Written in London and premiered at the Cheltenham Festival by the New London String Quartet in July 1952. For professionals and advanced students.
Richard Arnell was born in London in 1917 and educated at the Hall School, Hampstead and University College School before entering the Royal College of Music where he studied composition with John Ireland and Piano with Sir John Dykes. It was here that he began his first string quartet which was first performed by the Galimer Quartet at the 52nd Street New York Public Library in 1940. In 1938 he was awarded the Farrar Prize for composition. Between 1939 and 1947 he wrote his first important compositions, including his first three symphonies, concertos for violin and for piano and three string quartets. He was taken up by eminent conductors, among them Leopold Stokowski and Sir Thomas Beecham. From 1943 to 1946 he was music consultant to the BBC's North American Service. In 1947 he returned to England and became a composition teacher at Trinity College of Music, remaining on the staff until his retirement in 1987. He became an Honorary Fellow of the College in 1950 and a Principal Lecturer in 1981. He was appointed as music director and board member of the London International Film School from 1975 to 1988 when he retired. Arnell died in 2009.
This is the composer's first acknowledged work and was written when he was only 17 years of age and a first year student at the Royal College of Music. The Pavão Quartet recorded this work in August 2012 on the CD Carlo Martelli, released in October 2013 by Discadia Records, DISCA 002. Included on the same CD, and also published by Broadbent & Dunn, are Martelli's String Quartet No. 2, Prelude and Fugue for String Sextet and Terzetto for Two Violins and Viola.
This quartet was written in 1954 when the composer, Carlo Martelli, was a 19 year old student at the Royal College of Music. This publication is of a recent revision of the work. There are three distinct sets of ideas in the first movement which are freely developed, although vestiges of sonata form can be discerned. The second movement is a scherzo and trio, which is joined without a break to the slow third movement - an interesting feature of this conjunction, is that at the close of the slow movement ideas from the trio and then the scherzo return to round things off. The last movement is a succession of free variations on a theme in which the interval of a fourth predominates. For conservatories and professionals. The Pavão Quartet recorded this work in August 2012 on the CD Carlo Martelli, released in October 2013 by Discadia Records, DISCA 002. Included on the same CD, and also published by Broadbent & Dunn, are Martelli’s String Quartet No. 1, Prelude and Fugue for String Sextet Terzetto for Two Violins and Viola.
A contemporary work in one movement that was begun in 1939 when the composer was in his fourth and last year at the Royal College of Music. It was completed in New York, receiving its first performance on the 21st April 1940 by the Galimir Quartet in a series of concerts promoted by the New York Public Library.
Written in New York in 1945 and premiered by the Blech String Quartet on the 30th June 1945 at the Cheltenham Festival, the heart of this quartet is its beautifully integrated slow movement. For professionals and advanced students.