This woodwind trio by Dick Blackford was written originally for music students but should appeal to players of all ages. It evokes the spirit of Springtime with its cheerful energy, but a plaintive middle section reminds us that spring must end!
£9.95
This woodwind trio by Dick Blackford was written originally for music students but should appeal to players of all ages. It evokes the spirit of Springtime with its cheerful energy, but a plaintive middle section reminds us that spring must end!
This woodwind trio by Dick Blackford was written originally for music students but should appeal to players of all ages. It evokes the spirit of Springtime with its cheerful energy, but a plaintive middle section reminds us that spring must end!
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Dick Blackford studied composition at Manchester University during the late 1950s. He was Head of Music at Nunthorpe Grammar School in York for over 15 years and then at York Sixth Form College for 10 years, before taking early retirement in 1995. This early retirement was prompted by a desire to spend more time on composition. His works include pieces for brass and woodwind.
Brass Sextet
Dick Blackford – Andromeda (Brass Sextet for Orchestral Brass Instruments) – Digital Download
A brass sextet originally written for an ensemble of music students aged 16 to 18, but that is suitable for competent musicians of any age. The piece is attractive and accessible to any audience and is full of rich, exciting brass sounds with a tender middle section for solo horn. It provides an opportunity for the unusual grouping of sextet rather than the traditional brass quintet. The piece is also available in a version for brass band instruments, which allows flexibility of instrumentation and of clefs.
This woodwind trio by Dick Blackford was written originally for music students but should appeal to players of all ages. It evokes the spirit of Springtime with its cheerful energy, but a plaintive middle section reminds us that spring must end!
This arrangement by Alan Danson opens with what appears to be the opening of Rhapsody in Blue, but progresses to an ostinato line of support upon which the oboe and bassoon open this wonderful tune by Gershwin. Great interplay is made between the parts, and there is an allusion to Copland before returning to the home key. A brief 'Religioso' reflection is provided before the setting romps home to a sprightly finish. **** Not for sale in the USA ****
A brass sextet originally written for an ensemble of music students aged 16 to 18, but that is suitable for competent musicians of any age. The piece is attractive and accessible to any audience and is full of rich, exciting brass sounds with a tender middle section for solo horn. It provides an opportunity for the unusual grouping of sextet rather than the traditional brass quintet. The piece is also available in a version for brass band instruments, which allows flexibility of instrumentation and of clefs.
Five sea shanties arranged by Alan Danson, each presented with a little twist. The clarinet provides a stomach lurching rolling motion in Blow the Man Down while bended tones on the cor anglais and bassoon provide a quasi queasiness to the arrangement. Set in a stoic march mood The Mermaid has the members in antiphonal fanfares at the close of the setting, along with the occasional (intended) mis-pitched flattened 7th on the Clarinet, while 'Drunken sailor' is given an up tempo treatment with horn call references to the chase. Bobby Shaftoe is in true dancing mood, with a beguine feel to the middle section before ending the shanty with toe tapping togetherness.
The first in a series of three, each movement of these arrangements by Alan Danson presents a 'quasi cameo' of the character of its American origins. Ragtime Cakewalk suggests the essence and style of this type of dance through the chuckling cor anglais, solid bassoon accompaniment and counter line on the clarinet. In Cowboy's Toon the bassoon provides a laid back foundation, whilst the clarinet and oboe duet side by side with a line incorporating some of the bending tones one might expect to hear from the cowboy's drawl. In Barn Dance a sense of team enjoyment is portrayed, with the clarinet line accompanied by high jinks, vocal calls and clapping from the Cor Anglais and Bassoon.