Rossini, Gioachino
Rossini arr. Martelli – The Thieving Magpie Overture (String Quartet) – Digital Download
It was once said by a famous man of letters that "Rossini's genius is that of sheer animal spirits" - this aspect of his work is present in abundance in this sparkling overture deftly arranged here for string quartet by Carlo Martelli.
Rossini, Gioachino
Rossini arr. Martelli – The Thieving Magpie Overture (String Quartet)
It was once said by a famous man of letters that "Rossini's genius is that of sheer animal spirits" - this aspect of his work is present in abundance in this sparkling overture deftly arranged here for string quartet by Carlo Martelli.
Rossini, Gioachino
Rossini arr. Martelli – The Italian Girl in Algiers Overture (String Quartet) – Digital Download
The opera from which this overture gets its title was Rossini's first great success in the field of opera buffa. The overture, now arranged for string quartet by Carlo Martelli, follows the customary pattern for Rossini of slow introduction followed by two skittish tunes with attendant long crescendo to tutti.
The opera from which this overture gets its title was Rossini's first great success in the field of opera buffa. The overture, now arranged for string quartet by Carlo Martelli, follows the customary pattern for Rossini of slow introduction followed by two skittish tunes with attendant long crescendo to tutti.
Rossini, Gioachino
Rossini arr. Martelli – The Barber of Seville Overture (String Quartet) – Digital Download
This overture, arranged for string quartet by Carlo Martelli, had previously done service to two other operas by Rossini. However, since those two are virtually forgotten, and The Barber of Seville is one of the most popular operas ever, it is in this titular form that it is remembered.
Rossini, Gioachino
Rossini arr. Martelli – The Barber of Seville Overture (String Quartet)
This overture, arranged for string quartet by Carlo Martelli, had previously done service to two other operas by Rossini. However, since those two are virtually forgotten, and The Barber of Seville is one of the most popular operas ever, it is in this titular form that it is remembered.
Rossini, Gioachino
Rossini arr. Martelli – Tarantella from La Boutique Fantasque (String Quartet) – Digital Download
In 1830 Rossini abandoned his highly successful career as an opera composer, and for the remaining years of his life composed almost nothing but an immense number of musical trifles under the general title Sins of Old Age. In 1919 Respighi gathered many of these pieces together and orchestrated them for the ever-popular ballet, La Boutique Fantasque. This string quartet arrangement by Carlo Martelli is one of the dance numbers derived from Respighi's score. Suitable for colleges, conservatories and professionals.
In 1830 Rossini abandoned his highly successful career as an opera composer, and for the remaining years of his life composed almost nothing but an immense number of musical trifles under the general title Sins of Old Age. In 1919 Respighi gathered many of these pieces together and orchestrated them for the ever-popular ballet, La Boutique Fantasque. This string quartet arrangement by Carlo Martelli is one of the dance numbers derived from Respighi's score. Suitable for colleges, conservatories and professionals.
Rossini, Gioachino
Rossini arr. Martelli – La Boutique Fantasque Medley Two (String Quartet) – Digital Download
Rossini retired from a highly successful and lucrative career as an opera composer before he was 40 years of age, and although he lived almost another 40 years he wrote very little more music except for some short piano pieces of a dance-like nature that he called Sins of Old Age. In 1919 Respighi gathered many of these pieces together and orchestrated them for the ever-popular ballet La Boutique Fantasque. This string quartet is the second of two medleys arranged by Carlo Martelli that includes music from the ballet.
Rossini, Gioachino
Rossini arr. Martelli – La Boutique Fantasque Medley Two (String Quartet)
Rossini retired from a highly successful and lucrative career as an opera composer before he was 40 years of age, and although he lived almost another 40 years he wrote very little more music except for some short piano pieces of a dance-like nature that he called Sins of Old Age. In 1919 Respighi gathered many of these pieces together and orchestrated them for the ever-popular ballet La Boutique Fantasque. This string quartet is the second of two medleys arranged by Carlo Martelli that includes music from the ballet.
Rossini, Gioachino
Rossini arr. Martelli – La Boutique Fantasque Medley One (String Quartet) – Digital Download
Rossini retired from a highly successful and lucrative career as an opera composer before he was 40 years of age, and although he lived almost another 40 years he wrote very little more music except for some short piano pieces of a dance-like nature that he called Sins of Old Age. In 1919 Respighi gathered many of these pieces together and orchestrated them for the ever-popular ballet La Boutique Fantasque. This string quartet is the first of two medleys arranged by Carlo Martelli that includes music from the ballet.
Rossini, Gioachino
Rossini arr. Martelli – La Boutique Fantasque Medley One (String Quartet)
Rossini retired from a highly successful and lucrative career as an opera composer before he was 40 years of age, and although he lived almost another 40 years he wrote very little more music except for some short piano pieces of a dance-like nature that he called Sins of Old Age. In 1919 Respighi gathered many of these pieces together and orchestrated them for the ever-popular ballet La Boutique Fantasque. This string quartet is the first of two medleys arranged by Carlo Martelli that includes music from the ballet.
Rossini, Gioachino
Rossini arr. Martelli – Can-Can from La Boutique Fantasque (String Quartet) – Digital Download
Rossini retired from a highly successful and lucrative career as an opera composer before he was 40 years old, and although he lived almost another 40 years he wrote very little more music except for some short piano pieces of a dance-like nature that he called Sins of Old Age. Some of these piano pieces were collected several decades after the composers death and were turned into a ballet by Ottorino Respighi - this is one of those pieces, now arranged by Carlo Martelli for string quartet.
Rossini, Gioachino
Rossini arr. Martelli – Can-Can from La Boutique Fantasque (String Quartet)
Rossini retired from a highly successful and lucrative career as an opera composer before he was 40 years old, and although he lived almost another 40 years he wrote very little more music except for some short piano pieces of a dance-like nature that he called Sins of Old Age. Some of these piano pieces were collected several decades after the composers death and were turned into a ballet by Ottorino Respighi - this is one of those pieces, now arranged by Carlo Martelli for string quartet.
Rimsky-Korsakov, Nikolay Andreyevich
Rimsky-Korsakov arr. Martelli – Spanish Caprice, Opus 34 (String Quartet) – Digital Download
The composer of this brilliant orchestral piece began his working life as a naval officer, and only after the age of 27, by sheer hard work, did he make himself a master of musical art. This arrangement for string quartet by Carlo Martelli omits only a small part of the complete work.
Rimsky-Korsakov, Nikolay Andreyevich
Rimsky-Korsakov arr. Martelli – Spanish Caprice, Opus 34 (String Quartet)
The composer of this brilliant orchestral piece began his working life as a naval officer, and only after the age of 27, by sheer hard work, did he make himself a master of musical art. This arrangement for string quartet by Carlo Martelli omits only a small part of the complete work.
Ravel, Maurice
Ravel arr. Martelli – The Fairy Garden from Mother Goose (String Quartet) – Digital Download
The Fairy Garden (also known as The Enchanted Garden) is the concluding movement of a suite originally published as a piano duet, but which became better known in the composer's orchestral version. Arranged here for string quartet by Carlo Martelli and ideal for colleges, conservatories and professionals.
The Fairy Garden (also known as The Enchanted Garden) is the concluding movement of a suite originally published as a piano duet, but which became better known in the composer's orchestral version. Arranged here for string quartet by Carlo Martelli and ideal for colleges, conservatories and professionals.
Ravel, Maurice
Ravel arr. Martelli – Rigaudon from Le Tombeau de Couperin (String Quartet) – Digital Download
The Rigaudon is a lively jumping quickstep for couples that was fashionable in 18th century France. This arrangement by Carlo Martelli is one of six movements of a suite composed for piano by Ravel in free imitation of the style of Couperin. Ideal for colleges, conservatories and professionals.
The Rigaudon is a lively jumping quickstep for couples that was fashionable in 18th century France. This arrangement by Carlo Martelli is one of six movements of a suite composed for piano by Ravel in free imitation of the style of Couperin. Ideal for colleges, conservatories and professionals.
Ravel, Maurice
Ravel arr. Martelli – Prélude from Le Tombeau de Couperin (String Quartet) – Digital Download
The work from which this arrangement for string quartet by Carlo Martelli was taken was originally a suite for piano, written in free imitation of the style of Couperin. It is perhaps best known in the orchestral version made by the composer.
The work from which this arrangement for string quartet by Carlo Martelli was taken was originally a suite for piano, written in free imitation of the style of Couperin. It is perhaps best known in the orchestral version made by the composer.
Ravel, Maurice
Ravel arr. Martelli – Pavane pour une Infante Défunte (String Quartet) – Digital Download
This gravely beautiful piece is one of the composers most popular works, although Ravel himself was said to be not too enamoured of it. This fine arrangement by Carlo Martelli perhaps would have convinced him it is a better composition than he would admit to. For colleges, conservatories and professionals.
This gravely beautiful piece is one of the composers most popular works, although Ravel himself was said to be not too enamoured of it. This fine arrangement by Carlo Martelli perhaps would have convinced him it is a better composition than he would admit to. For colleges, conservatories and professionals.
Ravel, Maurice
Originally written as a piano duet for children, this limpid music was later orchestrated and produced as a ballet. The music loses none of its beauty and charm in this masterful arrangement by Carlo Martelli for string quartet. For colleges, conservatories and professionals.
Ravel, Maurice
Originally written as a piano duet for children, this limpid music was later orchestrated and produced as a ballet. The music loses none of its beauty and charm in this masterful arrangement by Carlo Martelli for string quartet. For colleges, conservatories and professionals.
Ravel, Maurice
Ravel arr. Martelli – Menuet from Le Tombeau de Couperin (String Quartet) – Digital Download
The work from which this piece is taken was originally a suite for piano, written in free imitation of the style of Couperin. Written in memory of Jean Dreyfus at whose home Ravel recuperated after he was demobilized at the end of World War One, it is perhaps best known in the orchestral version made by the composer.
The work from which this piece is taken was originally a suite for piano, written in free imitation of the style of Couperin. Written in memory of Jean Dreyfus at whose home Ravel recuperated after he was demobilized at the end of World War One, it is perhaps best known in the orchestral version made by the composer.
Ravel, Maurice
Ravel arr. Martelli – Forlane from Le Tombeau de Couperin (String Quartet) – Digital Download
This arrangement by Carlo Martelli is one of six movements of a suite composed for piano by Ravel in free imitation of the style of Couperin. It is perhaps best known in the orchestral version made by the composer.
This arrangement by Carlo Martelli is one of six movements of a suite composed for piano by Ravel in free imitation of the style of Couperin. It is perhaps best known in the orchestral version made by the composer.
