The lovely tune of this variation, the most well known of the 24, is achieved by inverting and doubling in time the original Paganini idea, and is here skilfully arranged for String Quartet by Carlo Martelli.
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The lovely tune of this variation, the most well known of the 24, is achieved by inverting and doubling in time the original Paganini idea, and is here skilfully arranged for String Quartet by Carlo Martelli.
The lovely tune of this variation, the most well known of the 24, is achieved by inverting and doubling in time the original Paganini idea, and is here skilfully arranged for String Quartet by Carlo Martelli.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Debussy, Claude
It was in his music for pianoforte that Debussy confided his most personal inspirations. Nonetheless, in the hands of a master like Carlo Martelli they transcribe well to the quartet medium. This tarantella like piece is no exception.
The central movement Nimrod of Elgar's most popular symphonic orchestral work, has in this arrangement by Carlo Martelli had its original key (E flat) transposed to C for the sake of the greater sonority thus attained.
Debussy, Claude
Debussy arr. Martelli – Golliwog’s Cakewalk from Children’s Corner Piano Suite (String Quartet)
This movement from Debussy's Children's Corner piano suite is one of its composers most popular pieces, here skilfully arranged by Carlo Martelli for string quartet.
This sprightly piece, arranged by Carlo Martelli, is from Chabrier's Suite Pastorale, originally composed for the pianoforte and later transcribed for orchestra by the composer.
Two concert suites were made out of the beautiful and highly picturesque L'Arlésienne music. The Farandole, which concludes the second suite and is here arranged by Carlo Martelli, is a spirited circle dance of Provençal derivation.
Work, Henry Clay
Work arr. Martelli – Marching Through Georgia (String Quartet)
This march, arranged by Carlo Martelli, was composed during the American civil war to celebrate the Yankee invasion of the seceding Southern states.