This music in this arrangement by Carlo Martelli accompanies the drunken and riotous revelry of the Philistines celebrating their capture of Samson after his betrayal by Delilah, in Act 3 of Saint-Saëns opera.
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This music in this arrangement by Carlo Martelli accompanies the drunken and riotous revelry of the Philistines celebrating their capture of Samson after his betrayal by Delilah, in Act 3 of Saint-Saëns opera.
This music in this arrangement by Carlo Martelli accompanies the drunken and riotous revelry of the Philistines celebrating their capture of Samson after his betrayal by Delilah, in Act 3 of Saint-Saëns opera.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Chabrier, Emmanuel
Chabrier's short but astonishingly brilliant orchestral works, of which España is one, are among the best light music ever written. This arrangement by Carlo Martelli for string quartet captures perfectly the virtuosic nature of the original score.
Saint-Saëns, Camille
Saint-Saëns arr. Martelli – Danse Macabre (String Quartet) – Digital Download
The devil summons the dead from their graves with his fiddle, and skeletons clatter about in waltz rhythm - a scene skilfully evoked by the composer, and here translated to the quartet medium with equal talent by the arranger Carlo Martelli. For colleges, conservatories and professionals.
The central movement Nimrod of Elgar's most popular symphonic orchestral work, has in this arrangement by Carlo Martelli had its original key (E flat) transposed to C for the sake of the greater sonority thus attained.
Two concert suites were made out of the beautiful and highly picturesque L'Arlésienne music. The Farandole, which concludes the second suite and is here arranged by Carlo Martelli, is a spirited circle dance of Provençal derivation.
Based on an eclogue by the symbolist poet Mallarmé, this famous piece is a seminal work in the evolution and development of European art music. At first glance it would seem not to lend itself to the quartet medium, but nonetheless Carlo Martelli has succeeded brilliantly in distilling the essence of the composition in all its sensuous beauty and languorousness. For conservatories and professionals.
Saint-Saëns, Camille
Saint-Saëns arr. Martelli – Softly Awakes My Heart from Samson and Delilah (String Quartet)
The famous aria, from which this arrangement by Carlo Martelli is derived, occurs in the second act of the opera Samson and Delilah, in which Samson is seduced by Delilah to trick him into being captured by his enemies. For colleges, conservatories and professionals.