One of Gershwin’s earlier songs, arranged by Carlo Martelli here to reflect the characteristic style in which they were sung and played in the mid 1920’s.
£10.95
One of Gershwin’s earlier songs, arranged by Carlo Martelli here to reflect the characteristic style in which they were sung and played in the mid 1920’s.
One of Gershwin’s earlier songs, arranged by Carlo Martelli here to reflect the characteristic style in which they were sung and played in the mid 1920’s.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Gershwin, George
Gershwin arr. Thorp – A Foggy Day In London Town (String Quartet) – Digital Download
This song, sung by Fred Astaire in A Damsel in Distress (1937) was originally marked "with a scholarly air" by the arranger Bill Thorp, prompted by the celebrated couplet from Ira Gershwin's lyric "I viewed the morning with alarm, The British Museum had lost its charm". There is also a reference to 'Summertime' at the point in the song with the words "and through foggy London Town the sun was shining everywhere". **** Not for sale in the USA ****
Gershwin, George
Gershwin arr. Martelli – That Certain Feeling (String Quartet)
One of Gershwin's earlier songs, arranged by Carlo Martelli here to reflect the characteristic style in which they were sung and played in the mid 1920's.
Gershwin, George
This wistful song first appeared in George White's Scandals of 1924 and has been deservedly popular ever since. The chorus begins with the query "Somebody loves me, I wonder who?", which prompted the arranger Bill Thorp to mark this, one of his pet arrangements, "with an enquiring mind", and to musically explore possible solutions, considering Maria, Liza and Susie along the way before settling on his faithful boyhood friend (and dedicatee) 'my old dog', whose name you are invited to discover.
Gershwin, George
One of Gershwin's lesser well known songs, Carlo Martelli has arranged Hang On To Me in a mid-1920's dance style and has incorporated a much better known song by the composer. The skilful use of the string quartet medium achieves a richness and complexity unequalled by other arrangers in this genre.
Gershwin, George
The irresistible 'S Wonderful' featured in the 1927 Broadway show Funny Face, starring Fred Astaire and his sister Adele. (Astonishingly, Fred also starred in the Paramount film of Funny Face, made 30 years later, though this time with a young Audrey Hepburn). The arranger Bill Thorp originally marked his version "natalitially", a piece of whimsy suggested by the song's opening line "Life has just begun", which seems to have induced in him a somewhat Messianic train of thought.
Gershwin, George
Little is known of Irving Caesar's alternative lyric (and title Swansea) for this, George Gershwin's first big success (1919). Prompted by an unexpected and entirely spurious visit to Wales the following year, the new version is suffused with Celtic overtones and contains the legendary lines "I'd give the world to be, Among the folks in D-Y-F-E-D". The next port of call on the companions' short European tour (reflected in this arrangement by Bill Thorp) was Prague (aha!) where they eagerly imbued the Bohemian spirit and lifestyle of the artistic community centred on Novy Svet (literally 'New World'), the old poor quarter.