The music of this Catalan born composer is always melodically charming, if without any particular emotional depth – this movement, arranged by Carlo Martelli, from his Suite Española No. 1 is no exception.
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The music of this Catalan born composer is always melodically charming, if without any particular emotional depth – this movement, arranged by Carlo Martelli, from his Suite Española No. 1 is no exception.
The music of this Catalan born composer is always melodically charming, if without any particular emotional depth – this movement, arranged by Carlo Martelli, from his Suite Española No. 1 is no exception.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Albéniz, Isaac
This arrangement by Carlo Martelli is of a dance in triple time known as a Sequidilla in its native Spain. It is the seventh of eight movements from the Suite Española No. 1 and is ideal for colleges, conservatories and professionals.
Carlo Martelli has employed great skill in capturing the oriental flavour of the piece (also known as Princess of the Pagodas). Originally for piano duet but better known in its orchestral version.
The Passepied is a dance that originated in France and resembles the minuet. This example, arranged by Carlo Martelli from Debussy's Suite Bergamasque, represents a late flowering and highly sophisticated version of the form.
The central movement Nimrod of Elgar's most popular symphonic orchestral work, has in this arrangement by Carlo Martelli had its original key (E flat) transposed to C for the sake of the greater sonority thus attained.
Work, Henry Clay
Work arr. Martelli – Marching Through Georgia (String Quartet)
This march, arranged by Carlo Martelli, was composed during the American civil war to celebrate the Yankee invasion of the seceding Southern states.
This magnificent march, arranged by Carlo Martelli, accompanies the gathering of the nobles in the great hall of the Wartburg for the song contest.