This well loved aria, arranged by Carlo Martelli, occurs towards the climax of the second act of La Bohème, when Musetta and her ex-lover Marcello are reunited.
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This well loved aria, arranged by Carlo Martelli, occurs towards the climax of the second act of La Bohème, when Musetta and her ex-lover Marcello are reunited.
This well loved aria, arranged by Carlo Martelli, occurs towards the climax of the second act of La Bohème, when Musetta and her ex-lover Marcello are reunited.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Puccini, Giacomo
Puccini arr. Martelli – Nessun Dorma from Turandot (String Quartet) – Digital Download
This famous aria, arranged by Carlo Martelli, is sung by Calaf in the final act of Puccini's final opera. In it he echoes the cries of Turandot's henchmen as they search for the one person who knows Calaf's name.
Based on an eclogue by the symbolist poet Mallarmé, this famous piece is a seminal work in the evolution and development of European art music. At first glance it would seem not to lend itself to the quartet medium, but nonetheless Carlo Martelli has succeeded brilliantly in distilling the essence of the composition in all its sensuous beauty and languorousness. For conservatories and professionals.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 1 Finale (String Quartet) – Digital Download
This gay and skittish movement from Beethoven's earliest symphony recalls Haydn in the character of its themes and their development. The arranger Carlo Martelli has omitted the opening hesitant violin passage.
Wagner, Richard
Wagner arr. Martelli – Prelude to Act III of The Mastersingers of Nuremberg (String Quartet)
This solemn and pensive prelude from Wagner's only comic masterpiece expresses the poet-cobbler Hans Sach's ruminations on the folly and vanity of man. Arranged by Carlo Martelli.
The Passepied is a dance that originated in France and resembles the minuet. This example, arranged by Carlo Martelli from Debussy's Suite Bergamasque, represents a late flowering and highly sophisticated version of the form.
Chabrier, Emmanuel
Chabrier's short but astonishingly brilliant orchestral works, of which España is one, are among the best light music ever written. This arrangement by Carlo Martelli for string quartet captures perfectly the virtuosic nature of the original score.