This is an arrangement for wind quintet of a late piano work by Brahms. There is not enough music, that communicates the deepest of human emotions, available for wind quintet at present, either as original compositions or in arrangements. By making this arrangement David has contributed to remedying this shortage, as well as bringing a powerful piece to the attention of musicians and audiences who might not otherwise come across it. The arrangement seeks to preserve the textural clarity and sensuous melodic lines of the original. Much of the richness and late romantic warmth of the arrangement comes from Brahms’ flexibility of rhythm and tonality. This piece can be played by an ensemble where nobody is beyond the standard of Grade 8 Associated Board, which would include most adult amateur wind quintets. For secondary schools, community performing groups, teaching studios, colleges, conservatories, amateurs, libraries and professionals.
Review: “The Romance is 57 bars in length: short but perfectly formed would be a good description of the original, composed in 1892, and Adkins’s adaptation for wind quintet is well crafted and eminently playable by a competent group. The horn states the Andante main theme in 6/4, with a sotto voce accompaniment from flute, clarinet (starting on a top E Flat) and bassoon, which maintains a supporting role throughout. Oboe and flute then take up the melody and this leads into the middle section Allegretto Grazioso, again featuring mainly the oboe and flute. The clarinet has some tricky interjections in bar 29, being required to play delicately up to top G. The horn gets the opportunity to shine later on, starting the sequence at bar 40 with a trill followed by semiquavers, continued by the clarinet, oboe and flute. The opening theme returns on the horn, and the music concludes gently with a dynamic of ppp. String quartets have established themselves as first choice for the happy couple wanting ensemble music at their wedding, but with more music like this Romance to play the wind quintet may have its attractions. The hard part is changing the musical perceptions and prejudices of the general public and encouraging them to appreciate wind music, but readers of Winds already know all about that.” – Robert Parker in Winds Summer 2008


