Horn Quartet with Double Bass or Tuba
Written for the Royal Philharmonic Orchestra's horn section to play at Glyndebourne parties in the early 1960's, this is an arrangement in various guises of the famous folk song De Ye Ken John Peel. Woods has added his own second subject.
Horn Quartet with Double Bass or Tuba
Traditional arr. Woods – John Peel (Horn Quartet & Double Bass or Tuba with optional Drums)
Written for the Royal Philharmonic Orchestra's horn section to play at Glyndebourne parties in the early 1960's, this is an arrangement in various guises of the famous folk song De Ye Ken John Peel. Woods has added his own second subject.
Horn Quartet with Double Bass or Tuba
Stanley Woods – Hornithology (Horn Quartet & Double Bass or Tuba) – Digital Download
An exciting original jazz show piece to demonstrate the horns agility and get horn players in the groove! It was written for the Royal Philharmonic Orchestra's horn section to play at Glyndebourne parties in the early 1960's.
Horn Quartet with Double Bass or Tuba
Stanley Woods – Hornithology (Horn Quartet & Double Bass or Tuba)
An exciting original jazz show piece to demonstrate the horns agility and get horn players in the groove! It was written for the Royal Philharmonic Orchestra's horn section to play at Glyndebourne parties in the early 1960's.
Horn Quartet with Double Bass or Tuba
Written for the Royal Philharmonic Orchestra's horn section to play at Glyndebourne parties in the early 1960's. In the early 1960's almost all English hornists played on Alexander horns, hence the title. It was composed when Beethoven's Fidelio was being performed at Glyndebourne. One famous aria in this opera features the horns, and near the end they play individual scale run ups in canon, and so for fun the composer has incorporated this in the piece.
Horn Quartet with Double Bass or Tuba
Stanley Woods – Alexander Takes A Swing (Horn Quartet & Double Bass or Tuba with optional Drums)
Written for the Royal Philharmonic Orchestra's horn section to play at Glyndebourne parties in the early 1960's. In the early 1960's almost all English hornists played on Alexander horns, hence the title. It was composed when Beethoven's Fidelio was being performed at Glyndebourne. One famous aria in this opera features the horns, and near the end they play individual scale run ups in canon, and so for fun the composer has incorporated this in the piece.