Arranged for string quartet by Carlo Martelli, this lively piece, better known in its orchestral arrangement, is the final movement of a suite of choral songs Elgar composed while on holiday in Bavaria. For conservatories and professionals.
£13.95
Arranged for string quartet by Carlo Martelli, this lively piece, better known in its orchestral arrangement, is the final movement of a suite of choral songs Elgar composed while on holiday in Bavaria. For conservatories and professionals.
Arranged for string quartet by Carlo Martelli, this lively piece, better known in its orchestral arrangement, is the final movement of a suite of choral songs Elgar composed while on holiday in Bavaria. For conservatories and professionals.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
At the height of his maturity as a composer Elgar composed two suites for orchestra by expanding and developing some incidental music he had composed at the age of twelve for some private theatricals. This arrangement by Carlo Martelli is from the first suite.
This piece, arranged by Bill Thorp, forms part of a group of Edward Elgar's much-loved salon pieces, that are as fresh and exquisite as when first conceived over a century ago. Chanson de Matin evokes the (appropriately) Edwardian golden age, and will be ever-popular because it is so beautifully written.
Arranged for string quartet by Carlo Martelli, this lively piece, better known in its orchestral arrangement, is the final movement of a suite of choral songs Elgar composed while on holiday in Bavaria. For conservatories and professionals.
Elgar, Edward
Elgar arr. Martelli – Moths and Butterflies from Wand of Youth Suite No. 2 (String Quartet)
At the height of his maturity as a composer Elgar composed two suites for orchestra by expanding and developing some incidental music he had composed at the age of twelve for some private theatricals. This arrangement by Carlo Martelli is from the second suite and is ideal for colleges.
This is an adaptation by Carlo Martelli for string quartet of one of six choral songs the composer wrote while holidaying in Southern Germany. The original version was for harmonium and 4 part chorus. Elgar later orchestrated three of the songs under the title Three Bavarian Dances. For colleges, conservatories and professionals.
Sun Dance is the fourth movement of Elgar's Wand of Youth Suite No. 1, first performed at the Queen's Hall in London in December 1907 and conducted by Henry Wood - arranged here for String Quartet by Carlo Martelli.