The music of this Catalan born composer is always melodically charming, if without any particular emotional depth – this movement, arranged by Carlo Martelli, from his Suite Española No. 1 is no exception.
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The music of this Catalan born composer is always melodically charming, if without any particular emotional depth – this movement, arranged by Carlo Martelli, from his Suite Española No. 1 is no exception.
The music of this Catalan born composer is always melodically charming, if without any particular emotional depth – this movement, arranged by Carlo Martelli, from his Suite Española No. 1 is no exception.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Albéniz, Isaac
This arrangement by Carlo Martelli is of a dance in triple time known as a Sequidilla in its native Spain. It is the seventh of eight movements from the Suite Española No. 1 and is ideal for colleges, conservatories and professionals.
The central movement Nimrod of Elgar's most popular symphonic orchestral work, has in this arrangement by Carlo Martelli had its original key (E flat) transposed to C for the sake of the greater sonority thus attained.
This arrangement by Carlo Martelli is the third of eight movements from Suite Española No. 1 and is ideal for colleges, conservatories and professionals.
This arrangement by Carlo Martelli is of a dance in triple time known as a Sequidilla in its native Spain. It is the seventh of eight movements from the Suite Española No. 1 and is ideal for colleges, conservatories and professionals.
Wagner, Richard
Wagner arr. Martelli – Prelude to Act III of The Mastersingers of Nuremberg (String Quartet)
This solemn and pensive prelude from Wagner's only comic masterpiece expresses the poet-cobbler Hans Sach's ruminations on the folly and vanity of man. Arranged by Carlo Martelli.
Two concert suites were made out of the beautiful and highly picturesque L'Arlésienne music. The Farandole, which concludes the second suite and is here arranged by Carlo Martelli, is a spirited circle dance of Provençal derivation.