Beethoven – Finale from Symphony No. 5, Opus 67 (Brass Quintet)
This arrangement by Alan Danson conveys the triumph and celebration of the Finale of Beethoven's 5th Symphony. The writing is idiomatic and melodic interest is shared between all parts, with rare moments of a contemporary approach to the work here and there. An ideal opener to the second half of a concert. For schools, studios and professionals.
This arrangement by Alan Danson conveys the triumph and celebration of the Finale of Beethoven's 5th Symphony. The writing is idiomatic and melodic interest is shared between all parts, with rare moments of a contemporary approach to the work here and there. An ideal opener to the second half of a concert. For schools, studios and professionals. Review: "Professionals will get a kick using this arrangement as an encore, while students will enjoy playing a chamber size version of a familiar symphonic masterwork." – New Issues November 1994
Alan Danson's studies at the Royal Academy of Music in London were in Horn, Piano and Orchestration. After leaving college in 1974, he worked as a freelance horn player in West End shows, with Ballet companies, Symphony Orchestras and studios, whilst retaining his interest in composition. He has directed the Royal Philharmonic Orchestra in commercial work, worked as an arranger for BBC TV and composed for TV commercials. He is also involved in musical education. His development as a composer was as a result of his work experience in studying scores, observing compositional techniques whilst playing and directing groups, and composing for various musical combinations. See www.sounddimensionsmusic.com
Six movements, starting with Quick March which requires some fast and neat tonguing from all members of the quintet. The Polka which follows is full of colour and requires dexterous trumpet playing. The third movement Blues is a long way from a traditional New Orleans blues - with its melancholy mood and Debussy like harmony it is more like a small impressionist tone poem. Merry Waltz is followed by Preamble, a gentle, atmospheric piece at a leisurely walking tempo. The final movement of this suite Tarandtango (Tarantango) cleverly combines two dances, the energetic tarantella and the elegant tango, resulting in an exciting and virtuoso finale.
A beautiful melody for French horn, this famous tenor aria, arranged by Tom Whitehurst, is full of soul, passion and tragedy. Vesti La Giubba - put on the costume and prepare to laugh. For colleges conservatories, professionals, amateurs and community performing groups.
Written for Thames Brass, a successful professional brass ensemble in which the horn player at the time was one of the composer's former students. Having spent much of his life as a horn player, and having also had the honour of working with the finest players, in Movements for Brass the composer explores the sonorities of brass in a way that is rewarding to play.