This arrangement by Gary Hunter of Schubert’s Adieu portrays the song in a different colour. Written for brass quintet, the song remains lyrical and easy on the ear, and is ideal for church settings and general concert performances.
£11.95
This arrangement by Gary Hunter of Schubert’s Adieu portrays the song in a different colour. Written for brass quintet, the song remains lyrical and easy on the ear, and is ideal for church settings and general concert performances.
This arrangement by Gary Hunter of Schubert’s Adieu portrays the song in a different colour. Written for brass quintet, the song remains lyrical and easy on the ear, and is ideal for church settings and general concert performances.
| Media | |
|---|---|
| Composer | |
| Arranger | |
| Instrumentation | |
| Difficulty | |
| Series |
Gary Hunter was born in Whitehaven, Cumbria in 1990. He took a huge interest in music at an early age and began his education as a pianist. In his teens he decided to take up the trombone, studying under brass band renowned Gordon Evans MBE. In 2008 Gary attended The University of Hertfordshire where he attained a second class honours degree in Music Composition and Technology. He stayed at the University for a final year where he then attained a masters degree in Music Composition for Film and Media.
Brass Quintet
Six movements, starting with Quick March which requires some fast and neat tonguing from all members of the quintet. The Polka which follows is full of colour and requires dexterous trumpet playing. The third movement Blues is a long way from a traditional New Orleans blues - with its melancholy mood and Debussy like harmony it is more like a small impressionist tone poem. Merry Waltz is followed by Preamble, a gentle, atmospheric piece at a leisurely walking tempo. The final movement of this suite Tarandtango (Tarantango) cleverly combines two dances, the energetic tarantella and the elegant tango, resulting in an exciting and virtuoso finale.
Brass Quintet
Saint-Saëns arr. Whitehurst – The Swan from The Carnival of the Animals (Brass Quintet)
The Swan is the most famous movement from The Carnival of the Animals, usually represented by the 'cello which emulates the swan elegantly gliding over the water with only its reflection for company. In this arrangement for brass quintet it is the trombone with its lush tenor sound, that should be played in the style of Tommy Dorsey, that gives the swan its grace. The other instruments accompany the trombone with rolling chords which represent the feet of the swan hidden beneath the water propelling it along. This powerful melody will leave your hair standing up and a tear in your eye.
Brass Quintet
This is a charming collection of madrigals arranged effectively for brass quintet by Ian Lawrence.
Brass Quintet
Arranged by Stephen Wick, this is a show piece for two solo piccolo trumpets and is a sumptuous alternative to the Purcell. For advanced students and professionals.
Arranged by Robin Benton, all brass players and their audiences should enjoy this rousing well known March from Verdi's 1871 grand opera Aida. The Egyptian army has returned from its victory over the Ethiopians and the melodies are suitably triumphant in style. The first melody ends with trumpet fanfares leading to the well known second melody which is repeated in a higher key. The opening theme returns and the March ends with a rousing coda.
Brass Quintet
Mozart arr. Wick – The Sleighride from Thirteen German Dances (Brass Quintet with Sleighbells)
At last, a Mozart arrangement that works for brass! A charming ländler but with the colourful addition of a piccolo trumpet that represents the post horn, and a set of tuned sleighbells (that can be replaced by the more commonly found unpitched sleighbells). Great fun for classy Christmas concerts, but needs a piccolo trumpet player capable of holding high notes! Arranged by Stephen Wick.