters a 'D.S. al Coda' - a good example of musical geography.

£11.95

These fine miniatures for horn quartet are the first of two sets intended as a way of providing the young horn student with the opportunity to familiarise themselves with the quartet sound and experience. Traditional harmony prevails, providing the musicians with the opportunity to hear and work at sectional balance and part discipline. These quartets are a lighter addition to the Fripperies. For the intermediate student.

£9.95

These fine miniatures for horn quartet are the first of two sets intended as a way of providing the young horn student with the opportunity to familiarise themselves with the quartet sound and experience. Traditional harmony prevails, providing the musicians with the opportunity to hear and work at sectional balance and part discipline. These quartets are a lighter addition to the Fripperies. For the intermediate student.

£4.95

These fine miniatures for horn quartet are the first of two sets intended as a way of providing the young horn student with the opportunity to familiarise themselves with the quartet sound and experience. Traditional harmony prevails, providing the musicians with the opportunity to hear and work at sectional balance and part discipline. These quartets are a lighter addition to the Fripperies. For the intermediate student.

£21.95

This attractive and well laid out piece, by Essex composer Alan Danson, is generally tonal and contains interesting rhythmic interplay and changes of time to keep performers (and listeners!) on their toes.

£15.95

This attractive and well laid out piece, by Essex composer Alan Danson, is generally tonal and contains interesting rhythmic interplay and changes of time to keep performers (and listeners!) on their toes.

£8.95

This attractive and well laid out piece, by Essex composer Alan Danson, is generally tonal and contains interesting rhythmic interplay and changes of time to keep performers (and listeners!) on their toes.

£12.95

Composed for the Peartree Trio of Peoria in the U.S.A., each miniature is a musical character in terms of styles, settings and trends of yesteryear and today. The Knot Garden evokes the ornate design of gardens of the Elizabethan age and contains many turns and ornaments, providing a good platform to demonstrate the unique blend of double reed players. At the other extreme Double Reed Workout in 7/8 time gives trio members a consistent work out of parts and a modern feel to this historical combination of instruments. The Old Eccentric with ungainly intervals, melodic lines and little turns of phrase represents an old world of mustaches, monocles and old Bentleys. The closing movement Concert Champetre is a playful Gigue in the mood of Champetre times of the past.

£9.95

Composed for the Peartree Trio of Peoria in the U.S.A., each miniature is a musical character in terms of styles, settings and trends of yesteryear and today. The Knot Garden evokes the ornate design of gardens of the Elizabethan age and contains many turns and ornaments, providing a good platform to demonstrate the unique blend of double reed players. At the other extreme Double Reed Workout in 7/8 time gives trio members a consistent work out of parts and a modern feel to this historical combination of instruments. The Old Eccentric with ungainly intervals, melodic lines and little turns of phrase represents an old world of mustaches, monocles and old Bentleys. The closing movement Concert Champetre is a playful Gigue in the mood of Champetre times of the past.

£5.95

Composed for the Peartree Trio of Peoria in the U.S.A., each miniature is a musical character in terms of styles, settings and trends of yesteryear and today. The Knot Garden evokes the ornate design of gardens of the Elizabethan age and contains many turns and ornaments, providing a good platform to demonstrate the unique blend of double reed players. At the other extreme Double Reed Workout in 7/8 time gives trio members a consistent work out of parts and a modern feel to this historical combination of instruments. The Old Eccentric with ungainly intervals, melodic lines and little turns of phrase represents an old world of mustaches, monocles and old Bentleys. The closing movement Concert Champetre is a playful Gigue in the mood of Champetre times of the past.

£10.95

This arrangement by Alan Danson conveys the triumph and celebration of the Finale of Beethoven's 5th Symphony. The writing is idiomatic and melodic interest is shared between all parts, with rare moments of a contemporary approach to the work here and there. An ideal opener to the second half of a concert. For schools, studios and professionals.

£8.95

This arrangement by Alan Danson conveys the triumph and celebration of the Finale of Beethoven's 5th Symphony. The writing is idiomatic and melodic interest is shared between all parts, with rare moments of a contemporary approach to the work here and there. An ideal opener to the second half of a concert. For schools, studios and professionals.

£4.95

This arrangement by Alan Danson conveys the triumph and celebration of the Finale of Beethoven's 5th Symphony. The writing is idiomatic and melodic interest is shared between all parts, with rare moments of a contemporary approach to the work here and there. An ideal opener to the second half of a concert. For schools, studios and professionals.

£8.95

The first in a series of three, each movement of these arrangements by Alan Danson presents a 'quasi cameo' of the character of its American origins. Ragtime Cakewalk suggests the essence and style of this type of dance through the chuckling cor anglais, solid bassoon accompaniment and counter line on the clarinet. In Cowboy's Toon the bassoon provides a laid back foundation, whilst the clarinet and oboe duet side by side with a line incorporating some of the bending tones one might expect to hear from the cowboy's drawl. In Barn Dance a sense of team enjoyment is portrayed, with the clarinet line accompanied by high jinks, vocal calls and clapping from the Cor Anglais and Bassoon.

£6.95

The first in a series of three, each movement of these arrangements by Alan Danson presents a 'quasi cameo' of the character of its American origins. Ragtime Cakewalk suggests the essence and style of this type of dance through the chuckling cor anglais, solid bassoon accompaniment and counter line on the clarinet. In Cowboy's Toon the bassoon provides a laid back foundation, whilst the clarinet and oboe duet side by side with a line incorporating some of the bending tones one might expect to hear from the cowboy's drawl. In Barn Dance a sense of team enjoyment is portrayed, with the clarinet line accompanied by high jinks, vocal calls and clapping from the Cor Anglais and Bassoon.

£4.95

The first in a series of three, each movement of these arrangements by Alan Danson presents a 'quasi cameo' of the character of its American origins. Ragtime Cakewalk suggests the essence and style of this type of dance through the chuckling cor anglais, solid bassoon accompaniment and counter line on the clarinet. In Cowboy's Toon the bassoon provides a laid back foundation, whilst the clarinet and oboe duet side by side with a line incorporating some of the bending tones one might expect to hear from the cowboy's drawl. In Barn Dance a sense of team enjoyment is portrayed, with the clarinet line accompanied by high jinks, vocal calls and clapping from the Cor Anglais and Bassoon.

£8.95

Five sea shanties arranged by Alan Danson, each presented with a little twist. The clarinet provides a stomach lurching rolling motion in Blow the Man Down while bended tones on the cor anglais and bassoon provide a quasi queasiness to the arrangement. Set in a stoic march mood The Mermaid has the members in antiphonal fanfares at the close of the setting, along with the occasional (intended) mis-pitched flattened 7th on the Clarinet, while 'Drunken sailor' is given an up tempo treatment with horn call references to the chase. Bobby Shaftoe is in true dancing mood, with a beguine feel to the middle section before ending the shanty with toe tapping togetherness.

£6.95

Five sea shanties arranged by Alan Danson, each presented with a little twist. The clarinet provides a stomach lurching rolling motion in Blow the Man Down while bended tones on the cor anglais and bassoon provide a quasi queasiness to the arrangement. Set in a stoic march mood The Mermaid has the members in antiphonal fanfares at the close of the setting, along with the occasional (intended) mis-pitched flattened 7th on the Clarinet, while 'Drunken sailor' is given an up tempo treatment with horn call references to the chase. Bobby Shaftoe is in true dancing mood, with a beguine feel to the middle section before ending the shanty with toe tapping togetherness.

£4.95

Five sea shanties arranged by Alan Danson, each presented with a little twist. The clarinet provides a stomach lurching rolling motion in Blow the Man Down while bended tones on the cor anglais and bassoon provide a quasi queasiness to the arrangement. Set in a stoic march mood The Mermaid has the members in antiphonal fanfares at the close of the setting, along with the occasional (intended) mis-pitched flattened 7th on the Clarinet, while 'Drunken sailor' is given an up tempo treatment with horn call references to the chase. Bobby Shaftoe is in true dancing mood, with a beguine feel to the middle section before ending the shanty with toe tapping togetherness.