These ingenious arrangements by Ian Lawrence combine the original instrumental and choral lines to create full and varied textures for brass. Review: "These two pieces from the Oratorio Samson are typical of the gloriously rich style of the high baroque. This music would be very suitable for performance in a church or concert hall, and provides a useful addition to the brass repertoire from one of the most well loved periods of music." – Stephen Wick September 1994
Ian Lawrence was educated at Queens' College, Cambridge (MA) and Leeds University (PhD). He has published some 30 books, arrangements, compositions and TV scripts and is now living in Cambridge where he hopes to continue producing arrangements.
Difficult but rewarding arrangements that require trumpet players who can change from the B flat trumpet to the piccolo trumpet with ease. The trombone plays 'second horn' in all the horn call type figures and the tuba part requires some nimble playing. Stephen Wick's excellent arrangements have been heard around the world in his performances with the English Brass Ensemble. For advanced student groups, studios and professionals.
This attractive and well laid out piece, by Essex composer Alan Danson, is generally tonal and contains interesting rhythmic interplay and changes of time to keep performers (and listeners!) on their toes.
This attractive brass quintet based on the traditional sea shanty What Shall We Do With The Drunken Sailor opens with a fanfare followed by a main theme, first on trumpets and then on the horn. A series of linked variations follow, with the tune passed between the instruments in constantly changing tempos and styles. A strong rhythmic accompaniment keeps the sea shanty mood and the piece finishes with a showy flourish. Arranged by Eileen Clews, this light hearted work gives each player the chance to show off their instrument, so making it an ideal concert piece or a study piece for brass workshops.