Of all Beethoven’s symphonic movements this can claim to be his most popular. Indeed, for many years after its first performance it was sometimes used as a substitute slow movement for the second symphony. Arranged by Carlo Martelli.
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Of all Beethoven’s symphonic movements this can claim to be his most popular. Indeed, for many years after its first performance it was sometimes used as a substitute slow movement for the second symphony. Arranged by Carlo Martelli.
Of all Beethoven’s symphonic movements this can claim to be his most popular. Indeed, for many years after its first performance it was sometimes used as a substitute slow movement for the second symphony. Arranged by Carlo Martelli.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 1 Finale (String Quartet)
This gay and skittish movement from Beethoven's earliest symphony recalls Haydn in the character of its themes and their development. The arranger Carlo Martelli has omitted the opening hesitant violin passage.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Latin American Ludwig (String Quartet)
The similarity between the Mexican Hat Dance and the opening of the last movement of Beethoven's String Quartet No. 3 Opus 18 was the starting point for the inspiration of this arrangement by Carlo Martelli, which skilfully combines the two pieces.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 8 Movement 1 (String Quartet)
This symphony, dubbed the Little Symphony by its composer, is much more compact in its construction than almost all of Beethoven's other mature works. In spite of this the first movement of the Eighth Symphony lacks none of the vigour and dynamism of the more complexly constructed symphonies. Arranged by Carlo Martelli.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Adagio from Pathétique Piano Sonata No. 8 (String Quartet)
One of the most tender and heartfelt of melodies is this slow movement from the Opus 13 Piano Sonata. Indeed the subtitle Pathétique, acquired by the sonata, derives from the mood evoked by this middle movement. Arranged by Carlo Martelli.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Pathétique Piano Sonata No. 8 Movement 1 (String Quartet)
One of the most well known movements of Beethoven's 32 piano sonatas, this splendid arrangement by Carlo Martelli is a welcome addition to Broadbent and Dunn's Classic String Quartet Collection.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 1 Movement 2 (String Quartet)
Beethoven's nine symphonies have for nearly two hundred years formed the backbone of the orchestral repertory. This movement from the first of these symphonies, though already strongly marked with the composers personality, retains some traces of the 18th century, especially of Haydn. Arranged by Carlo Martelli.