Flute Magic

This work, consisting of four melodic pieces inspired by the infant children of friends of the composer, is in an uncomplicatedly melodic style being evocative of the innocence of childhood, and is very pleasing to perform and to listen to. Lullaby for Laura did its job when, on hearing it for the first time, Laura fell asleep in her mother's arms. Tallulah's Tune is based on the rhythm of her names. Poppy's Waltz was inspired by a neighbours little blonde girl in her garden, and Keris Mae was introduced to the composer in a playground, hence the playful nature of her piece. Premiered in London by Rachel Smith (a regular interpreter of Lewis's music) accompanied by Rachel Fryer on the 1st August 2005. Named as a finalist in the 2012 National Flute Association’s Newly Published Music Competition, Pictures of Childhood is for secondary schools, colleges, conservatories and professionals. The first movement Lullaby for Laura was a Grade 6 Associated Board of the Royal Schools of Music (ABRSM) exam piece between 2018 and 2021.

The title Seren Y Nos is Welsh for Star of the Night. This atmospheric piece by Rebecca Faith is based on a simple bass line made up of three chords but the overall result is quite complex. There are two main themes, the first heard on the piano, the second introduced by the flute - these two themes are then layered, inverted and heard in different ranges, timbres and textures to create a sound that goes far beyond two simple themes. The result is a magical sound that has a distinct enchanting impression of a vast open space, hence the title Star of the Night.

Penderyn is a tiny village at the edge of the Brecon Beacons and is the birthplace of the compose's grandmother. The old church of Penderyn is enclosed by trees that are home to scores of birds from which the village takes its name - 'Hill of Birds' is the English translation. The flute evokes the bird song and in the central section plays a folk style melody, while the piano takes a harp like role with an old Welsh hymn (Llef) hidden in the harmony and following the bird song.

Deliberately fun and slightly tongue in cheek, this arrangement by Rebecca Faith is challenging but highly enjoyable. The new composed melodies become as much loved as the original tune, seamlessly layered and intertwined. The descending bass line, punchy accents and shifting time signatures give this piece a sense of a 'swing' style. Definitely a piece that requires strong drive and attitude.