One of the few waltzes apart from those of Johann Strauss and Tchaikovsky to achieve a similar popularity. Carlo Martelli has as usual done an excellent job in adapting it for the string quartet. For colleges, conservatories and professionals.
£10.95
One of the few waltzes apart from those of Johann Strauss and Tchaikovsky to achieve a similar popularity. Carlo Martelli has as usual done an excellent job in adapting it for the string quartet. For colleges, conservatories and professionals.
One of the few waltzes apart from those of Johann Strauss and Tchaikovsky to achieve a similar popularity. Carlo Martelli has as usual done an excellent job in adapting it for the string quartet. For colleges, conservatories and professionals.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Perhaps the most well known of Liszt's compositions, the unrivalled virtuosity of the original piano version is expertly conveyed in this arrangement by Carlo Martelli for string quartet.
Wagner, Richard
Wagner arr. Martelli – Prelude to Act III of The Mastersingers of Nuremberg (String Quartet)
This solemn and pensive prelude from Wagner's only comic masterpiece expresses the poet-cobbler Hans Sach's ruminations on the folly and vanity of man. Arranged by Carlo Martelli.
Bizet, Georges
Bizet arr. Martelli – Intermezzo and Adagietto from L’Arlésienne Suites (String Quartet)
These are two of the eight pieces that comprise the two suites made from the incidental music that Bizet wrote to Daudet's play. Arranged by Carlo Martelli.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 6 Movement 1 (String Quartet) – Digital Download
This opening movement, of perhaps Beethoven's most lyrical and contemplative symphony, lends itself particularly well to transference to the string quartet. Beethoven meant this movement to evoke the awakening of cheerful feelings on arrival in the country. This skilful arrangement by Carlo Martelli captures the mood intended just as well as the original.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 1 Finale (String Quartet) – Digital Download
This gay and skittish movement from Beethoven's earliest symphony recalls Haydn in the character of its themes and their development. The arranger Carlo Martelli has omitted the opening hesitant violin passage.
Work, Henry Clay
Work arr. Martelli – Marching Through Georgia (String Quartet)
This march, arranged by Carlo Martelli, was composed during the American civil war to celebrate the Yankee invasion of the seceding Southern states.