Together with Lehar, Waldteufel was the most successful composer of waltzes in the generation after that of Johann Strauss the second. As its title suggests this piece, arranged by Carlo Martelli, has a distinctly Spanish feel.
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Together with Lehar, Waldteufel was the most successful composer of waltzes in the generation after that of Johann Strauss the second. As its title suggests this piece, arranged by Carlo Martelli, has a distinctly Spanish feel.
Together with Lehar, Waldteufel was the most successful composer of waltzes in the generation after that of Johann Strauss the second. As its title suggests this piece, arranged by Carlo Martelli, has a distinctly Spanish feel.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Waldteufel, Émil
Waldteufel arr. Martelli – The Skaters’ Waltz (String Quartet)
One of the few waltzes apart from those of Johann Strauss and Tchaikovsky to achieve a similar popularity. Carlo Martelli has as usual done an excellent job in adapting it for the string quartet. For colleges, conservatories and professionals.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 1 Finale (String Quartet) – Digital Download
This gay and skittish movement from Beethoven's earliest symphony recalls Haydn in the character of its themes and their development. The arranger Carlo Martelli has omitted the opening hesitant violin passage.
Grieg, Edvard Hagerup
Grieg arr. Martelli – Norwegian Dance Opus 35 No. 2 (String Quartet)
Grieg was essentially a miniaturist and therefore he tended to excel at this kind of piece, which evokes with a few characterized turns and intervals a deep love for his homeland. Arranged by Carlo Martelli.
Based on an eclogue by the symbolist poet Mallarmé, this famous piece is a seminal work in the evolution and development of European art music. At first glance it would seem not to lend itself to the quartet medium, but nonetheless Carlo Martelli has succeeded brilliantly in distilling the essence of the composition in all its sensuous beauty and languorousness. For conservatories and professionals.
Debussy, Claude
Debussy arr. Martelli – Golliwog’s Cakewalk from Children’s Corner Piano Suite (String Quartet)
This movement from Debussy's Children's Corner piano suite is one of its composers most popular pieces, here skilfully arranged by Carlo Martelli for string quartet.
Chopin, Frédéric François
Chopin arr. Martelli – Minute Waltz, Opus 64 No. 1 (String Quartet)
Of Chopin's fourteen waltzes this is probably the best known. Like the other waltzes it has a charm and eloquence that is unparalleled in other music of this kind. Arranged by Carlo Martelli.