This quartet evokes the sounds and attitudes of The Big Apple
Review: “Jazzy and witty. For colleges, conservatories and professionals.” – New Issues November 1994
£24.95
This quartet evokes the sounds and attitudes of The Big Apple
This quartet evokes the sounds and attitudes of The Big Apple
Review: “Jazzy and witty. For colleges, conservatories and professionals.” – New Issues November 1994
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| Movement Titles | Sidewalk, Banana Apricot, Scruffy Little Dork, If Only You'd Told Me and Off the Record |
Described by the London Times as "one of the most exciting and versatile British conductors of his generation”, Martin Yates made his conducting debut with Bizet’s 'Carmen' at the Israel National Opera aged 24 and has since had a busy career that has included conducting many of Europe’s major symphony orchestras and at many important opera houses including the Royal Philharmonic Orchestra, Royal Scottish National Orchestra, London Symphony Orchestra, Philharmonia, BBC Concert Orchestra, Royal Stockholm Philharmonic, Royal Flanders Philharmonic, Gothenberg Symphony Orchestra and Opera, Royal Opera House in Convent Garden, Royal Swedish Opera House and the Rome Opera. He has appeared with such leading performers as Montserrat Caballe, Bryn Terfel, Barbara Hendricks, Angela Gheorghiu, Roberto Alagna and Yo-Yo Ma and has conducted the Nobel Peace Prize Concert in Oslo three times. Intending from the outset to pursue a career as a composer, Martin studied with Richard Arnell and Sir John Taverner and has written four string quartets 'LA Beach Music', 'New York Night Music', 'Frisco Bay Music' and 'Nashville, Tennesse'. The ever-popular 'Café Music', a 'Harpsichord Sonatina', 'Divertimento' for oboe, bassoon and double bass and a considerable amount of music involving the flute, most of which was written for the British flautist Anna Noakes. These works include the Sonata 'Fire Island', 'Sonatina 1 and 2', 'Sonata for Flute and Harp' and 'Concerto for Flute, Harp and Strings'. The Guardian described Martin Yates as a composer of confident and engaging music that has a style and colour that is both immediately appealing and rewarding to listen to. Martin has also written several scores for theatre productions including the plays 'Jane Eyre', 'The Woman in White' and 'Dear Octopus', three musicals 'Wuthering Heights', 'The Soap Opera' and 'Nothing Doing Tonight' and later works include 'Brass Quintet' and 'The Promise' for Flute Ensemble. Players as diverse as flautist Anna Noakes, harpist Gillian Tingay, pianist Kathron Sturrock, flautist Emily Beynon, double bass payer Duncan McTeer, soprano Jean Glennon and conductor Kent Nagano have played his music. His very popular arrangements of the two Gershwin classics 'S Wonderful' and 'I Got Rhythm' for horn quartet are played all over the world.
String Quartet
The result of a commission by the Rugby Sinfonia in 1984, this string quartet version of Allegro Risotto is an ambitious one movement work that contrasts lively, energetic sections (containing exciting rhythms and occasional unequal bar lengths) with calmer, more lyrical passages.
String Quartet
Most string quartets are long, but this short little piece in one movement was intended as an encore item, but could also fit comfortably into any portfolio for weddings or other functions. For schools, colleges, conservatories and professionals.
String Quartet
A solid, serious work for aspiring string quartets or established groups, this piece was the subject of a master class from the Wihan Quartet from the Czech Republic. The quartet, inspired by Janáček's Intimate Letters quartet, was similarly inspired by letters from a woman to her lover. It is scored in three contrasting movements consisting of a gestural first movement, a slow arch form second movement and a fiery syncopated 5/4 finale.
String Quartet
This piece by Dominic Sewell was written for the Junior Course at Pro Corda Summer School (the National String Chamber Music Academy) where it received its first performance. It is an excellent introduction to tonal contemporary music for younger students aged 12 to 18. The piece is good for teaching purposes as it is short but also provides some technical and ensemble difficulties.
String Quartet
This quartet was written in 1954 when the composer, Carlo Martelli, was a 19 year old student at the Royal College of Music. This publication is of a recent revision of the work. There are three distinct sets of ideas in the first movement which are freely developed, although vestiges of sonata form can be discerned. The second movement is a scherzo and trio, which is joined without a break to the slow third movement - an interesting feature of this conjunction, is that at the close of the slow movement ideas from the trio and then the scherzo return to round things off. The last movement is a succession of free variations on a theme in which the interval of a fourth predominates. For conservatories and professionals.
The Pavão Quartet recorded this work in August 2012 on the CD Carlo Martelli, released in October 2013 by Discadia Records, DISCA 002. Included on the same CD, and also published by Broadbent & Dunn, are Martelli’s String Quartet No. 1, Prelude and Fugue for String Sextet Terzetto for Two Violins and Viola.String Quartet
Written in New York in 1945 and premiered by the Blech String Quartet on the 30th June 1945 at the Cheltenham Festival, the heart of this quartet is its beautifully integrated slow movement. For professionals and advanced students.