This arrangement by Carlo Martelli is of a dance in triple time known as a Sequidilla in its native Spain. It is the seventh of eight movements from the Suite Española No. 1 and is ideal for colleges, conservatories and professionals.
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This arrangement by Carlo Martelli is of a dance in triple time known as a Sequidilla in its native Spain. It is the seventh of eight movements from the Suite Española No. 1 and is ideal for colleges, conservatories and professionals.
This arrangement by Carlo Martelli is of a dance in triple time known as a Sequidilla in its native Spain. It is the seventh of eight movements from the Suite Española No. 1 and is ideal for colleges, conservatories and professionals.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 1 Finale (String Quartet) – Digital Download
This gay and skittish movement from Beethoven's earliest symphony recalls Haydn in the character of its themes and their development. The arranger Carlo Martelli has omitted the opening hesitant violin passage.
Bizet, Georges
Bizet arr. Martelli – Intermezzo and Adagietto from L’Arlésienne Suites (String Quartet)
These are two of the eight pieces that comprise the two suites made from the incidental music that Bizet wrote to Daudet's play. Arranged by Carlo Martelli.
Grieg, Edvard Hagerup
Grieg arr. Martelli – Norwegian Dance Opus 35 No. 1 (String Quartet)
This charming and characteristic dance is one of Grieg's many pieces for piano with a distinct national flavour, here expertly transcribed for string quartet by Carlo Martelli. For conservatories and professionals.
This arrangement by Carlo Martelli is of a dance in triple time known as a Sequidilla in its native Spain. It is the seventh of eight movements from the Suite Española No. 1 and is ideal for colleges, conservatories and professionals.
Debussy, Claude
It was in his music for pianoforte that Debussy confided his most personal inspirations. Nonetheless, in the hands of a master like Carlo Martelli they transcribe well to the quartet medium. This tarantella like piece is no exception.
Based on an eclogue by the symbolist poet Mallarmé, this famous piece is a seminal work in the evolution and development of European art music. At first glance it would seem not to lend itself to the quartet medium, but nonetheless Carlo Martelli has succeeded brilliantly in distilling the essence of the composition in all its sensuous beauty and languorousness. For conservatories and professionals.