One of the few waltzes apart from those of Johann Strauss and Tchaikovsky to achieve a similar popularity. Carlo Martelli has as usual done an excellent job in adapting it for the string quartet. For colleges, conservatories and professionals.
£10.95
One of the few waltzes apart from those of Johann Strauss and Tchaikovsky to achieve a similar popularity. Carlo Martelli has as usual done an excellent job in adapting it for the string quartet. For colleges, conservatories and professionals.
One of the few waltzes apart from those of Johann Strauss and Tchaikovsky to achieve a similar popularity. Carlo Martelli has as usual done an excellent job in adapting it for the string quartet. For colleges, conservatories and professionals.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Moonlight Sonata, Movements 1 and 2 (String Quartet)
The first movement of this sonata is one of Beethoven's most loved pieces, with the nocturnal romantic mood it encapsulates being perfectly captured in this arrangement. The third movement has been published separately. The Pavão Quartet recorded the first movement on the CD Dreaming, released in 2008 on Discrete Recordings DISC0801 and re-released in 2010 on Discadia Records DISCA001. Included on the same CD are four more of Martelli’s Grieg, Elgar, Debussy and Dvořák arrangements also published by Broadbent & Dunn.
Wagner, Richard
Wagner arr. Martelli – Prelude to Act III of The Mastersingers of Nuremberg (String Quartet)
This solemn and pensive prelude from Wagner's only comic masterpiece expresses the poet-cobbler Hans Sach's ruminations on the folly and vanity of man. Arranged by Carlo Martelli.
Grieg, Edvard Hagerup
Grieg arr. Martelli – Norwegian Dance Opus 35 No. 2 (String Quartet)
Grieg was essentially a miniaturist and therefore he tended to excel at this kind of piece, which evokes with a few characterized turns and intervals a deep love for his homeland. Arranged by Carlo Martelli.
Two concert suites were made out of the beautiful and highly picturesque L'Arlésienne music. The Farandole, which concludes the second suite and is here arranged by Carlo Martelli, is a spirited circle dance of Provençal derivation.
The central movement Nimrod of Elgar's most popular symphonic orchestral work, has in this arrangement by Carlo Martelli had its original key (E flat) transposed to C for the sake of the greater sonority thus attained.
Bizet, Georges
Bizet arr. Martelli – Intermezzo and Adagietto from L’Arlésienne Suites (String Quartet)
These are two of the eight pieces that comprise the two suites made from the incidental music that Bizet wrote to Daudet's play. Arranged by Carlo Martelli.