This arrangement by Carlo Martelli is of one of Gershwin’s lesser known tunes which is in the same vein as his Cuban Overture. **** Not for sale in the USA ****
£10.95
This arrangement by Carlo Martelli is of one of Gershwin’s lesser known tunes which is in the same vein as his Cuban Overture. **** Not for sale in the USA ****
This arrangement by Carlo Martelli is of one of Gershwin’s lesser known tunes which is in the same vein as his Cuban Overture. **** Not for sale in the USA ****
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Gershwin, George
Gershwin arr. Martelli – Piano Concerto Movement 3 (String Quartet)
As a result of the instantaneous success of his Rhapsody in Blue for Piano and Orchestra, Gershwin was commissioned to write a three movement Piano Concerto - a severe test for him as for the first time he had to come to grips with a serious musical form. Gershwin succeeded magnificently, as has the arranger Carlo Martelli in reducing the third movement of this masterpiece down to four string players. For colleges, conservatories and professionals.
Gershwin, George
Gershwin arr. Martelli – Fascinatin’ Rhythm (String Quartet)
One of Carlo Martelli's most scintillating string quartet arrangements. The original Gershwin material is treated to an almost quasi-symphonic development. The Pavão Quartet recorded this piece on the CD Someone To Watch Over Me, released in 2006 by Landor Records LAN 277. On the same CD are four more of Martelli’s Gershwin arrangements also published by Broadbent & Dunn.
This beautiful song was one of Gershwin's last, featuring in the 1938 film the Goldwyn Follies. It has been marked to be played entrancingly, apparently prompted by lines from Ira Gershwin's lyric "there came a knock-knock-knocking at the door - Love walked right in" which seemingly caused the arranger Bill Thorp's mind to make an imaginative leap to a mid-19th century Parisian garret, a celebrated knock at an operatic door, and the entrance of Puccini's Mimi. Ideal for weddings. **** Not for sale in the USA ****
Gershwin, George
This is a textually dense and contrapuntally elaborate reworking by Carlo Martelli of Gershwin's evergreen from 1938, first sung by Fred Astaire in the film Monsieur Petroff. The Pavão Quartet recorded this piece on the CD Someone To Watch Over Me, released in 2006 by Landor Records LAN 277. On the same CD are four more of Martelli’s Gershwin arrangements also published by Broadbent & Dunn. **** Not for sale in the USA ****
Gershwin, George
Gershwin arr. Thorp – They Can’t Take That Away From Me (String Quartet) – Digital Download
This bittersweet song, here arranged by Bill Thorp for string quartet, was famously sung by Fred Astaire in the 1937 film Shall We Dance? Lines from Ira Gershwin's lyric seem to have suggested the dreamy middle section "The way your smile just beams, The way you sing off key, The way you haunt my dreams". **** Not for sale in the USA ****
Gershwin, George
Gershwin arr. Martelli – That Certain Feeling (String Quartet)
One of Gershwin's earlier songs, arranged by Carlo Martelli here to reflect the characteristic style in which they were sung and played in the mid 1920's.