£10.95
One of the few waltzes apart from those of Johann Strauss and Tchaikovsky to achieve a similar popularity. Carlo Martelli has as usual done an excellent job in adapting it for the string quartet. For colleges, conservatories and professionals.
Piece Description
One of the few waltzes apart from those of Johann Strauss and Tchaikovsky to achieve a similar popularity. Carlo Martelli has as usual done an excellent job in adapting it for the string quartet. For colleges, conservatories and professionals.
Additional information
| Media | |
|---|---|
| Composer | |
| Arranger | |
| Instrumentation | |
| Difficulty | |
| Series |
Biography
Biography
Martelli, Carlo
Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Related products
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 6 Movement 1 (String Quartet) – Digital Download
This opening movement, of perhaps Beethoven's most lyrical and contemplative symphony, lends itself particularly well to transference to the string quartet. Beethoven meant this movement to evoke the awakening of cheerful feelings on arrival in the country. This skilful arrangement by Carlo Martelli captures the mood intended just as well as the original.
Grieg, Edvard Hagerup
Grieg arr. Martelli – Norwegian Dance Opus 35 No. 2 (String Quartet)
Grieg was essentially a miniaturist and therefore he tended to excel at this kind of piece, which evokes with a few characterized turns and intervals a deep love for his homeland. Arranged by Carlo Martelli.
Based on an eclogue by the symbolist poet Mallarmé, this famous piece is a seminal work in the evolution and development of European art music. At first glance it would seem not to lend itself to the quartet medium, but nonetheless Carlo Martelli has succeeded brilliantly in distilling the essence of the composition in all its sensuous beauty and languorousness. For conservatories and professionals.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Moonlight Sonata, Movements 1 and 2 (String Quartet)
The first movement of this sonata is one of Beethoven's most loved pieces, with the nocturnal romantic mood it encapsulates being perfectly captured in this arrangement. The third movement has been published separately. The Pavão Quartet recorded the first movement on the CD Dreaming, released in 2008 on Discrete Recordings DISC0801 and re-released in 2010 on Discadia Records DISCA001. Included on the same CD are four more of Martelli’s Grieg, Elgar, Debussy and Dvořák arrangements also published by Broadbent & Dunn.
Davies, Henry Walford
This rousing march, arranged by Carlo Martelli, was written by the then 'Master of the King's Music' to celebrate the R.A.F. victory over Hitler's Luftwaffe in September 1940. For secondary schools, colleges, conservatories and professionals.
Mendelssohn, Felix & Wagner, Richard
Mendelssohn & Wagner arr. Martelli – Wedding March (String Quartet)
In this arrangement by Carlo Martelli the middle section of Mendelssohn's famous wedding march has been replaced by Wagner's equally famous bridal march from Lohergrin. Two for the price of one, so to speak!