The lovely tune of this variation, the most well known of the 24, is achieved by inverting and doubling in time the original Paganini idea, and is here skilfully arranged for String Quartet by Carlo Martelli.
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The lovely tune of this variation, the most well known of the 24, is achieved by inverting and doubling in time the original Paganini idea, and is here skilfully arranged for String Quartet by Carlo Martelli.
The lovely tune of this variation, the most well known of the 24, is achieved by inverting and doubling in time the original Paganini idea, and is here skilfully arranged for String Quartet by Carlo Martelli.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Vivaldi's best-known work The Four Seasons is among the most popular pieces of Baroque music. Each concerto resembles its respective season, in this case Spring, arranged here for string quartet by Carlo Martelli.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 6 Movement 1 (String Quartet) – Digital Download
This opening movement, of perhaps Beethoven's most lyrical and contemplative symphony, lends itself particularly well to transference to the string quartet. Beethoven meant this movement to evoke the awakening of cheerful feelings on arrival in the country. This skilful arrangement by Carlo Martelli captures the mood intended just as well as the original.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Moonlight Sonata, Movements 1 and 2 (String Quartet)
The first movement of this sonata is one of Beethoven's most loved pieces, with the nocturnal romantic mood it encapsulates being perfectly captured in this arrangement. The third movement has been published separately. The Pavão Quartet recorded the first movement on the CD Dreaming, released in 2008 on Discrete Recordings DISC0801 and re-released in 2010 on Discadia Records DISCA001. Included on the same CD are four more of Martelli’s Grieg, Elgar, Debussy and Dvořák arrangements also published by Broadbent & Dunn.
Two concert suites were made out of the beautiful and highly picturesque L'Arlésienne music. The Farandole, which concludes the second suite and is here arranged by Carlo Martelli, is a spirited circle dance of Provençal derivation.
Chopin, Frédéric François
Chopin arr. Martelli – Minute Waltz, Opus 64 No. 1 (String Quartet)
Of Chopin's fourteen waltzes this is probably the best known. Like the other waltzes it has a charm and eloquence that is unparalleled in other music of this kind. Arranged by Carlo Martelli.
Rachmaninoff, Sergei
The lovely tune of this variation, the most well known of the 24, is achieved by inverting and doubling in time the original Paganini idea, and is here skilfully arranged for String Quartet by Carlo Martelli.