John Marson Archives - Page 2 of 2 - Broadbent & Dunn Ltd

Violin, 'Cello & Piano

John Marson – Song without Words, Opus 2 No. 3 (Violin, ‘Cello & Piano)

£5.95

Often performed as a separate piece in its own right, if preceded with Nocturne and Scherzo and followed with Fantasia Stravagante, these four pieces by John Marson combine as a substantial recital work. For colleges, conservatories and professionals.

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Violin, 'Cello & Piano

John Marson – Song without Words, Opus 2 No. 3 (Violin, ‘Cello & Piano) – Digital Download

£5.95

Often performed as a separate piece in its own right, if preceded with Nocturne and Scherzo and followed with Fantasia Stravagante, these four pieces by John Marson combine as a substantial recital work. For colleges, conservatories and professionals.

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String Quartet

John Marson – String Quartet No. 1

£20.95

Written above all to be enjoyed by the players, audiences have shown that they too share that same delight. Both of Mason's string quartets are in four movements which exploit the instruments on equal terms, and both are in a musical language that enables the strings to sing as they should. These two quartets will happily share any programme with music from Haydn to Debussy and beyond.

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String Quartet

John Marson – String Quartet No. 1 – Parts Digital Download

£15.95

Written above all to be enjoyed by the players, audiences have shown that they too share that same delight. Both of Mason's string quartets are in four movements which exploit the instruments on equal terms, and both are in a musical language that enables the strings to sing as they should. These two quartets will happily share any programme with music from Haydn to Debussy and beyond.

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String Quartet

John Marson – String Quartet No. 1 – Score Digital Download

£7.95

Written above all to be enjoyed by the players, audiences have shown that they too share that same delight. Both of Mason's string quartets are in four movements which exploit the instruments on equal terms, and both are in a musical language that enables the strings to sing as they should. These two quartets will happily share any programme with music from Haydn to Debussy and beyond.

Add to basket

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String Quartet

John Marson – String Quartet No. 2

£20.95

Written above all to be enjoyed by the players, audiences have shown that they too share that same delight. Both of Mason's string quartets are in four movements which exploit the instruments on equal terms, and both are in a musical language that enables the strings to sing as they should. These two quartets will happily share any programme with music from Haydn to Debussy and beyond.

Buy Hard Copy from Emerson

Quick View

String Quartet

John Marson – String Quartet No. 2 – Parts Digital Download

£15.95

Written above all to be enjoyed by the players, audiences have shown that they too share that same delight. Both of Mason's string quartets are in four movements which exploit the instruments on equal terms, and both are in a musical language that enables the strings to sing as they should. These two quartets will happily share any programme with music from Haydn to Debussy and beyond.

Add to basket

Quick View

String Quartet

John Marson – String Quartet No. 2 – Score Digital Download

£7.95

Written above all to be enjoyed by the players, audiences have shown that they too share that same delight. Both of Mason's string quartets are in four movements which exploit the instruments on equal terms, and both are in a musical language that enables the strings to sing as they should. These two quartets will happily share any programme with music from Haydn to Debussy and beyond.

Add to basket

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Flute & Harp

John Marson – Suite for Flute and Harp

£15.95

In five movements, each with an engaging title, this is a substantial concert work which can serve as a principal item when programme building. Always tuneful and with a great variety of moods, it is a valuable addition to the flute and harp repertoire.

Buy Hard Copy from Emerson

John Marson - Suite for Flute and Harp - Digital Download

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Flute & Harp

John Marson – Suite for Flute and Harp – Digital Download

£15.95

In five movements, each with an engaging title, this is a substantial concert work which can serve as a principal item when programme building. Always tuneful and with a great variety of moods, it is a valuable addition to the flute and harp repertoire.

Add to basket

Quick View

Harp

John Marson – Suite for Harp

£7.95

Trinity College London Diploma Level ATCL Exam Piece from January 2022

Although somewhat modernist in style, this suite by John Marson retains the form and disciplines of conventional music and is by no means avant-garde. Its four movements provide strong contrasts leading to a vigorous conclusion.

Buy Hard Copy from Emerson

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Harp

John Marson – Suite for Harp – Digital Download

£7.95

Trinity College London Diploma Level ATCL Exam Piece from January 2022

Although somewhat modernist in style, this suite by John Marson retains the form and disciplines of conventional music and is by no means avant-garde. Its four movements provide strong contrasts leading to a vigorous conclusion.

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Wind Quintet

John Marson – Three Inventions (Wind Quintet)

£13.95

In this melodic and appealing music the five instruments enjoy opportunities to caress the ears of audiences who may have been fearing heavier and more uncompromising fare.

Buy Hard Copy from Emerson

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Wind Quintet

John Marson – Three Inventions (Wind Quintet) – Parts Digital Download

£9.95

In this melodic and appealing music the five instruments enjoy opportunities to caress the ears of audiences who may have been fearing heavier and more uncompromising fare.

Add to basket

Quick View

Wind Quintet

John Marson – Three Inventions (Wind Quintet) – Score Digital Download

£6.95

In this melodic and appealing music the five instruments enjoy opportunities to caress the ears of audiences who may have been fearing heavier and more uncompromising fare.

Add to basket

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Violin & Piano

John Marson – Three Romances (Violin & Piano)

£6.95

These lyrical pieces are essentially nostalgic, although never sad. They appeal to all audiences.

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Violin & Piano

John Marson – Three Romances (Violin & Piano) – Digital Download

£6.95

These lyrical pieces are essentially nostalgic, although never sad. They appeal to all audiences.

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Flute & Harp

John Marson – Three Romances (Violin or Flute & Harp)

£6.95

These lyrical pieces are essentially nostalgic, although never sad. They appeal to all audiences.

Buy Hard Copy from Emerson

Quick View

Flute & Harp

John Marson – Three Romances (Violin or Flute & Harp) – Digital Download

£6.95

These lyrical pieces are essentially nostalgic, although never sad. They appeal to all audiences.

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Violin & Piano

John Marson – Two Idylls (Violin & Piano)

£7.95

Short modern violin and piano pieces are rare, but these can take their place amongst examples from Elgar and the like. Unpretentious and good at making friends Two Idylls attempts to capture the sense of delight in the contemplation of pastoral landscapes, and the perceived serenity of the countryside. For the city dweller passing through such vistas speak of more relaxed times and freedom from constant pressures. There is, however, an underlying sense of not belonging, and in these pieces the tranquil settings are shot through with tensions that will not go away. No specific times or places are depicted, but the composers own recall of a period spent living in the country and his feeling of loss as he looks back to those years, perhaps account for the mixed moods of these pieces.

Buy Hard Copy from Emerson

Quick View

Violin & Piano

John Marson – Two Idylls (Violin & Piano) – Digital Download

£7.95

Short modern violin and piano pieces are rare, but these can take their place amongst examples from Elgar and the like. Unpretentious and good at making friends Two Idylls attempts to capture the sense of delight in the contemplation of pastoral landscapes, and the perceived serenity of the countryside. For the city dweller passing through such vistas speak of more relaxed times and freedom from constant pressures. There is, however, an underlying sense of not belonging, and in these pieces the tranquil settings are shot through with tensions that will not go away. No specific times or places are depicted, but the composers own recall of a period spent living in the country and his feeling of loss as he looks back to those years, perhaps account for the mixed moods of these pieces.

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John Marson

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