Most string quartets are long, but this short little piece in one movement was intended as an encore item, but could also fit comfortably into any portfolio for weddings or other functions. For schools, colleges, conservatories and professionals.
£8.95
Most string quartets are long, but this short little piece in one movement was intended as an encore item, but could also fit comfortably into any portfolio for weddings or other functions. For schools, colleges, conservatories and professionals.
Most string quartets are long, but this short little piece in one movement was intended as an encore item, but could also fit comfortably into any portfolio for weddings or other functions. For schools, colleges, conservatories and professionals.
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John Marson was born in 1932 and died in 2007. He studied the harp with Marie Goossens at the Royal College of Music in London, and in 1958, while still a student, began his professional career with the Carl Rosa Opera Company. A week after leaving college he joined the London Symphony Orchestra for two years before embarking on two decades of freelance work, during which he played solos, chamber music and concerti, worked with all the London orchestras and spent much time in recording studios. He played in many outstanding feature films including the original 'Star Wars'. In 1982 he was appointed principal harp of the BBC Symphony Orchestra, and subsequently resumed his freelance career while increasingly engaging in composition, both for the harp and for other instruments and voice. He played for many West End and National Theatre productions including over three years as harpist in Lloyd Webber's 'Aspects of Love'.
The roll call of artists with whom John has worked include the Beatles, Richard Rodney Bennett, Leonard Bernstein, Pierre Boulez, Benjamin Britten, Charlie Chaplin, Bing Crosby, John Dankworth, Duke Ellington, Benny Goodman, Liberace, Martha Graham, Hans Werner Henze, Herbert von Karajan, Otto Klemperer, Zoltan Kodaly, Lorin Maazel, Neville Marriner, Pierre Monteux, Jessye Norman, Laurence Olivier, Luciano Pavarotti, Gennadi Rozhdestvenski, Frank Sinatra, George Solti, Leopold Stokowski, Igor Stravinsky, George Szell, William Walton, John Williams, Stevie Wonder and countless others.
In 1964 John was one of the two founders of the United Kingdom Harp Association, edited its magazines for many years and became President of the Association in January 2005. His book 'The Complete Guide to Harp Glissandi', is published by Lyra Music of New York, while his other major work 'The Book of the Harp - techniques, history and lore of a unique musical instrument', was published by Kevin Mayhew Ltd. in 2005.
Written in New York in 1945 and premiered by the Blech String Quartet on the 30th June 1945 at the Cheltenham Festival, the heart of this quartet is its beautifully integrated slow movement. For professionals and advanced students.
String Quartet
Tonal, well crafted and lasting the test of time, this fifth string quartet was written in London and premiered by the New London Quartet at the Cheltenham Town Hall on the 26th April 1962. It received its first London performance in May 1983 at the Purcell Room. For professionals and advanced students.
This quartet evokes the sounds and attitudes of The Big Apple
A contemporary work in one movement that was begun in 1939 when the composer was in his fourth and last year at the Royal College of Music. It was completed in New York, receiving its first performance on the 21st April 1940 by the Galimir Quartet in a series of concerts promoted by the New York Public Library.
String Quartet
The result of a commission by the Rugby Sinfonia in 1984, this string quartet version of Allegro Risotto is an ambitious one movement work that contrasts lively, energetic sections (containing exciting rhythms and occasional unequal bar lengths) with calmer, more lyrical passages.
String Quartet
This piece by Dominic Sewell was written for the Junior Course at Pro Corda Summer School (the National String Chamber Music Academy) where it received its first performance. It is an excellent introduction to tonal contemporary music for younger students aged 12 to 18. The piece is good for teaching purposes as it is short but also provides some technical and ensemble difficulties.