The lovely tune of this variation, the most well known of the 24, is achieved by inverting and doubling in time the original Paganini idea, and is here skilfully arranged for String Quartet by Carlo Martelli.
£8.95
The lovely tune of this variation, the most well known of the 24, is achieved by inverting and doubling in time the original Paganini idea, and is here skilfully arranged for String Quartet by Carlo Martelli.
The lovely tune of this variation, the most well known of the 24, is achieved by inverting and doubling in time the original Paganini idea, and is here skilfully arranged for String Quartet by Carlo Martelli.
| Media | |
|---|---|
| Composer | |
| Arranger | |
| Instrumentation | |
| Difficulty | |
| Series |
Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Grieg, Edvard Hagerup
Grieg arr. Martelli – Norwegian Dance Opus 35 No. 2 (String Quartet)
Grieg was essentially a miniaturist and therefore he tended to excel at this kind of piece, which evokes with a few characterized turns and intervals a deep love for his homeland. Arranged by Carlo Martelli.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 6 Movement 1 (String Quartet) – Digital Download
This opening movement, of perhaps Beethoven's most lyrical and contemplative symphony, lends itself particularly well to transference to the string quartet. Beethoven meant this movement to evoke the awakening of cheerful feelings on arrival in the country. This skilful arrangement by Carlo Martelli captures the mood intended just as well as the original.
Bizet, Georges
Bizet arr. Martelli – Intermezzo and Adagietto from L’Arlésienne Suites (String Quartet)
These are two of the eight pieces that comprise the two suites made from the incidental music that Bizet wrote to Daudet's play. Arranged by Carlo Martelli.
Based on an eclogue by the symbolist poet Mallarmé, this famous piece is a seminal work in the evolution and development of European art music. At first glance it would seem not to lend itself to the quartet medium, but nonetheless Carlo Martelli has succeeded brilliantly in distilling the essence of the composition in all its sensuous beauty and languorousness. For conservatories and professionals.
Chopin, Frédéric François
Chopin arr. Martelli – Minute Waltz, Opus 64 No. 1 (String Quartet)
Of Chopin's fourteen waltzes this is probably the best known. Like the other waltzes it has a charm and eloquence that is unparalleled in other music of this kind. Arranged by Carlo Martelli.
The Passepied is a dance that originated in France and resembles the minuet. This example, arranged by Carlo Martelli from Debussy's Suite Bergamasque, represents a late flowering and highly sophisticated version of the form.