£4.95

This arrangement by Carlo Martelli is of a dance in triple time known as a Sequidilla in its native Spain. It is the seventh of eight movements from the Suite Española and is ideal for colleges, conservatories and professionals.

£6.95

An arrangement by Martin Parry of one of Albéniz's most haunting and evocative pieces.

£7.95

The music of this Catalan born composer is always melodically charming, if without any particular emotional depth - this movement, arranged by Carlo Martelli, from his Spanish Suite is no exception.

£3.95

The music of this Catalan born composer is always melodically charming, if without any particular emotional depth - this movement, arranged by Carlo Martelli, from his Spanish Suite is no exception.

£7.95

This arrangement by Carlo Martelli is the third of eight movements from Suite Española and is ideal for colleges, conservatories and professionals.

£4.95

This arrangement by Carlo Martelli is the third of eight movements from Suite Española and is ideal for colleges, conservatories and professionals.

£3.75

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

£2.50

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

£2.50

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

£9.95

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

£2.50

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

£3.75

The first movement is a Fantasia, which contains elements of sonata, rondo, and fugue. The slow movement that follows ended up more turbulent and impassioned than the composer had originally anticipated, having been written at the time of the funeral of a friend. The final movement is in complete contrast, and is meant to be carefree and light-hearted. It began as a Tarantella, a lively dance, but during the course of its composition, the composer decided to try and incorporate a Welsh element into what is originally a Spanish Dance. As a result a well known Welsh tune emerges in the texture of the dance, in the beginning hidden away so that its first fragmentary statement may well be missed altogether. Gradually the tune becomes more insistent until it eventually dominates the final section of the movement, by which time only a tone deaf listener could fail to recognise it! For secondary schools, colleges and conservatories.

£6.95

Alfonso Cavallaro's Serenade, like its sister composition Tango (also published by Broadbent & Dunn), is essentially a very tonal concert piece, loosely modelled after those of Fritz Kreisler. The composition assumes the familiar 'three-part song form' and is usually performed with Tango.

£6.95

Alfonso Cavallaro's Tango, like its sister composition Serenade (also published by Broadbent & Dunn), is essentially a very tonal concert piece, loosely modelled after those of Fritz Kreisler. The composition assumes the familiar 'three-part song form' and is usually performed with Serenade.

£4.95

Study Number Four Le Basquish is a London College of Music Grade 8 Exam Piece until further notice

This delightful piece, written for Laura Sheppard when a student at Trinity College of Music, is beautifully written for both horn and piano. Written to reflect the joyful kinaesthetic approach that eurhythmics brings to music. These short unaccompanied pieces are tuneful rather than atonal, although they not particularly rooted in one key. The style of the first is freely declamatory but in a haunting mood, requiring rubato and a wide dynamic range. The second piece is in a waltz style, with a sweeping tune and off beat figures, as if the horn is playing both the solo and its own accompaniment. The third piece is in ternary form in a bouncy hunting horn style with a staccato middle section. The final piece is the most virtuosi and swings along quickly with a jazzy feel, despite the 5/8 time signature. Useful pieces for the intermediate student, yet with enough substance for the more experienced. For studios, schools and use in music colleges as quick study material for fun, or as rewarding sight-reading material. Study One (Four Note Piece) was a Trinity College London exam piece between 1998 and 2001, while Study Two (One Two Three) was a Trinity College London exam piece between 1998 and 2004. Studies Three (Five Note Piece) and Four (La Basquish) were Associated Board of the Royal Schools of Music (ABRSM) exam pieces for grades 6 and 8 respectively between 2004 and 2012. Study Four (La Basquish) has been a London College of Music grade 8 exam piece since 2011.

£18.95

Written in romantic tonal language Beighton's Sonata for 'Cello and Piano is concerned with the exploration of classical form and its relevance in the 21st century. The first movement is in Sonata Rondo form, which makes much use of continuous development and explores the lyrical nature of the cello. The Scherzo is in Sonata form and makes a great deal of use of retrograde and augmentation as developmental tools. The Finale is a theme and variations in the style of a Baroque Gigue.

£5.95

London College of Music Grade 6 Exam Piece for Horn in F until further notice

Australian Music Examinations Board Level 1 Grade 4 Exam Piece for Horn in F until further notice

Supplied with both Horn in F and Tenor Horn in E Flat parts, this is a fine recital piece. After two bars of harp like accompaniment the horn enters with a beautiful melody that rises and falls throughout its course, supported by some really gorgeous harmony changes. Lullaby was a Trinity College London grade 6 exam piece for Horn in F between 1998 and 2004. The work has been a London College of Music Grade 6 exam piece for Horn in F since 1994, and an Australian Music Examinations Board Level 1 Grade 4 exam piece since 2003.

£6.95

Supplied with both Horn in F and Tenor Horn in E Flat parts, this lively piece in 6/8 is rhythmically challenging for the intermediate horn player. It requires good finger technique and clean tonguing. There are some unexpected entries, lots of accents and sforzandi and, like Serenade by the same composer, much use is made of the second and third valves. The accompanist is equally rewarded with some interesting music to play. This was a London College of Music grade 5 exam piece for Horn in F between 1994 and 2006.

£5.95

Trinity College London Grade 2 Exam Piece for Horn in F until the 31st December 2022

London College of Music Grade 2 Exam Piece for Horn in F until further notice

Supplied with both Horn in F and Tenor Horn in E Flat parts, this is another piece for the beginner, this time introducing trumpet like rhythmic figures and different value tongued notes. Two more sharps are added and the range is extended. The piano provides the marching band with drum accompaniment. This work was an Associated Board of the Royal Schools of Music (ABRSM) grade 2 exam piece for Horn in F between 1998 and 2012.  It has been a Trinity College London grade 2 exam piece for Horn in F since 1996 and has also been a London College of Music grade 2 exam piece since 1994.

£5.95

London College of Music Grade 8 Exam Piece for Horn in F until further notice

A wonderfully evocative and atmospheric piece of night music, with its smooth figures built on fourths shared between horn and piano. The introduction of hand stopping and hand glissando (unique features of the French Horn) challenge the musical, technical and interpretive qualities of both the soloist and accompanist. This work was a Trinity College London Horn in F exam piece between 1998 and 2004, and an Associated Board of the Royal Schools of Music (ABRSM) grade 8 exam piece for Horn in F between 1998 and 2012. It has been a London College of Music exam piece for Horn in F since 1994.

£6.95

London College of Music Grade 8 Exam Piece for Horn in F until further notice

Supplied with both Horn in F and Tenor Horn in E Flat parts, this is a very attractive scherzo full of technical challenges yet very playable. Requiring careful study and attention to detail it has an equally lively piano part. There is a lovely contrasting middle section before the scherzo returns, ending with a flourish up to top C. An original piece suitable for recital or contest. For schools, studios and professionals. This work was a Guildhall School of Music and Drama Grade 8 exam piece for Horn in F between 1996 and 1999, and was an Associated Board of the Royal Schools of Music (ABRSM) grade 8 exam piece for Horn in F between 1998 and 2012.  It has been a London College of Music grade 8 exam piece for Horn in F since 1994.

£5.95

Trinity College London Foundation Certificate (Grade 3 Equivalent) Exam Piece for Horn in F until further notice

London College of Music Grade 3 Exam Piece for Horn in F until further notice

Supplied with both Horn in F and Tenor Horn in E Flat parts. Written for the composers daughter Serenade has a very attractive melody shared between the horn and piano that is characterized with eighth and sixteenth note rhythms. The accompaniment provides a rich sonority with harp like broken chords, requiring sensitive playing from the horn melody floating above. A fine concert piece for the young horn player. This work was a Guildhall School of Music and Drama grade 3 exam piece for Horn in F between 1996 and 2003, and was an Associated Board of the Royal Schools of Music (ABRSM) grade 3 exam piece for Horn in F between 1998 and 2012.  It has also been a London College of Music grade 3 exam piece for Horn in F since 1994 and has been a Trinity College London Foundation Certificate (Grade 3 Equivalent) Exam Piece for Horn in F since 2004.

 

£5.95

Trinity College London Grade 1 Exam Piece for Horn in F until the 31st December 2022

London College of Music Grade 1 Exam Piece for Horn in F until further notice

Supplied with both Horn in F and Tenor Horn in E Flat parts, this lovely horn solo, for a student is his/her first year, covers a minimal range with very simple rhythms. The composer has cleverly highlighted the horn part with an interesting and harmonically rich piano accompaniment encouraging the soloist to perform the piece. This work was a Guildhall School of Music and Drama grade 1 exam piece for Horn in F between 1996 and 2003, and was an Associated Board of the Royal Schools of Music (ABRSM) grade 1 exam piece for Horn in F between 1998 and 2012. The work has been a London College of Music exam piece since 1994 and a Trinity College London grade 1 exam piece since 2004.

£5.95

Supplied with both Horn in F and Tenor Horn in E Flat parts, this is another fine melody for the intermediate horn player, extending the range upwards with a mixture of typical horn like slurs and climbing sforzando dotted minims all interwoven with a quite challenging accompaniment. This was a London College of Music grade 4 exam piece for Horn in F between 1994 and 1996.

£8.95

Another of the late Alan Civil's Christmas arrangements.

£3.95

Another of the late Alan Civil's Christmas arrangements.

£9.95

Of all Bach's instrumental works the six Brandenburg Concertos are his most famous and well loved. This arrangement by Carlo Martelli of the first movement of Brandenburg No. 4 expertly transcribes for the four strings what was originally written for two recorders, solo violin and string orchestra.

£5.95

Of all Bach's instrumental works the six Brandenburg Concertos are his most famous and well loved. This arrangement by Carlo Martelli of the first movement of Brandenburg No. 4 expertly transcribes for the four strings what was originally written for two recorders, solo violin and string orchestra.

£7.95

Bach's vocal style has been accused, quite justly, of being entirely instrumental in origin - therefore this excerpt from the Mass in B Minor is particularly well suited to this arrangement for string quartet by Carlo Martelli.

£3.95

Bach's vocal style has been accused, quite justly, of being entirely instrumental in origin - therefore this excerpt from the Mass in B Minor is particularly well suited to this arrangement for string quartet by Carlo Martelli.