These ingenious arrangements by Ian Lawrence combine the original instrumental and choral lines to create full and varied textures for brass. Review: "These two pieces from the Oratorio Samson are typical of the gloriously rich style of the high baroque. This music would be very suitable for performance in a church or concert hall, and provides a useful addition to the brass repertoire from one of the most well loved periods of music." – Stephen Wick September 1994
Ian Lawrence was educated at Queens' College, Cambridge (MA) and Leeds University (PhD). He has published some 30 books, arrangements, compositions and TV scripts and is now living in Cambridge where he hopes to continue producing arrangements.
Written for Thames Brass, a successful professional brass ensemble in which the horn player at the time was one of the composer's former students. Having spent much of his life as a horn player, and having also had the honour of working with the finest players, in Movements for Brass the composer explores the sonorities of brass in a way that is rewarding to play.
Dowland was the most famous composer of his day - he had an international reputation and was famous for the beauty of his songs. The dance numbers here show a complexity way beyond the normal brass consort music of his time. The gentle Semper Dowland, Semper Dolens is one of the most beautiful pieces of the 16th (or indeed any) Century. Arranged by Stephen Wick and suitable for students and professionals.
This arrangement by Robin Benton uses just two of the numerous themes from Richard Wagner's overture to his 1868 opera The Mastersingers of Nuremberg. The opening theme represents the Mastersingers themselves. This dignified melody is stated and then developed contrapuntally, leading to the second theme - this theme is used in the opera for the entry of the Mastersingers. The music builds to a climax that introduces a short reprise of the majestic Mastersingers theme, and triumphant fanfares bring the piece to a rousing finish.