This arrangement by Gary Hunter of Schubert’s Adieu portrays the song in a different colour. Written for brass quintet, the song remains lyrical and easy on the ear, and is ideal for church settings and general concert performances.
£11.95
This arrangement by Gary Hunter of Schubert’s Adieu portrays the song in a different colour. Written for brass quintet, the song remains lyrical and easy on the ear, and is ideal for church settings and general concert performances.
This arrangement by Gary Hunter of Schubert’s Adieu portrays the song in a different colour. Written for brass quintet, the song remains lyrical and easy on the ear, and is ideal for church settings and general concert performances.
| Media | |
|---|---|
| Composer | |
| Arranger | |
| Instrumentation | |
| Difficulty | |
| Series |
Gary Hunter was born in Whitehaven, Cumbria in 1990. He took a huge interest in music at an early age and began his education as a pianist. In his teens he decided to take up the trombone, studying under brass band renowned Gordon Evans MBE. In 2008 Gary attended The University of Hertfordshire where he attained a second class honours degree in Music Composition and Technology. He stayed at the University for a final year where he then attained a masters degree in Music Composition for Film and Media.
Brass Quintet
Six movements, starting with Quick March which requires some fast and neat tonguing from all members of the quintet. The Polka which follows is full of colour and requires dexterous trumpet playing. The third movement Blues is a long way from a traditional New Orleans blues - with its melancholy mood and Debussy like harmony it is more like a small impressionist tone poem. Merry Waltz is followed by Preamble, a gentle, atmospheric piece at a leisurely walking tempo. The final movement of this suite Tarandtango (Tarantango) cleverly combines two dances, the energetic tarantella and the elegant tango, resulting in an exciting and virtuoso finale.
Brass Quintet
Two Bach fugues arranged effectively for brass quintet by Ian Lawrence. For schools, studios and professionals.
Brass Quintet
Saint-Saëns arr. Whitehurst – L’Éléphant from The Carnival of the Animals (Brass Quintet)
Arranged by Tom Whitehurst, this is a joyful and descriptive solo for Tuba, as it tries to emulate the movement of an elephant. For secondary schools, colleges, professionals, amateurs and community performing groups.
This arrangement by Robin Benton uses just two of the numerous themes from Richard Wagner's overture to his 1868 opera The Mastersingers of Nuremberg. The opening theme represents the Mastersingers themselves. This dignified melody is stated and then developed contrapuntally, leading to the second theme - this theme is used in the opera for the entry of the Mastersingers. The music builds to a climax that introduces a short reprise of the majestic Mastersingers theme, and triumphant fanfares bring the piece to a rousing finish.
Brass Quintet
Written for Thames Brass, a successful professional brass ensemble in which the horn player at the time was one of the composer's former students. Having spent much of his life as a horn player, and having also had the honour of working with the finest players, in Movements for Brass the composer explores the sonorities of brass in a way that is rewarding to play.
This arrangement by Alan Danson conveys the triumph and celebration of the Finale of Beethoven's 5th Symphony. The writing is idiomatic and melodic interest is shared between all parts, with rare moments of a contemporary approach to the work here and there. An ideal opener to the second half of a concert. For schools, studios and professionals.