Together with Lehar, Waldteufel was the most successful composer of waltzes in the generation after that of Johann Strauss the second. As its title suggests this piece, arranged by Carlo Martelli, has a distinctly Spanish feel.
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Together with Lehar, Waldteufel was the most successful composer of waltzes in the generation after that of Johann Strauss the second. As its title suggests this piece, arranged by Carlo Martelli, has a distinctly Spanish feel.
Together with Lehar, Waldteufel was the most successful composer of waltzes in the generation after that of Johann Strauss the second. As its title suggests this piece, arranged by Carlo Martelli, has a distinctly Spanish feel.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Debussy, Claude
It was in his music for pianoforte that Debussy confided his most personal inspirations. Nonetheless, in the hands of a master like Carlo Martelli they transcribe well to the quartet medium. This tarantella like piece is no exception.
Two concert suites were made out of the beautiful and highly picturesque L'Arlésienne music. The Farandole, which concludes the second suite and is here arranged by Carlo Martelli, is a spirited circle dance of Provençal derivation.
Debussy, Claude
Debussy arr. Martelli – Golliwog’s Cakewalk from Children’s Corner Piano Suite (String Quartet)
This movement from Debussy's Children's Corner piano suite is one of its composers most popular pieces, here skilfully arranged by Carlo Martelli for string quartet.
This sprightly piece, arranged by Carlo Martelli, is from Chabrier's Suite Pastorale, originally composed for the pianoforte and later transcribed for orchestra by the composer.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 6 Movement 1 (String Quartet) – Digital Download
This opening movement, of perhaps Beethoven's most lyrical and contemplative symphony, lends itself particularly well to transference to the string quartet. Beethoven meant this movement to evoke the awakening of cheerful feelings on arrival in the country. This skilful arrangement by Carlo Martelli captures the mood intended just as well as the original.
One of the few waltzes apart from those of Johann Strauss and Tchaikovsky to achieve a similar popularity. Carlo Martelli has as usual done an excellent job in adapting it for the string quartet. For colleges, conservatories and professionals.