Written for Thames Brass, a successful professional brass ensemble in which the horn player at the time was one of the composer’s former students. Having spent much of his life as a horn player, and having also had the honour of working with the finest players, in Movements for Brass the composer explores the sonorities of brass in a way that is rewarding to play.
Review: “The style is faintly reminiscent of Handel; the harmonic and melodic language is romantic contemporary. For Colleges, conservatories and professionals.” – New Issues, June 1998


