Paul Lewis – Three Snippets for String Orchestra – First Violins Digital Download

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

Martelli's invigorating and playful jeu d'esprit for string orchestra is a very clever pastiche recalling the light music that was current in the mid 20th century. This work was recorded on the CD English String Miniatures Vol. 3, released in 2001 by NAXOS, 8.555069.

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.