One of Gershwin’s earlier songs, arranged by Carlo Martelli here to reflect the characteristic style in which they were sung and played in the mid 1920’s.
£10.95
One of Gershwin’s earlier songs, arranged by Carlo Martelli here to reflect the characteristic style in which they were sung and played in the mid 1920’s.
One of Gershwin’s earlier songs, arranged by Carlo Martelli here to reflect the characteristic style in which they were sung and played in the mid 1920’s.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Gershwin, George
This wistful song first appeared in George White's Scandals of 1924 and has been deservedly popular ever since. The chorus begins with the query "Somebody loves me, I wonder who?", which prompted the arranger Bill Thorp to mark this, one of his pet arrangements, "with an enquiring mind", and to musically explore possible solutions, considering Maria, Liza and Susie along the way before settling on his faithful boyhood friend (and dedicatee) 'my old dog', whose name you are invited to discover.
Gershwin, George
Since described as the best popular song ever written, this gem was inexplicably dropped from Lady Be Good, the Gershwins' first complete Broadway score, before it reached New York. However, it had an unlikely champion in the then Lady Mountbatten who brought her autographed copy back to London where soon nearly every band was playing it by ear, and from where its popularity spread to Paris and beyond. In this version, originally marked "not necessarily narcissistically", the arranger Bill Thorp subtly suggests the identity of the eponymous 'man'.