One of Gershwin’s earlier songs, arranged by Carlo Martelli here to reflect the characteristic style in which they were sung and played in the mid 1920’s.
£10.95
One of Gershwin’s earlier songs, arranged by Carlo Martelli here to reflect the characteristic style in which they were sung and played in the mid 1920’s.
One of Gershwin’s earlier songs, arranged by Carlo Martelli here to reflect the characteristic style in which they were sung and played in the mid 1920’s.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Gershwin, George
The arranger Carlo Martelli is up to his old tricks of giving symphonic treatment to one of the evergreens of the Great American Songbook, with his skilful use of the string quartet medium achieving a richness and complexity unequalled by other arrangers in this genre.
Gershwin, George
This wistful song first appeared in George White's Scandals of 1924 and has been deservedly popular ever since. The chorus begins with the query "Somebody loves me, I wonder who?", which prompted the arranger Bill Thorp to mark this, one of his pet arrangements, "with an enquiring mind", and to musically explore possible solutions, considering Maria, Liza and Susie along the way before settling on his faithful boyhood friend (and dedicatee) 'my old dog', whose name you are invited to discover.
Gershwin, George
Gershwin arr. Martelli – Piano Concerto Movement 3 (String Quartet)
As a result of the instantaneous success of his Rhapsody in Blue for Piano and Orchestra, Gershwin was commissioned to write a three movement Piano Concerto - a severe test for him as for the first time he had to come to grips with a serious musical form. Gershwin succeeded magnificently, as has the arranger Carlo Martelli in reducing the third movement of this masterpiece down to four string players. For colleges, conservatories and professionals.
Here with an introduction that looks like a (slightly rickety) staircase, this song was included in George White's Scandals of 1922 at the Globe Theatre, New York, conducted by Paul Whiteman, for whom Gershwin was two years later to write Rhapsody in Blue. The song's dancing theme prompted the arranger Bill Thorp to dedicate his version to Fred Astaire; he also originally marked it to be played "horticulturally", an exotic instruction whose only justification seems to be a line from the song's second verse, wherein appears the exhortation "Get busy .... Lizzy", though it has been suggested that the chorus lyric "I've got the blues" originally read "I've got the pinks". The "fair" mentioned in the following line is thought to be the celebrated one held at the Paradise Gardens, Berghald, Switzerland.