This, the last and liveliest of the set of Norwegian Dances, is characterised by the composers conspicuous gift for melody, nourished by the folk tunes of his native Norway. Arranged by Carlo Martelli. For colleges, conservatories and professionals.
£10.95
This, the last and liveliest of the set of Norwegian Dances, is characterised by the composers conspicuous gift for melody, nourished by the folk tunes of his native Norway. Arranged by Carlo Martelli. For colleges, conservatories and professionals.
This, the last and liveliest of the set of Norwegian Dances, is characterised by the composers conspicuous gift for melody, nourished by the folk tunes of his native Norway. Arranged by Carlo Martelli. For colleges, conservatories and professionals.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Grieg, Edvard Hagerup
Ibsen, the author of Peer Gynt, commissioned Grieg to compose incidental music for his play in 1874. The two suites that the composer compiled were decisive in winning universal recognition for his work. Death of Åse and Anitra's Dance are here arranged for string quartet by Carlo Martelli. For colleges, conservatories and professionals.
Grieg, Edvard Hagerup
This opus cleverly conjures up the vision of an approaching procession, the wild merrymaking as it passes by and its subsequent fading away into the distance. In the closing bars of this characteristically masterly arrangement Carlo Martelli has introduced sly references to both Mendelssohn's and Wagner's wedding marches. For colleges, conservatories and professionals.
Grieg, Edvard Hagerup
Grieg arr. Martelli – Morning from Peer Gynt (String Quartet) – Digital Download
Grieg's beautiful evocation of dawn is here superbly translated for the four stringed instruments by Carlo Martelli. For conservatories and professionals.
Grieg, Edvard Hagerup
Grieg arr. Martelli – The Death of Åse and Anitra’s Dance from Peer Gynt (String Quartet)
Ibsen, the author of Peer Gynt, commissioned Grieg to compose incidental music for his play in 1874. The two suites that the composer compiled were decisive in winning universal recognition for his work. Death of Åse and Anitra's Dance are here arranged for string quartet by Carlo Martelli. For colleges, conservatories and professionals.
Grieg, Edvard Hagerup
Grieg arr. Martelli – Nocturne from Lyric Pieces (String Quartet)
This is one of more than sixty short piano pieces by the famous Norwegian composer, and is also one of four movements that Grieg orchestrated and incorporated into his Lyric Pieces. For secondary schools, colleges, conservatories and professionals. The Pavão Quartet recorded this arrangement on the CD Dreaming, released in 2008 on Discrete Recordings DISC0801 and re-released in 2010 on Discadia Records DISCA001. Included on the same CD are four more of Martelli’s Elgar, Beethoven, Debussy and Dvořák arrangements also published by Broadbent & Dunn.
Grieg, Edvard Hagerup
Grieg arr. Martelli – March of the Dwarfs from Lyric Pieces (String Quartet) – Digital Download
One of six Lyric Pieces, originally for piano, which have been expertly transcribed for the four strings by Carlo Martelli. Better known in its orchestrated version this quiet march has a wistful middle section.