This arrangement by Carlo Martelli is of a dance in triple time known as a Sequidilla in its native Spain. It is the seventh of eight movements from the Suite Española No. 1 and is ideal for colleges, conservatories and professionals.
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This arrangement by Carlo Martelli is of a dance in triple time known as a Sequidilla in its native Spain. It is the seventh of eight movements from the Suite Española No. 1 and is ideal for colleges, conservatories and professionals.
This arrangement by Carlo Martelli is of a dance in triple time known as a Sequidilla in its native Spain. It is the seventh of eight movements from the Suite Española No. 1 and is ideal for colleges, conservatories and professionals.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
This arrangement by Carlo Martelli is the third of eight movements from Suite Española No. 1 and is ideal for colleges, conservatories and professionals.
Based on an eclogue by the symbolist poet Mallarmé, this famous piece is a seminal work in the evolution and development of European art music. At first glance it would seem not to lend itself to the quartet medium, but nonetheless Carlo Martelli has succeeded brilliantly in distilling the essence of the composition in all its sensuous beauty and languorousness. For conservatories and professionals.
This magnificent march, arranged by Carlo Martelli, accompanies the gathering of the nobles in the great hall of the Wartburg for the song contest.
Bruch, Max Christian Friedrich
Bruch arr. Martelli – Adagio from Violin Concerto in G Minor (String Quartet)
In this arrangement by Carlo Martelli of the beautiful slow movement of Bruch's Violin Concerto the solo part is unchanged and the orchestral part arranged for the other three players.
Mendelssohn, Felix & Wagner, Richard
Mendelssohn & Wagner arr. Martelli – Wedding March (String Quartet)
In this arrangement by Carlo Martelli the middle section of Mendelssohn's famous wedding march has been replaced by Wagner's equally famous bridal march from Lohergrin. Two for the price of one, so to speak!
Carlo Martelli has employed great skill in capturing the oriental flavour of the piece (also known as Princess of the Pagodas). Originally for piano duet but better known in its orchestral version.