£4.95

Although this march was originally written for military band as part of the composers three movement Suite in E Flat the arranger Carlo Martelli felt that it would adapt well for the string quartet medium and such has proved to be the case. For secondary schools, colleges, conservatories, libraries, amateurs and professionals.

£6.95

Most string quartets are long, but this short little piece in one movement was intended as an encore item, but could also fit comfortably into any portfolio for weddings or other functions. For schools, colleges, conservatories and professionals.

£5.95

Most string quartets are long, but this short little piece in one movement was intended as an encore item, but could also fit comfortably into any portfolio for weddings or other functions. For schools, colleges, conservatories and professionals.

£3.95

Most string quartets are long, but this short little piece in one movement was intended as an encore item, but could also fit comfortably into any portfolio for weddings or other functions. For schools, colleges, conservatories and professionals.

£20.95

Written above all to be enjoyed by the players, audiences have shown that they too share that same delight. Both of Mason's string quartets are in four movements which exploit the instruments on equal terms, and both are in a musical language that enables the strings to sing as they should. These two quartets will happily share any programme with music from Haydn to Debussy and beyond.

£15.95

Written above all to be enjoyed by the players, audiences have shown that they too share that same delight. Both of Mason's string quartets are in four movements which exploit the instruments on equal terms, and both are in a musical language that enables the strings to sing as they should. These two quartets will happily share any programme with music from Haydn to Debussy and beyond.

£7.95

Written above all to be enjoyed by the players, audiences have shown that they too share that same delight. Both of Mason's string quartets are in four movements which exploit the instruments on equal terms, and both are in a musical language that enables the strings to sing as they should. These two quartets will happily share any programme with music from Haydn to Debussy and beyond.

£20.95

Written above all to be enjoyed by the players, audiences have shown that they too share that same delight. Both of Mason's string quartets are in four movements which exploit the instruments on equal terms, and both are in a musical language that enables the strings to sing as they should. These two quartets will happily share any programme with music from Haydn to Debussy and beyond.

£15.95

Written above all to be enjoyed by the players, audiences have shown that they too share that same delight. Both of Mason's string quartets are in four movements which exploit the instruments on equal terms, and both are in a musical language that enables the strings to sing as they should. These two quartets will happily share any programme with music from Haydn to Debussy and beyond.

£7.95

Written above all to be enjoyed by the players, audiences have shown that they too share that same delight. Both of Mason's string quartets are in four movements which exploit the instruments on equal terms, and both are in a musical language that enables the strings to sing as they should. These two quartets will happily share any programme with music from Haydn to Debussy and beyond.

£7.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form. Besides rags Joplin wrote other sorts of piano music such as the graceful Bethena, which he called a concert waltz, arranged here for string quartet by Bill Thorp.

£7.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form. Besides rags Joplin wrote other sorts of piano music such as the graceful Bethena, which he called a concert waltz, arranged here for string quartet by Bill Thorp.

£3.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form. Besides rags Joplin wrote other sorts of piano music such as the graceful Bethena, which he called a concert waltz, arranged here for string quartet by Bill Thorp.

£3.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form. Besides rags Joplin wrote other sorts of piano music such as the graceful Bethena, which he called a concert waltz, arranged here for string quartet by Bill Thorp.

£5.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form, and his second published rag, Maple Leaf (to which Roseleaf Rag, arranged here for string quartet by Bill Thorp, makes a worthy counterpart), was a nationwide hit in 1899.

£5.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form, and his second published rag, Maple Leaf (to which Roseleaf Rag, arranged here for string quartet by Bill Thorp, makes a worthy counterpart), was a nationwide hit in 1899.

£3.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form, and his second published rag, Maple Leaf (to which Roseleaf Rag, arranged here for string quartet by Bill Thorp, makes a worthy counterpart), was a nationwide hit in 1899.

£3.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form, and his second published rag, Maple Leaf (to which Roseleaf Rag, arranged here for string quartet by Bill Thorp, makes a worthy counterpart), was a nationwide hit in 1899.

£5.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form. Besides rags Joplin wrote other sorts of piano music, such as the lovely Solace (featured in the hit film The Sting, and arranged here for string quartet by Bill Thorp), whose gentle melancholy and emotionally-charged pauses are overlaid on the rhythms of a Mexican Serenade.

£5.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form. Besides rags Joplin wrote other sorts of piano music, such as the lovely Solace (featured in the hit film The Sting, and arranged here for string quartet by Bill Thorp), whose gentle melancholy and emotionally-charged pauses are overlaid on the rhythms of a Mexican Serenade.

£3.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form. Besides rags Joplin wrote other sorts of piano music, such as the lovely Solace (featured in the hit film The Sting, and arranged here for string quartet by Bill Thorp), whose gentle melancholy and emotionally-charged pauses are overlaid on the rhythms of a Mexican Serenade.

£3.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form. Besides rags Joplin wrote other sorts of piano music, such as the lovely Solace (featured in the hit film The Sting, and arranged here for string quartet by Bill Thorp), whose gentle melancholy and emotionally-charged pauses are overlaid on the rhythms of a Mexican Serenade.

£5.95

The haunting melody, that forms the chorus of this song, started life in 1892 as an Andantino for organ by Edwin Henry Lemare. Its opening phrase had an even earlier birth, however, bearing as it does an uncanny resemblance to that of the Adagio of Mozart's Hunt quartet. This may explain the arranger Bill Thorp's musical treatment, his original marking "in hot pursuit", and the dedication to the celebrated Pizza Express quartet at Dean Street, Soho, London; for in medieval times this area was farming and hunting land, its name deriving from the old hunting cry of "So-ho!"

£5.95

The haunting melody, that forms the chorus of this song, started life in 1892 as an Andantino for organ by Edwin Henry Lemare. Its opening phrase had an even earlier birth, however, bearing as it does an uncanny resemblance to that of the Adagio of Mozart's Hunt quartet. This may explain the arranger Bill Thorp's musical treatment, his original marking "in hot pursuit", and the dedication to the celebrated Pizza Express quartet at Dean Street, Soho, London; for in medieval times this area was farming and hunting land, its name deriving from the old hunting cry of "So-ho!"

£3.95

The haunting melody, that forms the chorus of this song, started life in 1892 as an Andantino for organ by Edwin Henry Lemare. Its opening phrase had an even earlier birth, however, bearing as it does an uncanny resemblance to that of the Adagio of Mozart's Hunt quartet. This may explain the arranger Bill Thorp's musical treatment, his original marking "in hot pursuit", and the dedication to the celebrated Pizza Express quartet at Dean Street, Soho, London; for in medieval times this area was farming and hunting land, its name deriving from the old hunting cry of "So-ho!"

£3.95

The haunting melody, that forms the chorus of this song, started life in 1892 as an Andantino for organ by Edwin Henry Lemare. Its opening phrase had an even earlier birth, however, bearing as it does an uncanny resemblance to that of the Adagio of Mozart's Hunt quartet. This may explain the arranger Bill Thorp's musical treatment, his original marking "in hot pursuit", and the dedication to the celebrated Pizza Express quartet at Dean Street, Soho, London; for in medieval times this area was farming and hunting land, its name deriving from the old hunting cry of "So-ho!"

Review: "A clever arrangement of a well know tune from the talented pen of Bill Thorp. Originally made for the practical reason of having new and interesting music for regular dates in some of London's famour pizza parlours, the arrangements are also suitable for concerts, encores, or just enjoyment. For schools, studios, professionals." - New Issues October 1994

£7.95

In spite of his reputation for bombast, Liszt was always capable of writing beautiful, delicate and original music, of which these two Consolations, arranged by Carlo Martelli, are a good example.

£7.95

In spite of his reputation for bombast, Liszt was always capable of writing beautiful, delicate and original music, of which these two Consolations, arranged by Carlo Martelli, are a good example.

£3.95

In spite of his reputation for bombast, Liszt was always capable of writing beautiful, delicate and original music, of which these two Consolations, arranged by Carlo Martelli, are a good example.

£3.95

In spite of his reputation for bombast, Liszt was always capable of writing beautiful, delicate and original music, of which these two Consolations, arranged by Carlo Martelli, are a good example.