Beethoven – Finale from Symphony No. 5, Opus 67 (Brass Quintet)
This arrangement by Alan Danson conveys the triumph and celebration of the Finale of Beethoven's 5th Symphony. The writing is idiomatic and melodic interest is shared between all parts, with rare moments of a contemporary approach to the work here and there. An ideal opener to the second half of a concert. For schools, studios and professionals.
This arrangement by Alan Danson conveys the triumph and celebration of the Finale of Beethoven's 5th Symphony. The writing is idiomatic and melodic interest is shared between all parts, with rare moments of a contemporary approach to the work here and there. An ideal opener to the second half of a concert. For schools, studios and professionals. Review: "Professionals will get a kick using this arrangement as an encore, while students will enjoy playing a chamber size version of a familiar symphonic masterwork." – New Issues November 1994
Alan Danson's studies at the Royal Academy of Music in London were in Horn, Piano and Orchestration. After leaving college in 1974, he worked as a freelance horn player in West End shows, with Ballet companies, Symphony Orchestras and studios, whilst retaining his interest in composition. He has directed the Royal Philharmonic Orchestra in commercial work, worked as an arranger for BBC TV and composed for TV commercials. He is also involved in musical education. His development as a composer was as a result of his work experience in studying scores, observing compositional techniques whilst playing and directing groups, and composing for various musical combinations. See www.sounddimensionsmusic.com
This short piece was composed for the 15th anniversary celebrations of the Mainstreet Brass quintet in the U.S.A. It is an ideal opener for a variety of occasions. The work is tonal with some note clusters, providing a contemporary edge to its character, while its style alludes to the French school of writers. Following an expectant and anticipatory opening it builds to the main Allegro middle section of the piece. The work closes with echoing references, over a dominant pedal, to the main theme.
This attractive brass quintet based on the traditional sea shanty What Shall We Do With The Drunken Sailor opens with a fanfare followed by a main theme, first on trumpets and then on the horn. A series of linked variations follow, with the tune passed between the instruments in constantly changing tempos and styles. A strong rhythmic accompaniment keeps the sea shanty mood and the piece finishes with a showy flourish. Arranged by Eileen Clews, this light hearted work gives each player the chance to show off their instrument, so making it an ideal concert piece or a study piece for brass workshops.
Dowland was the most famous composer of his day - he had an international reputation and was famous for the beauty of his songs. The dance numbers here show a complexity way beyond the normal brass consort music of his time. The gentle Semper Dowland, Semper Dolens is one of the most beautiful pieces of the 16th (or indeed any) Century. Arranged by Stephen Wick and suitable for students and professionals.
Arranged by Robin Benton, all brass players and their audiences should enjoy this rousing well known March from Verdi's 1871 grand opera Aida. The Egyptian army has returned from its victory over the Ethiopians and the melodies are suitably triumphant in style. The first melody ends with trumpet fanfares leading to the well known second melody which is repeated in a higher key. The opening theme returns and the March ends with a rousing coda.